Moonlight Tariff

Moonlight Tariff

2001 "You must never call a man after your first night together! He has to call you!"
Moonlight Tariff
Moonlight Tariff

Moonlight Tariff

6.8 | 1h33m | en | Comedy

To call or not to call? For young Cora it's not a question. In fact, after the first date you may never call the guy, even if it was the best sex of your life! It's him who must beg for a meeting - and not later than 72 hours after. Otherwise - delete it from memory.

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6.8 | 1h33m | en | Comedy | More Info
Released: October. 25,2001 | Released Producted By: Senator Film , Hager Moss Film Country: Germany Budget: 0 Revenue: 0 Official Website:
Synopsis

To call or not to call? For young Cora it's not a question. In fact, after the first date you may never call the guy, even if it was the best sex of your life! It's him who must beg for a meeting - and not later than 72 hours after. Otherwise - delete it from memory.

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Cast

Tim Bergmann , Jasmin Tabatabai , Bettina Zimmermann

Director

Thomas Wildner

Producted By

Senator Film , Hager Moss Film

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Reviews

Elena I really love this movie. I watched it for the first time by mere coincidence. And since then I have watched it 5 or 6 times. And this is despite the fact that I don't really like art-house cinema. The movie's plot is simple. A relationship between a man and a woman has been under the spotlight in so many movies. But the storytelling itself is so catchy that you are completely immersed in it. The film clearly shows all stages a woman in love undergoes - the emergence of sympathy, waiting for a call, preparing for a date, wrapping oneself over nothing, depression, and self-flagellation, unproven rumors and speculations that poison life. it's just a film about anthology of relationships! And, of course, the soundtracks! They are just gorgeous! I advise it to everyone - both men and women. One can find himself in the protagonist of the movie, the other can better understand the psychology of women, and possibly avoid common mistakes)
Mara_Medvede I must say that this is one really enlightening film. I saw it on TV one evening(actually I even didn't plan to watch it)and I'm really glad that I didn't have anything better to do at that time. Some time ago I saw Jean-Pierre Jeunets film "Amelie" - well this was not quite so good, but I must say pretty similar. This movie talks about womens mentality and oddities with such an irony. For a great while I laughed, but then I realized (it was kind a tragic revelation) that actually it is so so true. I really don't want to tell anything about the plot, because it's too unique, but I'm convinced that every woman should see this film, just to realize how stupid we can sometimes act...just because we think that's the right think to do. One thing I learned - DON'T THINK SO MUCH! :)
beautiful_oblivion2001 Well, after having seen the Metropolis and Cabinet of Doctor Caligari, I thought the Germans cannot surprise me further with great films (and those movies are ooold). Der Mondscheintarif is much newer, has nothing to do with crazy doctors, like Caligari. There is a doctor, but young and handsome, and there is Cora, fittingly surnamed Huebsch (meaning "pretty" in German). She is looking for love, she finds it and then normal rules of dating come into play. This movie is remarkable for its plot. Finally, a movie about relationships from a true woman's point of view. This woman likes single life, likes sex, fun, friends, and in light of a new relationship is dumb-founded. And this truthfulness (wonderful feature of only German films today) adds spice, flavor, chic, whatever you call it that makes a good movie great. Watch it. This IS Oscar material, but trust me, it'll never get one.
mjkaelbling2001 The filming is remarkably well-done. The actors are good and the story is interesting, but the camera work deserves special mention. Normally, I would say it is bad when one notices the camera work, because it must be distracting. And on the surface there are some very distracting techniques: flashes, out-of-focus areas, jitters. But I don't think that the cinematography is detrimental here. Instead it adds visual interest without interfering with the storytelling. Indeed, it even contributes to the story.