Liza with a Z

Liza with a Z

1972 ""
Liza with a Z
Liza with a Z

Liza with a Z

8.4 | G | en | Music

Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs such songs as the title number and "Son of a Preacher Man." The concert concludes with a medley of songs from the film Cabaret (1972). The special, Minnelli and Fosse all won Emmy Awards. Bob Fosse also won the Oscar and Tony that year, in the only instance of any person ever winning all three in a one-month period.

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8.4 | G | en | Music , TV Movie | More Info
Released: September. 10,1972 | Released Producted By: Flora , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs such songs as the title number and "Son of a Preacher Man." The concert concludes with a medley of songs from the film Cabaret (1972). The special, Minnelli and Fosse all won Emmy Awards. Bob Fosse also won the Oscar and Tony that year, in the only instance of any person ever winning all three in a one-month period.

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Cast

Liza Minnelli , Ann Reinking , Gwen Verdon

Director

Sabina Daley

Producted By

Flora ,

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Reviews

Syl Liza Minnelli has it in her genes from her beloved mother, Judy Garland, and Vincente Minnelli. Although she states that her sister Lorna Luft is the singer in the family, LIza is the entertainer of our generation. She can sing, dance, act, and do it all. Thirty years later, her career is revived after another divorce and health problems. Liza may never be as fit as she was when she performed on stage in a live production in 1972. Liza has always been an incredible performer. I love her in Cabaret and I refuse to see any production of the musical because I can't imagine anybody but Liza as Sally Bowles, the sad Berlin singer who craves the love of a good man and the love of her own father in the film. This stage version is like an extended performance of her from the film, Cabaret. Unlike the film, this show is not as dark and lonely. Liza worked hard for six weeks before this production. IT's a once in a lifetime event and I wasn't even born yet. I first bought her Liza with a Z CD to listen in the car. You can't imagine not singing along with her as well. Now I look forward to seeing her dance, sing, and entertain us in the DVD. Believe me, nobody today can touch Liza as a performer.
Lucas/HBO Liza/Z is great! Really good bonus features. The Toronto Film Fest alone, proves that Liza is still sharp as a whip! That said, she did forget that at the beginning of Son of A Preacher Man - Fosse was paying tribute to Ailey with those "Revelations" arms. And I'm still trying to find out the name of the male singer that starts Preacherman. As much as I'm thankful for the careful restoration of this major event, I still feel that an integral part of the show has been slighted: the dancers! I really wish someone had bothered to list the dancers in the credits. While a few names are mentioned, surely the overall group should be known as more than just "the kids". I understand that 1972 was a long time around, but surely someone remembers all of their names. In fact, I would have enjoyed seeing Liza in a room with the some of the dancers - sharing memories. (I know Candy Brown is still around)
thinman311 We have really come a long way in terms of visual storytelling and the types of shows that get produced on television, but when I was watching it, the one thing that stuck out was Bob Fosse's choreography. Especially in the "Ring the Bells" number, it really shows how he was able to bring so much to live. Also, we should remember that a primary reason this was able to be resotred was that he paid so much attention to detail, some technical aspects of the show that they were concerned about were able to be salvaged.On another note, I think you get a somewhat good glimpse of the 70s when you watch this show.
SonOfABu When I first viewed this TV concert in 1972 I thought it the best TV concert ever. Nothing in the intervening 28 years has done anything to change my mind. Liza and director-choreographer Bob Fosse are at the peak of their respective careers and it shows in this luminous performance. I still hope for its return to video in some format.