Leofwine_draca I'm always one for a good martial arts flick, so when I saw the DVD box for KILTRO I was excited. "The best...since Ong Bak" it proclaimed, underneath a picture of a muscle guy in some weird mask pulling off a typical kung fu move. The blurb has five shots of a weapon-wielding hero tackling a street gang, warning of strong bloody violence and looking absolutely fab. So I bought it, took it home and...Found out that the box was a lie. The action shots on the back – ALL of them – come from one single, five-minute fight sequence at the film's climax. This isn't an action film as all, more of a romance. There are virtually NO fight scenes in the film aside from that one big set-piece, and even that one isn't too good, with obvious wire work and some pretty awful CGI blood effects. Instead, we get some sappy story about an idiot member of a street gang and his stalker obsession with a pretty Korean girl. Soon enough there's a bad guy killing some people, and this idiot guy must go and train and then fight him, blah blah blah...the kind of story that's been done to death.The novelty here is that this is a Chilean film – and for me, like many others I suspect, my first Chilean movie. Sadly, this lacks none of the expressiveness or style in the similarly South American CITY OF GOD: instead, it's content to rip-off Hollywood with an inappropriate spaghetti western soundtrack, cardboard sets, and a whole dearth of imagination and interest. The characters are boring, the actors bad, and the storyline sucks. Why we're supposed to care about any of this, I don't know.The biggest disappointment lies with the hero, Marko Zaror. Now, Zaror isn't much of an actor: his facial expressions are often amusing rather than believable, and his street thug character offers the viewer no sympathy whatsoever. But, to be honest, that's par for the course for an action flick. The crime is that Zaror is a great fighter in his few brief moments of action, so why on earth didn't the director utilise that talent more, rather than focus on his acting? ONG BAK this isn't: that film was perfect in recognising Tony Jaa as a fine martial artist, throwing him into the midst of fight or chase scenes all the while, but KILTRO goes the opposite way and is just dull as a result. Dull as dishwater in fact. Let's hope that Zaror finds himself a director who recognises this big guy's appeal and casts him in more appropriate roles.

TheWhiteShadow Kiltro is an ultra low budget Chilean martial arts film, apparently the first of its kind. Since the budget is so low I can look past the bargain basement set pieces straight out of the 40s, but what I can't look past is a jumbled, incoherent story full of plot holes; stone-faced actors; terrible pacing; and god awful CG blood. They would've been better off pulling a Tony Jaa and breaking everyone's limbs and neck. It would've looked better, saved money, and had a greater effect.Another gripe I have is with the whole love story. Everyone else seems to think it is cute and emotional. I think its scary. Zamir is nothing but an obsessed stalker. The opening of the movie has Zamir skulking in the shadows at a club watching a girl (Kim) dancing with some guy. When the guy gets a little frisky Zamir goes into rage mode and attacks. We find out later on that this guy that Zamir attacked is really Kim's boyfriend. We also find out through the story and flashbacks that Zamir had been stalking Kim for 2 years and violently attacked any guy who tried to get close to her. I don't know about you guys, but to me that isn't a good way to set up a quirky love comedy.But I can't be all negative. Marko Zaror is an impressive individual. He is so ripped he makes some of the Spartans in 300 look scrawny, and for a man his size he has some incredible moves. I just wish he had a better director behind him. Espinoza's ham-fisted attempts at capturing the action was embarrassing. One reason why Tony Jaa is getting so popular, even though he shares the same stoic demeanor as Zaror, is because his director knows how to capture all of his moves and make them look gorgeous.In conclusion, I think Marko Zaror has a lot of potential. I just hope he gets a decent director soon. Even if the story and acting is sacrificed again, I believe that if they can get his action scenes looking great he can be a new rising star.

maticine Visceral, passionate and brave; Kiltro splatters boiling blood straight from the heart! An exercise of pure love to genre movies, a story told many times before but now told with a bunch of guts and the taste of a new generation.Kiltro is able to take very serious the most beautiful clichés and then punch you in your face with a marvelous twist! A lot of emotions come together, contradictable emotions, sometimes you don't now if to cry or to laugh, but both sentiments hit you hard. The director definitely loves the story he's telling; he loves it as obsessively as Zami (main character) loves Kim (the girl), you can clearly notice it when the camera follows Zami down the street… he's heart is broken… he walks sadly… the camera follows him on a steady-cam and never cuts… Zami keeps walking sad… mad… and starts to run! David Bowie's Modern Love sounds loud! The camera starts running with him! You get chicken' skin! Wow, at that point you just start praying to make this dude get the girl! That scene was taken from Leos Caraxe's Mauvais Sang and works more than perfect in Kiltro. Just like that one you'll see a lot of scenes taken from other movies, a similar exercise to Tarantino's Kill Bill, but more funky or weird. The story takes place at the Chilean's Korea town, where you also can find Arabic people and some pretty Chilean-Chilean characters. It's like a bubble right in the middle of Santiago city, a world where everything is possible, it reminds me some of Takashi Miike's flicks, where he shows Tokyo's underworld like something fantastic and stylized. Kiltro mixes anime, Leone's westerns, comic book flavor, Starwars, Bruce Lee and the whole spirit of Asian films. A pastiche totally coherent with south American cultures, a blend of the previous cultures, a fresh blend, that's why it works. And the fight scenes! Guys! Marco Zaror is like Tony Jaa or better. The fights scenes are terrific! The question came to me: Is the big fight scene in Kiltro the best fight scene I've seen? It could be. I don't remember any other martial arts movie with a fight like this one. Looks real but exceedingly stylized, it's raw and violent but funny at the same time, strange but cool mix. I loved it. Trying to think in a better fight scene but I can't. Proud to say it was made in Chile!To be honest with you I entered the theater just because of curiosity. I went to watch a Chilean action movie and after 20 minutes of film a forgot that fact… after 20 minutes of film I encounter myself in the middle of a FLICK, a flick that I enjoyed like I use to enjoy movies when I was a kid, like A JOURNEY, like watching something I've already seen but it feels like the first time, something bizarrely good, maybe AN EXPEDITION by a new road for south American cinema, something really pleasant, a MUST SEE for film lovers all over the world, those movies after you watch them you say "thanks". Now I'm just praying to have "Kiltro II" as soon as possible!

orochiklan Amazing, the soundtrack will blow the mind of all the fanatics of Morricone or Bacalov... a lot of spaghetti western influence like Tarantino's Kill Bill, plus bloody gore fx zatoichi style. Zaror was very good in the fights , and also he has a lot of charisma , but my favorite one was Miguel Angel DeLuca, the Kung Fu sensei who plays the bad guy in the film, a really great performance full of intense moments , like the tragic flashbacks (you will remember Leone in one of them). A very entertainment film that has quality and heart. Back off Tonny Jaa , here comes Kiltro!. I recommend this film to all the fans of the old kung fu films, spaghetti western, Miike, Tonny Jaa and martial arts.