RanchoTuVu
Ethyl Barrymore plays a collector of antique furniture and paintings, with a distinguishing eye for art but she's somewhat of a failure as a judge of character. The movie leaves that up to the viewer who knows right off that the character played by Maurice Evans, a second-rate artist who ingratiates himself to Barrymore, is up to no good. It's not easy to believe that Barrymore's character could be so easily taken in by Evans, but once she is under his control, watching her paintings and furniture as they are methodically removed from the house to be sold, is impressively well-done. In that light, it's almost too bad his caper veers into violence, but it's necessary to reveal the truly evil side of the character Evans portrayed. With Keenan Wynn and Angela Lansbury as a married couple equally bad who assist in the kidnapping of Barrymore (even though she never leaves her own house), the violence and the threat of it that make it imperative that Barrymore be rescued because she symbolizes upper-class kindness and virtue towards unfortunate losers, lead into a well-done escalation of danger as Evans's character reveals one of the more evil screen characters ever.
jarrodmcdonald-1
Ethel Barrymore defies Hollywood ageism by taking the lead role in this thriller from MGM, and quite frankly, with the exception of her work in None But the Lonely Heart, it is one of her best on-screen performances. MGM previously filmed this story in 1935 with Aline MacMahon. Miss MacMahon excelled at the role of a recluse whose life is now at the mercy of a group of con artists. But Barrymore imbues it with more authenticity and the right amount of wisdom and shrewdness that comes with being the exact age of the character, not dressing up in old woman's clothes and applying gobs of make-up like a much younger Miss McMahon did in the first filmed production. This remake also benefits from a stellar supporting cast, the likes of which include MGM contract player Angela Lansbury and Lansbury's real-life mother Moyna Macgill in a small role. Miss Barrymore's best is brought out in spades by costar Maurice Evans, the slickest con in the bunch, who dazzles the kind lady as a smooth-talking rogue while avoiding the pitfalls of scene chewing. As a result, we are kept enthralled right up to the story's denouement. The ending certainly does not disappoint and reaffirms our belief in the justice of this world.
MartinHafer
At the outset, I must point out that this movie is very similar to the later movie, THE SERVANT, starring Dirk Bogarde. Both concern a person bringing someone into their homes who turns out to be an evil sociopath who threatens and dominates and exploits the master of the house.In this film, sweet old Ethel Barrymore lives alone in a big house. She meets a struggling artist (Maurice Evens) and naively offers to let him stay with her until he becomes an established artist. However, over time, it becomes more and more obvious that Evans is much more interested in Barrymore's fortune and invites in a group of "caretakers" to lock away the old lady as they loot her estate.The acting is superb and the movie is genuinely scary and well made. A wonderful old film that is rarely seen today.
m0rphy
After the demise of ITV ON Digital in the UK, I missed their old classic movie channel, "Carlton Cinema" as I have taped several good films from there, including "Portrait of Jennie (1948)", starring my favourite actress Jennifer Jones.In that film Ethel Barrymore played Miss Spinney, a partner in a New York art gallery who saves Eban Adams from apparent starvation by buying some of his art work. We recently had SKY TV installed which includes "Turner Classic Movies" a.k.a. "TCM".I only saw the last 2/3 of "Kind Lady" but stayed to the end despite my wife saying we had to go out to the shops!I was fascinated by Ethel Barrymore again playing an art connoisseur,(3 years after the aforementioned film), in a movie I had not seen before on UK tv.I just had to see it to the end.And there was a very young Angela Lansberry playing a tough wife of a criminal played with shifting accent by Keenan Wynn!.Of course Hollywood did round up a clutch of British actors and a right-hand drive vintage car to give the movie some authenticity.This film has a nightmare like quality.We could all visualise what it would be like for us to be old, alone and have no protector when a person inveigles themselves into your home on an apparant genuine pretext and then systematically takes over your whole house and possessions!Yes the conventions of film making in 1951 meant that producers could not allow criminals on screen to get away with their ill-gotten booty and you don't see the death of the faithful maid.Maurice Evans is Ok but I would have cast someone like George Sanders in the chief "baddie" role - much more menacing!(Perhaps he wasn't available).It is nevertheless a rip roaring melodrama and next time I hope to see the first 1/3 of this film.
AD
