moonspinner55 Before the advent of the Lifetime or Women's Entertainment networks, wherein made-for-cable movies regularly turn up about female bonding amidst great inner turmoil, something slight like "Leaving Normal" actually made a run in theaters; today, I doubt that would happen. Abused wife Meg Tilly hitches up with world-weary Christine Lahti for adventures on the road. It's a feminist comedy-drama with a few thoughtful things to say, but too much melodramatic nonsense and curious attempts at broad humor which do not work at all. Edward Zwick directed, and he gets this tale off to a shaky start (and Lahti, in particular, seems to struggle to find her character). It improves as it goes along, but not enough to make it a memorable trip. ** from ****

TxMike The title, "Leaving Normal", is clever because it refers both to physically leaving the fictitious town of Normal, WY, but more significantly, leaving the "normal" state of existence. Christine Lahti is the former dancer and waitress who never progresses beyond that, and Meg Tilley is the abused housewife who has made a series of disastrous choices in her life. As Lahti decides to do something different, and heads to Alaska to re-claim her old, unfinished homestead, she gives Tilley a ride.They are unlikely road buddies, like Thelma and Louise were. Lahti is funny, daring, scheming (gets $100 from truck driver then slips out the window of the ladies room) and world-wise, while Tilley is just the opposite and insecure with her abilities. Ultimately they bring out the better persons residing in each.Along the way their car breaks down, they get a ride with another lady pulling a trailer, then they are given her car and trailer when a wealthy bumpkin asks her to stay and marry him. They work their way to Alaska and look up the property, where the unfinished shell of a house still stands, weather-beaten. Through a lot of posturing, eventually they both decide to stay, we see the house being completed in a time-lapse series of shots. Lahti decides to try and find her daughter that she abandoned in the local hospital 18 years earlier.Both act well, but Tilley is a joy to watch. Her portrayal of the half-ditzy, insecure woman is just perfect. Makes me wonder, whatever happened to Meg Tilley? She hasn't made a theatrical release movie since 1994. Unlike Thelma and Louise, where they drive off Dead Horse Point in Utah at the end, the lives of these two women literally begin as this movie ends. Seen on the "Women's Entertainment" channel, a really good movie, doesn't always take itself too seriously, and has an uplifting message. We are left to wonder if Lahti ever finds her daughter, whether Tilley's trucker friend ever shows up again. Maybe they considered a sequel, but the film wasn't popular to warrant that.

noskcire Reviews below are mostly right. This is a movie about hope, struggle, faith and miracles, everything Thelma and Louise was not. One woman who commits to everything, for a few minutes, another who commits to nothing, fall in with each other, to search for a place for them themselves. This is Frank Capra of the 90's. We may not always know where we are going, and sometimes we might just have to trust, but there is a place for us. If you follow the twelve step philosophy, you can find all twelve steps played out in here. (These are two women who came out of dysfuctional families). The characters are unforgettable, the humor warm and wild, and the relationship that builds from the first ten minutes to the last second of the closing credits should not be missed. I watch this movie every few months and remind myself that if we hang in there, there is a place for us, and almost always,it isn't what we ever expected. I have owned 7 copies of this movie and often give it as gifts. IF you missed it, watch it again. It's there!

Berta-4 No, there is no such place as Normal, Wyoming...except maybe on a psychological landscape. Leaving Normal is the story of an unusual journey and friendship. Meg Tilly as Marianne Johnson is a wide-eyed naif who has never made a good decision in her rambling life. Christine Lahti (now seen on ER) is a cynical cocktail waitress whose choices haven't been much better; together the two somehow cobble a relationship that enriches both, as well as some oddball others. They travel to Alaska, where each finally has the room she needs to build a life. You will probably find this movie in the comedy section of your video store, but it doesn't really belong there, even though some of the dialogue is HILARIOUS. Some nice cinematography, particularly the 4th of July scenes and the aurora borealis. The coffee mug motif is pretty cool, too. Will appeal to anyone who liked Thelma & Louise or Fried Green Tomatoes but wished the heroines of these would have been alive at the end. See it!