yunusitboss The Fifth Estate (U/A) ENGLISHNew movie Reviews and lots more Hot news .... LIKE THIS PAGE : English Hindi TAMIL TELUGU Facebook : Movie Review by Yunus Irshad https://www.facebook.com/YunusIrshadsMovieReviewLife in a Metro (A) Hindi ----------------- my Rating : ★★★★½ REAL LIFE OF A METRO CITYSTRENGTHS :- * Story Screenplay Direction : was awesome with realistic incidents ..... * Casting and Performances : will rock in all film festivals ..... * Songs : were really great and enjoyable ......WEAKNESSES :- * Few breakers FINAL VERDICT :- * Overall.... it is a must watch adult movie which contains more feelings and tell you what is Life in a metro City........ Six different stories, about nine people, each with different issues and problems, all occurring within one place: the METRO.Stars: Dharmendra, Irrfan Khan, Konkona Sen Sharma | See full cast and crew »

Hysteria28 Anurag Basu began his career with vishesh films. Movies like saaya and murder did not help him receive recognition. However 'Life in a metro' made audiences recognise his talent. Initially one does not find a retold theme to be very exciting. But what worked for this movie was the star cast. It could not have been better. With a production house company like UTV motion pictures, one cannot go wrong in the casting department. All the actors managed to liven up a not so great plot. It has all been witnessed in the past with movies like 'The apartment' and shahruck khan's movie 'Yes Boss'. In comparison to 'yes boss' this movie fells more genuine and realistic. 'For love or money' is another movie that came to mind while watching this. One symphatises with the characters and can manage to relate to them. This movie gave Anurag Basu to provide to us a authentic and fresh representation of adults in the city of Mumbai. These people range from a housewife to a husband and to a secretary. These characters seem believable and have a indirect connection to one another. The core of the movie is based on the lives of a couple played by Shilpa Shetty and K K Menon. Every other character stems though them. They are going through troubled times in their marriage. Misunderstandings and a certain lack of attention is prevalent between them. Shilpa finds a love friendship with theatre actor Shiny Ahuja. KK is embarking in a extra marital relationship with his secretary (Kangana Ranauat), who is in her usual form. She however is unaware that a fellow employee (Sharman Joshi) secretly admires her. As well as this Sharman also offers the use of his rented apartment to his boss KK in favour for possible future promotions. As well this the movie also has a funny subplot involving Irfan Khan and Konkana Sen Sharma who are looking for the perfect life partner. Coincidently the two of them meet through a matrimonial website. Initially they don't approve of each other however eventually attraction occurs. The side plot regarding Dharmendra served not purpose to the movie. It only added a couple of extra minutes to the running time of the movie. Basu's direction makes many scenes interesting to watch. Many routines moments are enhanced by good camera angles. The performances are indeed the highlight. The relationships are portrayed in a mature manner and does not seem artificial. The scenery of Mumbai is well captured amongst the lives of the characters. Each subplot is given equal attention and the balance is preserved. From the first minute the movie maintains a moderate pace and the length of the movie is perfect. Irfan Khan is a scene stealer and supports the movie with good light hearted moments. This was his first role that was comedy orientated and it turned his career in a different direction. It was pleasant to see Shilpa Shetty after a long time too.

