yee_haw0 I registered on IMDb for the sole purpose of telling people not to watch this movie. You know those sick days where all you want is a bad movie that will entertain you as you lie awake wishing you had not had so much to drink the night before? These are the kinds of days which have resulted in me in watching many an awful movie taking great pleasure in it. Well, this movie was watched on one of these days and I hated every second of it. The acting was tolerable, the story predictable and done before but that is not why it sucked. it was how they went about producing it. Just awful. Please, I implore of you one thing, do not watch this movie. you will regret it.

bayoudan After seeing Meredith in "Beyond the Prairie" I had to buy another film with her staring. I cannot believe how she let herself into this teenage flick. It's best to watch this one with the sound off but just concentrate on Meredith as she moves across the screen. Save your money until the TV network comes out with a DVD on "Beyond the Prairie". It's worth it at any price, this one needs to pay you to see. This pretty lady needs someone to put her into a script that can use both her talent as an actress and her beauty as a woman. Perhaps some of her latest might fit but I haven't seen them. She has the smile of a Cathrine Bell and eyes of Dana Delany with a much younger body.

Speedo_mask I took Film History and Appreciation class with Mark Hoeger, the director of this movie, last semester, and I have to say I expected much more out of one of his movies. The movie had potential but really was ruined because of a few things.First of all, the screenplay was simply not well-written. Besides the storyline being a long series of cliches and predictable attempts at "plot twists" the dialogue was totally unconvincing. Some of the lines were great (the one about giving a girl "both inches" made me laugh), but too often there were lines written in that just didn't seem to fit. Some of the lines just didn't make sense at all.Also, the acting was bad even by WB standards, with a few exceptions. I liked Meredith Monroe as the love interest, but basically the rest of the cast was typical WB crap. The actors delivered their lines totally unconvincingly at every chance they got, and at no point did I ever believe that a guy with pubes on his chin could get a girl that hot to even talk to him. Only a few of the football players were big, strong, quick, good, or mean enough to play football on a halfway decent high school team in Nebraska, let alone to play in an all-star type game.Finally, most football movies have lots of great action shots during the games, but the game footage was slow and boring. Off the field there were way too many shots of the scenery. If they put those shots in to bore the viewers, they succeeded. For most of the movie I was bored out of my skull, and the only interesting part of watching the movie was trying to pick out places I had seen before and people I knew.I really wish I had something really good to say about this movie. It lacked any imagination or talent, and was flawed in many many ways. In other words, it's a great WB movie.

llamaherd Last fall (of 2001), I took a film class that was taught by the director of this movie (Mark Hoeger). His vast knowledge of filmmaking, his ability to dissect any scene of a film, and his winning of an Academy Award in some obscure category seemed to give him more credibility than your average independent film director. When he mentioned during one of his classes that he had just finished directing a film called "Full Ride" and was in the post-production stages, my interest was piqued. However, that would be the last I would ever hear of that film project. Until last week...Last week, I saw in a TV listing that "Full Ride" was going to be showing on the WB network. This immediately raised a red flag, as I can't help but associate WB with teensploitation shows such as Dawson's Creek, Charmed, etc. PLUS, the fact that Full Ride was going to be released straight to TV wasn't too flattering in itself. But, nevertheless, I set aside that time and sat down to watch my former film teacher's creation.After two hours passed and the end credits began to roll, I thought long and hard about what I had just seen. What I had just seen was a typical WB-quality show stretched out to the length of two hours. In fact, it almost seemed as if this movie was made with the sole intent of only showing on the WB network. Critiquing this movie will basically be like critiquing a typical WB show.Where to begin? The characters are shallow, the story is cliche in every sense of the word, the scenes are completely contrived, and the character development is forced and unbelievable. This movie just screams `unoriginal.'The main character, Matt Sabo, is some hot shot from the wrong side of the tracks (literally) who plays solid high school football as a fullback, but then fizzles off into a life of crime. He is then offered a chance at a full ride scholarship instead of going to jail. Obviously, without much of a choice, he agrees to play football with an all-star football team, but is not excepted among his peers because of his poor team spirit and bad attitude.Then comes the love interest. Of course! Where would this predictable fanfare be without a love interest? She comes in the form of Amy Lear (played by the beautiful Meredith Monroe). She is actually a likable character, as opposed to the ever-so-abrasive Matt Sabo, so we almost applaud her when she rejects him at first. But, of course, the inevitable comes to pass. She falls for him, changes his attitude towards everything, and all seems good and happy. But now it's time for conflict!Earlier in the movie, Amy makes it clear to Matt that she doesn't want to score with him, because it would be `shameful' to her and her mother. This is much to Matt's dismay, and his football buddies (yes, they eventually warm up to him) who bet him he wouldn't get any. But, of course, Matt eventually comes to accept these terms and decides he's not all about the nookie. Here's where the exciting plot thickens. If you don't want me to ruin this surprise, then skip ahead.[BEGIN SPOILER]Matt finds out from some local guys that apparently Amy Lear always tries to score with a guy each year from the All-Star team so that she can try to use him to escape her small town life of working in a cafeteria (which is baffling in the first place) and make it to the big city. Suddenly realizing he's been used and that his love was a sham, Matt it tempted to turn back to a life of crime and leave the football camp before `the big game.' Amy tries to reassure him that she was really in love this time, but he's too hot-headed to buy it. So what will Matt do? Will he take her back? Or will he go back to robbing gas stations and being an all-round jerk? I won't ruin the super-ultra-surprising ending for you.[END SPOILER]So, if I somehow got you pumped up for this movie, please realize that that was my sarcasm and not genuine enthusiasm. This movie is an uninspired version of `Varsity Blues' or `Summer Catch.' And that's not saying much. There's hardly any comedy to save it and the characters are too shallow to care about. So what do you have left? Not a whole lot. What I most disliked about the movie was how much of an unflattering picture Hoeger painted of Nebraska through this film. It seems like he was trying to capture the essence of rural Nebraska and teenage life in the small towns, but his approach is all too stereotypical and shallow. The characters' high hopes for making in `the big city' and the actions they take to do so are greatly exaggerated, and it only further cements the stereotype of Nebraskans being a bunch of hicks living in farm communities. I am unsure of whether or not Hoeger's intentions were good in trying to put his home state in the spotlight, but I think he ended up with a very shameful product. If Hoeger wanted to portray Nebraska in a favorable light, he should have taken a note or two from Alexander Payne. While Payne simply chooses to use Nebraska as a backdrop for his films, Hoeger integrates it into the plot of Full Ride and becomes so entangled in his awareness of where he's shooting, that he ends up churning out superficial garbage that would seem to come from an outsider. If Hoeger actually lived here, you'd think he'd know better than that.All in all, I am completely disappointed in Hoeger's first big film, and I hope that next time he can combine his knowledge with a little bit of originality to create something different and thought-provoking.