Heavy Metal in Baghdad

Heavy Metal in Baghdad

2008 ""
Heavy Metal in Baghdad
Heavy Metal in Baghdad

Heavy Metal in Baghdad

7.6 | 1h24m | NR | en | Documentary

The story of Iraq's only heavy metal band and their fight to play music.

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7.6 | 1h24m | NR | en | Documentary , Music | More Info
Released: May. 23,2008 | Released Producted By: , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

The story of Iraq's only heavy metal band and their fight to play music.

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Cast

Suroosh Alvi

Director

Eddy Moretti

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Reviews

runamokprods I found myself surprised to like a film about heavy metal this much. Just personal taste, but it's not music that usually speaks to me.But this tragic, darkly comic, oddly triumphant and endearing look at a group of young Iraqis trying to keep their band together and play - in the middle of the insanity of war, and then later in exile in Syria - and also seeing the crazy bravery of the two young guys trying to make a film about them - has stuck in my head with very fond feelings. By making the war and it's effects this personal I came away with a much deeper understanding than I might have from a film trying to cover the whole wide landscape. I wasn't quite as moved on a second viewing with friends, but it's still a film I think of with tremendous warmth, and recommend whether you like heavy metal or not.
MetalGeek Remember the famous Twisted Sister video where the Dad asks the kid "What do you wanna do with your life?" and the kid's answer is "I WANNA ROCK!"? The members of Acrassicauda just wanna rock too. The problem is that unlike most young bands, Acrassicauda (Latin for "Black Scorpion") happens to be the first (and so far only) heavy metal band from Iraq, a country which is obviously not known for its rock and roll scene. That's the set up for "Heavy Metal In Baghdad," a fascinating documentary that puts a human face on the misery currently facing the population of that war ravaged country. The members of Acrassicauda thought they had it bad before the American invasion. They couldn't wear their hair long for fear of persecution, their songs had to be pro-Saddam Hussein, and their music is accused of promoting Satanism. Just getting the band together in one place to play a concert was a massive undertaking. Unbelievably, the situation got even worse once the American "liberators" took over. When a pair of Canadian journalists who serve as our narrators arrive in Baghdad in 2006, the country is more or less the Wild West. They travel with an A-Team of bodyguards wherever they go and wear flak jackets at all times. It's not safe to be on the streets for more than a few minutes for fear of being kidnapped, shot by a sniper, or hit by a stray rocket. I found these on-the-ground segments particularly fascinating, as the team captures the desperate day-to-day life in Baghdad that you don't see much of on your sanitized nightly TV news.When the film crew finally reconnects with Acrassicauda, the band hasn't played a concert in a year and in fact all of the members haven't even been in the same room together for nearly six months. Acrassicauda seem to be likable guys, they're just your average joes in Metallica and Slipknot shirts, prone to throwing the metal "devil horns" as much as possible and speaking surprisingly good English (peppered with the expected F-bombs; this is a heavy metal band, after all), bemoaning the fact that they can't just get together whenever they want to kick some ass like any other band around the world.Eventually the scene shifts to Damascus, Syria, where the band members have emigrated to escape the war in their homeland. They may be out of the war zone, but they're still miserable. Packed like sardines in tiny apartments, scraping by with dead-end menial jobs and missing their families, one band member even admits that he misses the sounds of bombings and machine gun fire. The film's narrators arrange for the band to lay down some tracks for an EP in a primitive recording studio in Damascus, finally fulfilling their dream to have their tunes preserved on tape. When the band is playing their music, we finally see how much joy it brings to their lives. From there, Acrassicauda puts on their first concert outside of Iraq in the basement of a pool hall, saying that if it's not well attended, the band will break up. Happily, the small crowd of rockers eats up the band's music, inspiring them to continue onward.From the description, you might say this sounds like "Anvil! The Story of Anvil" against a war backdrop, but it's way more than that. Even as the film ends, the band members are depressed and angry about their situation and the band's future remains in doubt. A crawl at the end of the film says that Acrassicauda were in danger of being deported from Syria and sent back to Iraq as their Visas had expired. (I understand that since this film was released, they have all emigrated to the U.S. and have picked up their musical dreams where they left off. I haven't heard the four song EP they recently released but I'm definitely interested in doing so.) "Heavy Metal In Baghdad" is absorbing, fascinating, and depressing all at the same time. I can not imagine going through the sort of things that Acrassicauda have experienced on a near daily basis, so they have my respect not only as musicians, but as people. The next time I read an interview with some spoiled rock star complaining about how tough his life is, I hope someone tells him to shut up and watch this movie.
Bcbud420z This documentary really opened my eyes to the simple pleasures that we take for granted . I was really moved by the fact that I can just hop in my car go to a gig and let my anger out in the pit and just live life . This documentary brings to light the hardships that occur in Iraq , and to this band the only thing that makes them free is getting together to jam and record a album . you will feel a whole new sense of self after seeing this documentary trust me. I as a Canadian feel a great injustice of what is occurring in Iraq after viewing this , but ,media and politics dictate what they want you to see. Wake up north America ! and create a world that we can all just be free to express ourselves in whatever form we choose .
gerrystakes I too saw this explosive high-risk film at the Toronto film festival, the day after Abu Risha, head of the Anbar Awakening Council in the supposedly "pacified" region of Iraq's notorious "Sunni triangle" was blown up ten days after meeting with President George Bush.In their first venture into feature-length guerrilla film-making, Moretti, head of VICE Films, and Alvi, co-founder of counterculture VICE magazine, follow what has happened to the members of "Acrassicauda" (Latin for black scorpion), Iraq's first and only heavy metal band. They note that the band had played four concerts during the Saddam era by including a song praising the tyrant which everyone knew was an ironic fake. Since the Coalition "liberation" of 2003, they have played only two, the last in the summer of 2005. Since then all have joined the ranks of the over two million Iraqi refugees (another nearly two million are internally displaced), over a million alone in neighboring Syria. The U.S. during this time has accepted less than 500.Shot by the intrepid duo in high-definition video during two dangerous trips to Baghdad and one to Damascus, the film contains candid interviews with band members, all apolitical and non-sectarian, speaking obscenity-laced English street talk. But then, their situation is obscenely perilous and unfree. It is not surprising for one to say: "(Expletive) this democracy", when their experience is one of a worsening life in hell followed by a "less than zero" subsistence exile in Damascus.After the screening, the filmmakers informed the audience that band members had been refused Canadian visas to come to the festival, that they were facing expulsion back to Iraq from Syria by October 10, and appealed for donations through the website http://www.heavymetalinbaghdad.com/ to help them relocate.