Monster Hunt

Monster Hunt

2015 ""
Monster Hunt
Monster Hunt

Monster Hunt

6.1 | 1h58m | PG | en | Adventure

Young monster kids try to make peace between the world of humans and the world of the monsters.

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6.1 | 1h58m | PG | en | Adventure , Fantasy , Comedy | More Info
Released: July. 26,2015 | Released Producted By: Edko Films , Country: Hong Kong Budget: 0 Revenue: 0 Official Website:
Synopsis

Young monster kids try to make peace between the world of humans and the world of the monsters.

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Cast

Bai Baihe , Jing Boran , Jiang Wu

Director

Ho Yiu-Leung

Producted By

Edko Films ,

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Reviews

sailaway_rasmus Its great to see an east asian movie which has sth to say, it is somehow comedy, which brings smile, but not laughing. Very cute monsters so i said creative, with interesting story, so screenplay is acceptable. They try hard to make this, so I appreciate it, and hope to see more movies from this team. The story was same like few other ones. Itis important to be creative, always give sth new to viewers. Here we see it, even we had these kind of movie, but i did not feel it is old or repeated. I suggest everyone see this, specially childrens. Like to dream and dream... nice work.
Mek Torres Monster Hunt begins telling the history of the war between mankind and monsters, when the humans won, the monsters have separated themselves from them until years later, their queen escaped while bearing a child who will become the prince and being tracked down by other monsters and a human army. The opening doesn't bring anything fresh within its backstory, the actual plot doesn't get any less original either, when we cut to a young hero who doesn't get any luck after this plot came and other colorful set of character join to his journey. Despite of these done to death tropes and premise, the movie however brought something appealing, and that's definitely how seriously weird it is. It's packed with a lot of amusingly strange ideas which becomes its own personality. It's good if it runs less than two hours. The stock plot doesn't get any better and the climax feels a little too long for its own good. But to what it is, there is something delightful to its weirdness.So the hero lives in a small village, he lives with a relative anyone but his parents, he feels like an outcast, an underdog, etc. At this point of this film, it's just totally uninteresting witnessing the same tropes, even without trying to make its own spin out of it. And then he discovered that there is more to this world than what he has always knew. There is a girl who is stronger than him... is this even worth paraphrasing? You get the bottom line, however, the film gets better when it shifts to being downright weird. The pregnant queen can transfer her egg to another womb, which is given to the male hero. And this little antic is actually quite amusing. After the laboring, the movie continues to play off the concept as they raise this little monster. It's a delight, but it still doesn't help the plot that much.Even before the climax comes, it's still felt uncertain where the story is going. It feels a little busy playing around to some of its side villains. Now when it comes to the actual climax, it would have gone better if it was shorter than it was. And then a twist reveals that is kind of generic. There just isn't much to it, the story between the relationship of the monsters and humans remain thin. It's the main characters and the baby prince is the only strong moments in here.And to be fair, before the climax that eventually wears off, the pacing is kind of nice, making every moment reasonably entertaining. The action scenes are watchable. The special effects are alright, though the only likable digital creature is the prince which is admittedly adorable. The performances seem to be having fun on what they're doing, bringing energy into this film's silly nature of being a cartoon.That's pretty much what Monster Hunt mostly feels like, a cartoon. Yeah, the tropes and plot are pretty stock, but it really gets more interesting when it's getting weirder and weirder, from a pregnant male protagonist to some dark sense of humor it keeps things entertaining. I sort of wished they establish more of this mythology and how this monster prince can change their world, but the movie doesn't have much of that opportunity. To what it is, it's fun, though I wish it was a little shorter, or spent those other minutes to develop the fantasy stuff. But the main characters eventually become charming, in spite of how faulty the plot is. Monster Hunt is entertaining for the outrageous stuff alone.
katavarhelyi Amongst it's genre, this movie is a very funny and well-dosed one. All the characters are perfectly written, even the animated ones. The creators found a great balance between being funny and staying touching, between the human and monster world. Made me cry, Huba is just too cute to bear. Not to mention the visual orgy of this one. I respect how the Asian filmmakers show all the impossible as possible, I mean: all the action and fun stuff in this movie is very entertaining. Definitely recommend this movie if you like it's genre. The actors are nailing it, you can relate to most of them. There is no thing such as 'too much' in Chinese movies. Emotions and fun are just as important as the action part. The reason why I gave it only an '8' is the end of the movie. I wanted something else. Left me a bit hungry.
lasttimeisaw MONSTER HUNT has broken the all-time box office record in the booming domestic market, and officially it is the highest-grossing film in China, with an estimate $391.2 million. So it really piques my curiosity and decided to give it a try (since I rarely watch Chinese films nowadays).Flagrantly branded as a film made by "the father of Shrek", which the slogan is blatantly printed in all its posters, its director Raman Hui is just a supervising animator of SHREK (2001, 7/10) and SHREK 2 (2004, 7/10), and the co-director of the substandard SHREK 3 (2007, 6/10), so I assume Dreamworks might have the right to sue the overblown statement.Probing into the film itself, one possibly finds it is a cringe-worthy journey from the very start, thanks to the kids-friendly creations of the monsters by the so-called "the father of Shrek", 2- dimensional and cartoonish in the worst way, which betrays its overt ambition to exploit the lowest common denominator at its maximum. The storyline fictionalises a world where humans and monsters (who can hide among men with a human skin) co-exist in ancient China, after an internal war between monsters, the pregnant monster queen lams with two protectors Zhu Gao and Pang Ying (whose human shapes are played by Tsang and Ng). And our hero is a young cripple Tianyin (Jing), living with his lunatic grandmother (Jin) in a remote village. He chances upon a monster hunt Xiaolan (Bai), and farcically becomes pregnant with the monster baby from the dying queen.This role-switch between man and woman might turn out to be the most recommendable part in the story, after giving birth to the baby monster, later named as Huba, a surrogate nuclear family is formed, while Xiaolan takes on the tough father's role and the limp Tianyin becomes the protective mother. Then the narrative navigates inevitably to a predictable standard mainstream product, Huba's life is hanging by a thread (with an uncomfortable reference of Chinese people's non-selective culinary fetish) and a final battle between the good and the evil, with a stiff twist doesn't make any sense for the villain's motivation, it is par for the course Tianyin have to progress into a valiant monster slayer (bad monsters only), conforms to the traditional value of preserve a man's dignity, despite it is Xiaolan who is the real heroine in the whole escapade and Bai is the best thing among the cast, the most bankable Chinese actress presently.Trying to blend as many genres as possible, action, comedy, fantasy, romance, even musical (it is utterly mortifying to watch the tasteless and jejune music numbers jammed into the story), in addition with a cast complemented with a string of household names with special appearances, namely Wei Tang, Chen Yao and Ni Yan, along with child stars from a topical reality TV show, MONSTER HUNT is meticulously calculated to its core, in order to cash in on viewers' attraction, but at the expense of dumbing down the story to a frag-mental absurdity. But a dispiriting truth is that this picture IS the record-holder, bearing that in mind, one must wail for the future of Chinese cinema rooted deeply in the unhealthy soil, and one day, hope not too late, this seemingly prosperous bubble will burst and a wake-up call is imminent, but right now, undeniably it is rather difficult to be a true cinephile in China.