Kliph10 Productions, Inc. I think most of us have the wrong opinion of who and what Malcolm X was about. This movie channels the spirit & soul of the man from his youth to his death. It gives us a more clear picture of who he was, how he thought, and why he responded the way he responded. Spike Lee does an excellent job as director in portraying Malcolm X according to the Autobiography written by Alex Haley. For all those wondering if this is worth viewing, no this, it is not a hate movie, but a film about the transformation of a man who wanted to have a positive influence and impact on our society and nation!

tomgillespie2002 Malcolm X, Spike Lee's epic portrayal of the street hustler turned spokesman for the Nation of Islam who was assassinated at the age of 39, is undoubtedly the director's most assured, complex and mature film, but it is a wonder that it was ever made at all. Controversy began long before production even started, with heavy criticism laid on the fact that Norman Jewison was lined up direct what many, including Lee, felt was a project a black director should handle. When Jewison gracefully bowed out and Lee took over, many still felt that the polarising activist's life would somehow be whitewashed, labelling Lee a 'Buppie' (middle-class African-American).The irony of many of the statements thrown at the biopic before it was even made was highlighted, and the resulting film was a 3 hour 20 minute testament to Lee's persistence at getting his hands on a story he had dreamt about making since film school. The studio had thrown in a budget for and insisted on a 2 hour 15 minute running time, but Lee, understanding that the contradictions and evolution of Malcolm's teachings and the many events and influences that helped shape the man demanded a longer running time. When the budget was exhausted, Lee called in for donations from the African-American community, and many of them obliged. Somehow, it's still too short to really get to heart of Malcolm, but it's certainly a far better film than it would have been had Lee not been so insistent at bringing his vision to the screen.Malcolm's life was crammed with incident, and Lee does a decent job getting almost everything in. Flashbacks to his childhood, when his mother and father were tormented by the Ku Klux Klan and his family lived under the constant threat of death, are juxtaposed with his early life as a sharp-suited, ambitious numbers runner in Harlem known as Red, working underneath gangster West Indian Archie (Delroy Lindo). His actions soon land him in prison, where he meets Baines (Albert Hall), a fellow inmate working for Elijah Muhammad (Al Freeman Jr.) and the Nation of Islam. Baines teaches Malcolm that the drugs and alcohol he enjoys so much are simply ways for the white man to keep the black man in their place, and that the white man is, without exception, the devil. Malcolm leaves prison as Malcolm X, ditching the 'slave name' given to him by his ancestor's owners, and is transformed into an extremely enigmatic and convincing spokesman for the Nation of Islam.The rush of excitement and danger of the opening third soon gives way to a more serious tone, as Malcolm's radical views on segregation under the watchful eye of 'the honourable' Elijah Muhammad makes him an incredibly controversial figure; loved, hated and feared in equal measure. Malcolm's popularity soon causes rifts and jealousy within the ranks of the Nation, and he sees the man who once took him under his wing become a deadly nemesis. His wife Betty Shabazz (Angela Bassett) receives threatening phone calls, and the family's house is set ablaze. Lee's technical discipline throughout these moments, especially for a director who usually embraces visual flourishes, ensures that a steady, gloomy momentum builds up towards Malcolm's eye-opening pilgrimage to Mecca and eventual murder.A film of such emotional weight also calls for a great performance, and Denzel Washington delivers in spades. Even when Malcolm is at his most questionable, Washington imbues the character with the same charm, wit and magnetism that no doubt saw him sore through the ranks of the Nation and become loved by many. When the pace sags, and it frequently does, Washington manages to draw you back in with his effortless screen presence. The film manages to paint a well- rounded picture of a man who underwent a few radical changes in his life, thanks both to Lee's thoughtful approach and Washington's incredible performance. Lee does go slightly overboard with his worship of the man at the climax, as Ossie Davis reads a eulogy over a montage of children declaring "I am Malcolm X!" and a speech from Nelson Mandela, but this doesn't do too much damage to what is engrossing, detailed and fearless biopic of an inspirational man.

wolfteeth23 No disrespect to Malcolm X, I admire him so I watched this movie and I didn't like it. After watching this I decided that I don't like Spike Lee's movies, he's a bad director. I haven't liked one of his movies yet. What's with the long dancing scenes at the beginning of the movie? The end is so melodramatic, I'm pretty sure it's Spike Lee's voice saying why you should respect Malcolm X... nobody cares what your vision of life is, rather tell me a story and then you can catch my attention , but the voice over spoils it. It's also ridiculously long and it's unnecessary. Sorry Spike, you had to stay more centered to tell a good story, you couldn't shape your admiration for this man into a fine movie.

Josh Gronwold (jgronwold) Spike Lee's Malcolm X is an outstanding example of a movie that stays to its source. However, I feel it is necessary to tell people that the novel written by Alex Haley with the help of Malcolm X is even more important than Lee's spectacular movie. In Lee's film, Malcolm never reaches the level of honesty that he does in the novel. Instead, Lee uses everything else in his arsenal to tell this compelling story. He tells most of Malcolm young life through flashbacks that just don't seem authentic and they feel rushed, but at the same time his use of color, lighting, and sound is phenomenal. The first third or so of the movie it runs through Malcolm's life as a hustler and during this time Lee uses very bright lighting and colors to give this part of the film a feeling of joy and it almost feels like it is to good to be true. However, in the novel there is a completely different feeling when reading it. You feel sorry for everything Malcolm had to go through as a child and reading about him making bad choices never really feels happy at all. Along with the color, Lee does an amazing job in large crowds. There is a scene when Malcolm arrives in New York and there is a huge gathering in the street and the camera zooms out but you never lose sight of Malcolm because he is the only one wearing somewhat bright clothes. Lee take on Malcolm being this beacon of light perhaps? If you are thinking about watching this movie I highly recommend it and it shouldn't be missed, but you shouldn't miss out on the novel as well. Each are very important stories told in different, but honest, ways.