235SCOPE
Arturo de Cordova was not Spanish, he was Mexican. His first language was Spanish, but that does not make him "Spanish." Mexican and Spanish are two different things.The film aired today on TCM. It was a rare showing of this movie, which I have been hunting down since reading about it in Mitchell Leisen's biography 43 years ago. It was then that I read and never forgot about the sumptuous Oscar-winning Technicolor cinematography. I was heartbroken to see it in an extremely washed-out transfer but anything is better than nothing. Would it be possible for Universal to place this on a list of important restorations, given its place in Oscar history?
Greg Couture
I've never seen this fanciful costumer in a theater but a TV broadcast, quite a few years ago, fairly leapt from the screen - the three-strip Technicolor had transferred to video as if it were a pristine print. Paramount obviously spared no expense on this one and, despite some minor objections, I recall being thoroughly entertained by it, especially that absolutely savage battle-to-the-death between Basil Rathbone's quintessentially dastardly villain and a desperately determined Joan Fontaine.Some years back I somewhere read that, while waiting in full makeup and costumes for the lighting technicians to work their magic, Miss Fontaine rather scathingly queried her costar, Arturo de Cordova, why he was pursuing a career as an actor, apparently with the implication that it was an occupation unworthy of a man. If that's the kind of treatment he had to undergo at the hands of a Hollywood leading lady, one can confidently guess that his much greater success in Latin American cinema left him with few regrets that his Hollywood sojourn never amounted to much.
Hans C. Frederick
In examining this well-done film,I find myself in disagreement with one of the other critics,in terms of regarding the performances of some of the supporting players.Where do we start? 1)Nigel Bruce is doing his usual blundering,obtuse,blithering,pompous oaf,as we have seen in numerous other films.In this picture,however,his character is not as benign as we have witnessed elsewhere. 2.)Cecil Kellaway,as William,is doing a masterpiece.His character is sly,wise,verbally adroit,socially adept,sensitive,and intuitive.This is the sort of fellow we would wish to have as the major-domo,or butler. 3.)Forbes,as Harry,does well in what happens to be an extremely thankless role.Dona's husband is a clod and a buffoon.He is a self-centered,selfish,immature man,who married for all of the wrong reasons(although the right ones for that period.)He wanted to have a beautiful wife,who would provide him with sexual companionship,company,and would handle all of the business aspects while he could go out with his pals and have a good time.He's not only NOT interested in handling his end of the relationship,but he puts her in the way of Lord Rockingham,even though he knows that she finds his attentions repugnant.it's not easy to do this kind of part,but he does carry it off.
Neil Doyle
Joan Fontaine was never more beautifully costumed and made up as a lady longing for romance with a dashing pirate to escape her dull marriage--but she never quite convinces she has all the spirit and fire of the heroine. (Evidently, Maureen O'Hara was unavailable). She poses prettily in a number of extravagant costumes but the fantasy escapism of the story seems artificial and contrived. A nice asset is a background score featuring Debussy's 'Clair de Lune' and a properly wicked performance from Basil Rathbone (who gets his comeuppance from the fair lady by having a suit of armor tossed at him.) Cecil Kellaway and Nigel Bruce don't fare as well in rather thankless roles. Unfortunately, the pirate is played unimpressively by Arturo de Cordova, entirely lacking in the charisma required to make his part believable. Women will especially love the idea behind the story--escape with the man of your dreams if only for a day or night of pirate adventure. Nothing deep here, but it's beautiful to look at and justly won an Oscar for Best Color Art Direction and Interior Decoration. For fans of romantic fiction, this one fills the bill.
AD
