Harry in Your Pocket

Harry in Your Pocket

1973 "If you only have eyes for her... If you just bumped into a stranger... If suddenly you develop sex appeal... You've got... "Harry In Your Pocket!""
Harry in Your Pocket
Harry in Your Pocket

Harry in Your Pocket

6.3 | 1h43m | PG | en | Drama

A master thief and his drug-addicted partner teach two aspiring crooks how to steal wallets.

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6.3 | 1h43m | PG | en | Drama , Comedy , Crime | More Info
Released: September. 23,1973 | Released Producted By: United Artists , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A master thief and his drug-addicted partner teach two aspiring crooks how to steal wallets.

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Cast

James Coburn , Michael Sarrazin , Trish Van Devere

Director

Fred J. Koenekamp

Producted By

United Artists ,

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Reviews

Scott LeBrun Michael Sarrazin plays Ray Haulihan, a hard working but not typically efficient pickpocket, who lifts the watch of Sandy Coletto (Trish Van Devere) one day in a train station. This act sort of binds them together, and since they're both now in need of some finances (in going to confront him, she left her other valuables vulnerable), they go to meet with Casey (Walter Pidgeon), who's recruiting members for a team of thieves that will be masterminded by Harry (James Coburn, smooth as always). Casey and Harry are veterans of the pocket picking game, and therefore experts, who teach the young couple everything there is to know about it.Much of the joy here lies in learning the lingo and watching the Harry / Casey / Sandy / Ray team in action as they finally start to gel. Tony Giorgio, who has a small role as a detective, served as the technical adviser, and the whole premise is fascinating enough to reel viewers in, with the presentation by writers James David Buchanan & Ronald Austin and producer / director Bruce Geller remaining largely matter-of-fact and fairly low key for the duration. Although this was marketed as a comedy, "Harry in Your Pocket" is actually pretty serious most of the time, although it's not without laughs. It benefits greatly from location shooting on a few American and Canadian locations (Seattle, Salt Lake City, Victoria) and good, straightforward storytelling, not to mention a wonderful music score by the ever dependable Lalo Schifrin. Hairstyles and fashions may help to date the film, but this is never a big distraction.The quartet of principal actors all shines. Van Devere is very, very sexy, and Coburn is compulsively watchable as usual. But Pidgeon is a special treat as the endearing old timer who unfortunately happens to have a cocaine habit. (He also played a pickpocket in his penultimate film, "Two-Minute Warning".) Top character actor Michael C. Gwynne ("Payday", "The Terminal Man") has a one scene role as a fence.A very fine film, overall, that deserves to be better known. It was the only theatrical filmmaking effort for Geller, better known as a TV veteran who'd created the classic series 'Mission: Impossible' and 'Mannix'.Eight out of 10.
Scott-Antes I liked this film, but contemporary viewers might find it somewhat less than exciting. Viewers who weren't around in the early '70s are liable to be distracted by the bad fashions and bad hair of the day, even though this film is relatively conservative in that respect. Sex and violence do exist in the film, but by today's standards are extremely mild. The main characters, in any case, are portrayed superbly. All four actors who play these roles are charismatic, each in his or her own way. I thought the ending of the film was a little disappointing, although it undoubtedly was meant to send a message. This is a film that needs to be rated according to the standards of the time. While categorized as a comedy, it is far more serious than amusing.
wenonajo i was an extra, in the crowd. the last scenes. were filmed, during an equestrian horse show, in salt lake city, Utah. it was interesting, to see all the production crew and cameras. an add was in the paper, to show up, and be a member of the crowd. so i went. we were given coupons, for hamburgers and drinks. it was a long time ago, but i sure remember it. when i went to the movie, in a theater, i swear i saw myself. it was the last scenes of the movie, where they caught "harry". the people filled the stands, on one side only. it took most of the day, to film it. there were trucks and cameras, and they kept telling you, if you saw a camera, to not look, at it. it was very interesting, and i am glad i went to do this.
pery-1 Yes Pigeon and Coburn are great, and it's interesting to watch them, although Coburn seems rather restrained and dull here. It's enjoyable to view Seattle, Victoria and Salt Lake City of 1970's, and the period cars and clothing. That's all the good in this boring film. The dialog is incredibly bad, as is most of the acting. Ray and Sandy's motivations seem forced and unlikely. I've seen this "training to be a pickpocket" routine several times before. There's a long build up, leading to nothing. Better to catch an episode of "Streets of San Francisco", or one of the many great crime/caper movies. To name a few, there are Bedtime Story, remade as Dirty Rotten Scoundrels, The Lavender Hill Mob, The Grifters, Paper Moon, The Sting, and best of all, House of Games.