bensonmum2
The governmental powers that be are concerned that a man known as Hammerhead (Peter Vaughn) will try to steal NATO secrets at an upcoming meeting. They also know that Hammerhead is an avid collector of pornography. To learn more about his plans and to get close to him, Agent Charles Hood (Vince Edwards) poses as a dealer with a large collection for sale. Complicating matters for Hood, he's picked up something of a hanger-on in the form of swinging Sue Trenton (Judy Geeson).Hammerhead is another of those movie that I really wanted to love. It's not that the whole movie is a complete waste, but it only comes close to fulfilling its promise in the final 30 minutes. The ending is really enjoyable, fast-paced, and exciting. The chase scenes through the crowded Lisbon (I'm assuming it was Lisbon) streets is nicely filmed. Had the whole thing been that entertaining, Hammerhead might have launched another spy series. Unfortunately, Hammerhead is a 90+ minute movie. You have to sit through 60 lifeless, boring minutes to get to the good stuff. There are a couple of problems I'll cite. First, the plot is unnecessarily muddy at the beginning of the film. I'm guessing the filmmakers wanted to save a surprise or two, but how about giving the viewer a clue as to what's going on? Second, Vince Edwards might have been a decent enough actor, but he's not my image of a secret agent. His Hood is just too dull to pull off the lead.Despite the flaws, overall, I enjoyed Hammerhead. Other than the exciting third act I've already written about, there are a couple of performances worth mentioning. Vaughn makes a wonderful villain. Like all good baddies, he's ruthless when he has a henchman or two around, but turns coward when he's alone. I also got a kick out of the white glove idiosyncrasy. Nice touch. Unlike some other comments I've read on Hammerhead, I really enjoyed Judy Geeson's performance. Yeah, she's annoying at times, but she's meant to be. Her character gives the film a nice 60s vibe that always appeals to me.
moonspinner55
American agent Charles Hood needs to stop international criminal Hammerhead from stealing a secret report on nuclear defense. British production has cheeky asides and a bouncy score from David Whitaker--as well as a curious obsession with erotic art!--but is so mild it barely makes an impression. Adaptation of the spy novel by James Mayo (aka Stephen Coulter) opens with a garish hippie happening in London that is liable to scare away the film's target audience. In the lead, Vince Edwards seems a little sheepish; he fills the bill but lacks the punchy personality to make Hood a three-dimensional hero. *1/2 from ****
milliefan
The other reviews are pretty spot-on in assessing this as utter drek, but oddly nobody has mentioned the ludicrous scene in which Judy Geeson - worst actress of 1968 without a doubt - suddenly bursts into song. After a good hour (which seems like a lifetime) of Geeson's high pitched, twelve year old schoolgirl voice, she appears in a nightclub 'singing', only her voice has been dubbed by a Madeline Bell soundalike (for those who aren't familiar with Miss Bell, she is a husky voiced jazz singer of the Shirley Bassey type). A more unsuitable voice double for Judy Geeson would be hard to imagine! The only plus in the entire film is the great Diana Dors, injecting interest and style into a project sadly lacking in both departments.
OldSchoolWhitey64
Third rate Bond ripoff,with super villain,scantily clad women,etc.About the only moment I even really remember is *NOT A SPOILER* with about 10 minutes left, the wind from a helicopter blows Judy Geeson's skirt up, giving us a good 3-4 second look at her white briefs.That should tell you how memorable the entire movie is.To the first comment,at the bottom,the *SPOILER* ending you described,was to an equally awful film,from the year before, called "The Day the fish came out."
AD
