Uriah43 "Shen Wei Ta" (Wai-Man Chan) is a young man who is dating the sister of the local bully. One night the two men get into a fight and after Shen Wei Ta accidentally kills him he is forced to flee from the scene. Vowing to never fight again he changes his name to "Chung San" and gets a job as a manual laborer off-loading cargo from ships and tries to save as much money as he can. However, when young thieves are caught stealing some rice from a warehouse, Chung San stops them from getting beaten to death by offering to pay for the merchandise out of his earnings. This inexplicably angers the dockyard boss who doesn't like the fact that Chung San dared to interfere and proceeds to order some of his hired thugs to beat him up as well. Fortunately, some of the workers come to his aid and manage to stop things before he is seriously hurt. Not long afterward, things get much worse when the leader of a crime syndicate moves in and takes over the pier which subsequently disenfranchises all of the workers who have spent most of their lives working on the docks. Violence soon erupts with a particularly strong and muscled individual named "Chiang Tai" (Bolo Yeung) killing or maiming anybody who dares to interfere with the syndicate. It's at this time that Chung San realizes that he has to reevaluate his vow to abstain from fighting. Now rather than reveal any more I will just say that this was an old-style kung fu film of the type that gained prominence in the early 70's. While not as good as those movies which featured Bruce Lee, this particular film had more than enough action and several actors (most notably Bolo Yeung) who had previously performed with him to give it a certain amount of credibility. In short, fans of martial arts films from this general era might enjoy this particular movie and I have rated it accordingly. Average.

Leofwine_draca A routine Hong Kong beat-em-up, surprisingly entertaining thanks to the starring power of huge Chinese muscleman Bolo Yeung (ENTER THE DRAGON) who spends his entire screen time breaking down his opponents and ripping them to shreds. Although Bolo doesn't come into the film until halfway through the running time, his appearance immediately signals a stronger level of quality in the fight scenes as he smashes through enemy after enemy, never losing and destroying every opponent. My only major complaint with this film is the misnomer of the retitling, Chinese HERCULES; it makes it sound like Bolo is going to be the hero in the movie when instead he is more routinely (type)cast as the villain's henchman. Now watching Bolo in a traditional peplum-style Hercules film as the hero; that would be something really special.Aside from Bolo, it's hard to see why this film is so special. The production values are about average for a typical mid '70s Hong Kong kung fu film, meaning that the editing is sloppy and the music overbearing. The dubbing is either unbelievable or ridiculous and the transfer I watched was horrifically panned and scanned, ruining the spectacle of a number of the fight sequences. Speaking of the non-Bolo action, it is fairly routine and the film does take a long while to get going. The clichéd storyline concerns the skilled fighter who kills a man and vows never to fight again; of course we all know that eventually he will resume fighting so the various plot twists are never too surprising.Cast members put in commendable performances (especially from the lead, whose character surprisingly gets some depth, unusual for this genre) but nobody really shines. Apart from Bolo, of course, who makes do with a single line of dialogue ("First we kill them, then we dump them") for dramatic effect. The finale of the film consists of a massacre followed by a massive battle which really shows off Bolo's bone-breaking capabilities and as a result the entertainment value is far greater than it has any real right to be. My advice is to struggle through the slow build-up and then watch it for the violence and the coastal scenery alone. Grade C chop-socky at its finest.

winner55 This is indeed the film that solidified Bolo Yeung's international reputation as a strong and implacable villain. And he really pulls his weight in the film, killing with a rare enjoyment.The trouble with the film is two-fold. First it is an early 'chinese boxing' film, not really about the self-discipline that 'kung fu' is all about. It is in the vein of what became known as the 'swining fist' fight movie, since that is what the fighters really do, swing their arms and legs about, without much technique.This leads to another, larger problem: this film is downright cruel. The violence is unrelenting, even sadistic, and there is no great sense that the hero will at last achieve the much needed revenge and justice until the very end.It is unclear why many Hong Kong filmmakers chose that kind of structure during that period; my own guess is that it made making films cheaper, easier and faster - everybody get's killed, and then the hero at last exacts revenge. That's pretty much the whole formula.Historically interesting but actually difficult to watch. Definitely not for repeated viewing.

Golgo-13 Since this old kung-fu flick features China's answer to Arnold, the formidable Bolo Yeung, one can only assume the title refers to him. The reason this is a bit peculiar is because Bolo is a bad guy heavy who only has about 20 or 25 minutes of screen time. Still, he made his presence known; there's nothing quite like watching multiple Chinamen who weigh 115 pounds dripping wet take on the mighty pecs that are Bolo! Yeah, surprisingly, Chinese Hercules wasn't that bad of a fight flick at all, decent plot and everything. Also stars the chubby punk who "scolded" Bruce Lee for not wearing his uniform in Enter The Dragon.