mark.waltz Take two ambitious nobody's from behind the scenes, a bit of insite to what Hollywood was missing, and a view into the future, and you have what became 25 years of cinema history. For creative controller James H. Nicholson and legal/business minded Samuel Z. Arkoff, the realization that the movies needed the boost of teenaged audiences (and college kids of like minds) lead to a film studio that created entertainment just for them. Whether it be juvenile delinquency, crazy looking creatures from beyond or giant earth creatures impacted by nuclear power, American International had a film for every one of their tastes. Young people in bathing suits cavorting on the ocean shores (belly buttons covered still due to silly censorship), some gothic tales of terror and the emergence of black exploitation also became their way. Told by the people who were there, this is a nice abridged history of the studio that showed Hollywood that there was more to poverty row studios than what had been put out by Monogram, PRC and Republic in the 1930's and 40's. Those studios paved the way. American International was like the super highway that sprung out of those early ideas. With Nicholson long dead, it's up to surviving studio chief Samuel Z. Arkoff to tell his side of the story. Coming off like a crusty old grandfather (complete with little stogie), Arkoff lovably recounts the history, with the aide of the gentle speaking Roger Corman who directed much of their product. Beverly Garland recounts meeting the giant cucumber which became the dreaded conquerer of the world, while Susan Hart recounts meeting Nicholson, him ending his marriage to marry her, and the controversy and discontent that minor scandal caused. The very lady like Pam Grier explains how she went from struggling college student to cult film star by becoming the leading star of their "blaxploitation" films. Others interject brief commentary (mostly film critics and historians), and a look at the next generation of Hollywood creative A listers is seen as well. I've always enjoyed the American International films, and continue to seek them out. American International was just as involved in the advancement of young people's concerns as much as any college campus protest, simply because it allowed teens to see thanks to some older gentlemen that they had a voice, and that they could stand up and be noticed even if the fuddy duddy's of society tried to silence that.

csdietrich This documentary evokes the finest memories of the Second Golden Age of Horror/Sci-Fi/Fantasy Film of the Fifties & Sixties. Along with Hammer Films of the UK and various efforts (mainly in Italy) AIP were churning out little miracles which kept many Baby Boomers scared half out of our wits with delicious little nightmares. There is one problem with the documentary: it is too short and the omission of Vincent Price and the Roger Corman cycle of Poe films is criminal negligence. All of the personalities interviewed are splendid: David Del Valle ushers in the psychedelic direction of AIP in the late Sixties and other film scholars and the surviving actors and actresses are right there giving their added insights. A must anyway! Kudos to all who did this, but an extra 30 minutes devoted to the Poe cycle and perhaps a bit more about Mario Bava or a few comments by Italo horror queen Barbara Steele would have been stellar. Exceptional, entertaining, insightful documentary thanks to the people at Planet Grande!

Schlockmeister It's nice to see American Internationsl Pictures get their due like this. AIP truly resurrected the movies business during a time when TV was making inroads and Hollywood was severely threatened. The teenage market had been all but ignored and AIP filled that gap and the rest, as they often say, is history. Many clips are included, old beloved trailers and interviews with many people including Roger Corman, Bruce Dern and the surviving half of the team at the helm, Samuel Z. Arkoff present a great picture of the studio and it's place in movie history. This documentary is almost too short and is definately worth seeking out and seeing. It would go well sandwiched in between a couple of AIP's 1950s classic movies to make a mini-film festival in your home.

Tony Rome This documentary covers about 25years worth of films made by American International Pictures. It is fantastic to see now famous film stars in some of their earliest roles, and old stars on their way down. AIP gave the young actors like jack Nicolson, and Bruce Dern a testing ground, or start point in their soon to be, versitile careers. Stars like Vincent Price, and Ray Milland can also be seen in the films of AIP. Roger Corman made many of his funny, cheap, horror Drive in classics at this studio. They mass produced the films as fast as they could find actors, the films would go on to gross quite alot of money.