JoeB131 It seems to me a few reviewers are letting their feelings for Reagan as a president seep into their views on the movie. Probably doesn't help matters that this was his only on-screen pairing with his future first lady, Nancy Davis.This movie is pretty generic in its conflicts. A captain has to make tough decisions in wartime, decisions that cost people their lives. Considering the budget, the scenes were well shot.This was one of Reagan's last movies, before he went on to be a pitchman and then a politician.Also surprising is the participation of Admiral Chester Nimitz playing himself. perhaps Nimitz felt the submariners didn't get their due, with all the war movies being made about pilots and infantry, so he lent his credibility to this film.If you check your feelings about President Reagan at the door, you can enjoy this film for what it is.

pageiv I'm sure the tactics used in this movie bar little on how things really went down, but the movie OK, or a solid "5".The story was decent and actually kept this thing moving along, action was good for a sub pick, acting was what you would expect from the cast. Only drawback was, like I said, the tactics and equipment used. PT boats as Japanese fast attack ships is one example. Like someone else mentioned, if Capt. Reagan was a commander of a sub in real life, he would've been fired or possible shot for the why he exposed his ship to the enemy. Which oddly enough was how the movie started when he saved his ship instead of one of his crew.I'm sure if Ron and Nancy weren't in it, it would've long ago been forgotten and rated a couple stars lower. But they are in it, and which makes it worth while to give it a view once, plus Fleet Admial Nimitz has a cameo!

vawlkee I've seen this film a few times and it makes me cringe......And believe me I know my sub films!Ronny is as stiff as a board throughout the film....In fact, he conveys the claustrophobic feeling of being cooped up in a fleet boat during WWII better than any other film does...He's grim and wooden...It's nigh unto impossible to build up any feelings or emotions for anyone in the cast.Arthur Franz shines - as always, as the exec.......He's the one guy that manages to rise above the banal (make that abysmal) script and Nathan Juran's limp-wristed direction....It's kinda' like "Ed Wood does WWII".....Araggh!You can see swipes from all over the place.....The scene with the guys swimming underwater with flaming fuel above was lifted from 1943's "Crash Dive" done by Fox!!!! Also the footage from the scene with the jap sub surfacing was actually Dana Andrew's sub from the same film! Neat huh?....Then you take the underwater scenes with the divers wearing 1950's scuba equipment(!) dealing with the japs....Looks like it too was influenced by Fox - this time from 1951's: "The Frogmen"....Ouch!The few high points in this film stem from good location shots which appear to be off of Long Beach and Palos Verdes Penninsula aren't bad...No doubt shot on an old Gato class sub that was part of the active reserves....Take note of the typical cheesy Columbia budget-that's all too obvious! Mischa Bakaleinikoff's (Columbia's in-house composer)hokey soundtrack sounds like sloppy seconds from Columbia's 1955 sub/sci-fi flick: "It came from Beneath the Sea".This film might have been credible with a decent script, decent direction and decent acting.....But it isn't....If this movie were a sub wreck, even Bob Ballard wouldn't touch it!Try watching "Hell Below" if you want to see an outstanding sub film...They don't get much better!

stryker-5 US Navy submarines bravely try to penetrate the heavily-mined entrance to the Sea of Japan, in order to sink enemy shipping which is carrying coal, food and iron from China to the Japanese homeland.On one level a simple war action movie, this film is also a commendable study in the morality of leadership. The central question posed by the movie is whether a commander's duty towards a single seaman in obvious danger outweighs his overall responsibility to his crew.Ronald Reagan is very good as the straight, correct Captain Casey Abbott. Back at Guam he has a girl, a nurse in the military hospital (Nancy Davis, to give her her professional name). When a frogman who is also a rival for the nurse's affections gets into difficulties, Captain Casey has to try to separate personal and professional motivations.Casey's Executive Officer, Dan Landon, clashes with his skipper but by a twist of fate finds himself having to make a very similar decision. Will he call the plays differently?The film works as an uncomplicated war story, but does contain a few infelicities. The submariners are depicted as nice guys in order to enlist viewer sympathy, but this is a little overdone and the sailors come across as childish simpletons, stealing cookies and hiding their dice. Wes Barton has to be portrayed as a popular guy so that we will resent his treatment at the Captain's hands, but to have sailors pleading for a Barton story as he is entering the airlock on a dangerous mission is just unbelievable. The crew of the USS Starfish get sealed orders for a special mission. They are to enter the Straits of Tsushima, land a party on a fortified island, and destroy its defences. Would an ordinary submarine crew really be entrusted with such a specialised task? The frogman sequences are shot in murky water and are hard to follow. Penetration of the minefield channel is effected in a few seconds, when such an undertaking would surely last many hours.For contemporary viewers, much of the film's interest will lie in the unique experience of watching Ron and Nancy onscreen together. They had been married for five years when "Hellcats" was made, and at the time of writing, 42 years later, they are still going strong. It is tempting, if unwarranted, to scrutinize their lines for significant snippets. Ronald Reagan's character is asked what he will do after the War and he announces, "I'm going into the surplus business." Given his leadership style, some would say that was an accurate prediction of both his gubernatorial performance in California and his presidency. Much of Ron's dialogue is an essay on the burden of leadership, and how only a special few are fitted to bear it. Nancy confides to him, "You know I was fresh out of a bad marriage when we met. I wanted to be sure this time. So we played it safe, until I knew you were Mr. Right." In fairness to the Reagans, that, at least, has proved to be autobiographical.