Peter Young Anurag Basu directs Life in a Metro, a fun, dramatic feature which, like such movies as Dil Chahta Hai, attempts to portray the new India. Metro presents several individual stories of mostly young people, and all these stories are intertwined into one movie, which clearly aims to show the real side of the big city of Mumbai with all of its complexities, difficulties and troubled relationships. Each story is presented efficiently, and Basu successfully captures the spirit of the urban city with his range of colourful characters, depicting their modern lifestyle, their trials and tribulations, their dreams, hardships and dilemmas. This depiction is significantly aided by the realistic dialogues and situations, the dark dim atmosphere, the brilliant cinematography, and the narrative style, which is flavoured with wonderful music, great contemporary humour and some breathtakingly shot views of the big city.The film is generally very well developed, though sadly the stories themselves are not particularly original. One story, for one, is an out-and-out copy of the classic gem The Apartment (1960). I was also quite shocked to see that the story of Konkona Sen Sharma, for instance, is given an element similar to the one she had in Page 3 (2005), with one scene being laughably copied from the latter. These, along with other flaws, reduce the movie's quality. Yet, it is still totally watchable and enjoyable. The script gives the film a very authentic feel which, along with some wonderful performances, makes the movie easy to relate to. The film's score is exceptional, and Pritam creates one of the best soundtracks of the year. Songs like "In Dino", "O Meri Jaan", "Rishtey" and "Alvida" are awesome and none of them is actually lip-synced by the actors, which contributes to the film's realism.The acting is generally very good, and some of the performances are excellent. Shilpa Shetty gets a good role and delivers her second-best performance after Phir Milenge. Both films require her to act rather than look sexy and she is so good at it (at both, but I'm referring to the acting here). As Shikha, she is heartfelt and vulnerable and carries her scenes with grace, displaying her character's loneliness and desperation. Shiny Ahuja is convincing as the aspiring actor who falls for Shikha, and their relationship is beautifully portrayed. Kay Kay Menon is very good as Shikha's infidel husband Ranjeet. Kangana Ranaut is a little too loud at points but still effective as Ranjeet's lover Neha, and Sharman Joshi is fine as his ambitious employee who is also in love with Neha. Dharmendra and Nafisa Ali are good in their roles but sadly their story is the least developed and therefore quite forgettable. The finest performances in the movie, along with Shilpa Shetty's one, are unsurprisingly those delivered by Irrfan Khan and Konkona Sen Sharma. Khan is amazingly likable and funny as Monty, and Sen Sharma is more than astonishing as Shikha's frustrated and heartbroken sister Shruti, whose personal problems really bring her down but she later finds the strength to move on. Her character is perhaps the most complex in the movie, as she has to play the supportive sister and friend, the wronged woman, and the woman who finally finds the one but is unsure. Her chemistry with Khan is wonderful with their scenes being some of the film's best and wittiest, and yes, the one in which she breaks down while trying to release her tensions by screaming at the top of her lungs on the roof of a high building with Khan's Monty, ultimately screaming her pain out, is really the film's best acted scene.Life in a Metro is not without its flaws, and the fact that some parts of it lack originality really get on the nerves. That said, it is interesting and has many great moments of moving drama and funny comedy. The film will be mainly remembered in years to come for its rather different portrayal of the big city, its music, and some of its performances, all of which make it an altogether worthy picture.

minidodo Anurag Basu has mastered the art of copying Hollywood movies. He flicks popular Hollywood or world movies/themes and presents them in an Indian context. So in my opinion he is just a smart businessman and not an auteur as he is made out to be. The mainstream media in India is for sale and it's possible to re-paint a cat and call it a Lion. And hence he has a good reputation going for him. Unfortunately due to this hype, people are comparing Anurag Basu to his namesake - Anurag Kashyap - who plays many leagues above him. Other users who like his movies seem to comment based on the entertainment value (some of which should be credited to Mr.Basu as it takes some smarts to be keep his output entertaining) or are totally unaware of the original.I would to distinguish *copying* from *inspiration*. For example, "Dev D" by Anurag Kashyap is inspired by the Novel/movie "Devdas", but it's a thoroughly original take on it. However "Murder" by Basu is almost a scene by scene copy of "Unfailthful" - till the twist-in-the-end gimmick : pretty much like how so many b-movie makers take a hit movie, add a twist but they are pretty much unoriginal. At least most B-movies don't pretend to be original.Similarly, "Life in a metro" is inspired by the Hollywood trend of parallel, nearly disjoint story lines (Magnolia, Playing by Heart (1998) among many others). Here most characters are one dimensional (but that's just my opinion) and unconvincing in their actions. There is no catharsis that a movie of this nature would aim to inflict on the user. In fact at times it seems to go the Madhur Bhandarkar populist way - where by showing something big (a metropolitan city) in a negative light, he tries to win the masses. Yup, so while writing this comment, I found a peer for Anurag Basu - Madhu Bhandarkar. They represent the so called new breed of Bollywood cinema who claim that they'll re-invent the industry. All the will succeed is in re-inventing some beaten story lines. (Okay, Madhur might be slightly more original than Basu but he is uninspiring and populist).