moonspinner55 Remake of an old Wayne Morris/Edward G. Robinson melodrama restructured for singing star Elvis Presley. The early 1960s were very good for Presley in Hollywood, and his acting here as a garage mechanic turned lightweight boxer is far better than the performances he gave in his earliest films. Director Phil Karlson wisely keeps E.P. surrounded by terrific character actors, most of whom get just as much of a chance to shine on-screen as the star (this works to Presley's advantage, as too much of him isn't always a good thing). Gig Young plays the boxing manager who discovers Presley's right-hook talents, Charles Bronson (looking fit and handsome with gray streaks in his short hair) plays his trainer, Joan Blackman is the love-interest and Young's sister. Nice music numbers like "A Whistling Tune" are casually added to the mix (they don't overpower the narrative) and the boxing sequences are quite well done. **1/2 from ****

blanche-2 Elvis Presley is a mechanic turned fighter in "Kid Galahad," a 1962 film with Presley playing the role originally essayed by Wayne Morris in the '30s. He has strong support from Gig Young, Lola Albright, Joan Blackman and Charles Bronson.Elvis plays an ex-GI named Walter Grogan, who is taken on as a fighter by a man (Gig Young) who runs a resort but owes money to mobsters due to gambling debts. What he doesn't count on is the Kid falling for his sister (Joan Blackman, Bette Davis in the original).This is early Elvis, when the production values were high and the songs fresh. Later on, Colonel Parker would tighten up on the budgets, since the cheaper he could get the films made, the more money he made for himself and Elvis. And Elvis' parents had naively signed a contract giving Parker 50%. I think Elvis would have been happier with better movies, such as "King Creole," and less money."Kid Galahad" is quite good, though, with fine music and a relaxed performance by Elvis, who looks great. He doesn't have the jet black hair and while he's not as thin as he would eventually get from using amphetamines, he's still in great shape.It became more and more difficult for Elvis to be Elvis, but here, he's a boyish, mellow guy who seemed to be enjoying what he was doing. Unfortunately, he didn't stay that way.

classicsoncall Comparisons to the 1937 version of "Kid Galahad" are pointless, the only similarity between the two films is the nickname of the title character. It probably suits Elvis Presley a bit better than Wayne Morris, the knight in shining armor who at the film's opening touts his reputation in song as 'King of the Whole Wide World'. The movie's trailer calls it a 'honey of a picture', and for his fans back in the day, maybe so.Events in the story conspire to turn Presley's character Walter Gulick from an ex-GI mechanic into a successful local boxer, thereby earning him a paycheck and the heart of Rose Grogan (Joan Blackman), kid sis of Willy (Gig Young). Together they own the Grogan Gaelic Gardens, an upstate New York resort that can't turn a profit because Willy Grogan is a gambling lush in hock to local hoods.You'd be hard pressed to call this a boxing movie though, Elvis takes turns as a punching bag in virtually every ring scene until he finds the magnetic wonder punch to knock his opponent out. The dramatic set up for Cream Valley's Labor Day extravaganza includes Grogan's encounter with the bad boys who hope to make a killing with bets on the fight. Kid Galahad comes through, but you knew that, this is the King's movie.There are some interesting casting surprises here, highlighted by Charles Bronson's turn as Galahad's trainer, and a very early film appearance by the uncredited Ed Asner. Gig Young is generally competent as Grogan, while female leads Lola Albright and Joan Blackman don't have a lot to do except play off their respective boyfriends. Albright's Dolly Fletcher gets to fire off an effective one liner defending Elvis' character when she starts to lose patience for Grogan's marriage delays.Every now and then you'll catch an art deco tease with vivid reds, yellow and blues interspersed with Presley's songs. All are fairly mellow tunes; the "I Got Lucky" number brought a chuckle as I imagined it being performed in a corn field instead of by the side of a lake. You know, the slow twist accompaniment seemed a bit, well, corny.Hey, it's not a bad little flick and a better way to remember Elvis by than the bloated self destructive image he came to bear in the years before his death. A bit of escapist entertainment that in it's way echoes Dolly Fletcher's sentiment early in the film - "Thanks Galahad".

jonnyrancher OK. So it's not "Gone with the Wind," but "Kid Galahad" is well written, fun, and lightly sprinkled with some very good songs (catch the twisting "I Got Lucky" and the front porch "This is Living" scenes.) "Kid Galahad" also boasts a strong supporting cast (look for a young Ed Asner in one his first screen roles;) Academy-Award winner Gig Young, Charles Bronson, and Lola Albright, in a surprisingly emotive role, add "punch" to what, on the surface, appears to be just another Presley vehicle. "Kid Galahad" also had the blessing of being completed before they counted the receipts of "Blue Hawaii." When the studio saw how much money they made off of "Blue Hawaii," the dye was cast; Elvis would be stuck doing "14 song travelogues" for another 7 years. "Kid Galahad" catches Elvis in good humor, shape, and voice; he was having fun...You will too.