Murder of Innocence

Murder of Innocence

1993 ""
Murder of Innocence
Murder of Innocence

Murder of Innocence

6.6 | 1h32m | PG-13 | en | Drama

In this shocking account based on a true story, newlywed Laurie Wade finds her marriage, and eventually the rest of her life, shattered by her deep-rooted psychotic behavior. The young woman soon begins a terrifying descent into insanity and brings danger to all those around her as she goes from brief "short-circuits" to overtly murderous behavior.

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6.6 | 1h32m | PG-13 | en | Drama , Thriller , TV Movie | More Info
Released: November. 30,1993 | Released Producted By: Carroll Newman Productions , The Polone Company Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

In this shocking account based on a true story, newlywed Laurie Wade finds her marriage, and eventually the rest of her life, shattered by her deep-rooted psychotic behavior. The young woman soon begins a terrifying descent into insanity and brings danger to all those around her as she goes from brief "short-circuits" to overtly murderous behavior.

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Cast

Valerie Bertinelli , Stephen Caffrey , Graham Beckel

Director

Chris Cornwell

Producted By

Carroll Newman Productions , The Polone Company

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Reviews

moonspinner55 Feisty waitress attracts a handsome businessman, who is swept away by her good nature and marries her; however, soon after the ceremony, the young woman begins exhibiting hyper-emotional, schizophrenic behavior that seems to be rooted in her childhood. Valerie Bertinelli stars in this TV-made fictionalization of events in the life of Laurie Dann (called Laurie Wade here), who eventually bought a gun and went into a grade school in 1988, with tragic consequences. It's too bad Hollywood producers see horrific headlines and immediately think big ratings, or that popular television actresses such as Bertinelli see in a disturbing project like this an opportunity to show off their range--much more responsibility should be shown to the actual persons depicted and to the audience. The crummy feeling one gets from this movie comes directly from the handling (with its opening shots of officers surrounding a home and loading their guns framing the narrative in that age-old TV device The Flashback). Strictly a fill-in-the-blanks job, offering nothing but a build-up to the moment Laurie finally snapped.
Foreverisacastironmess This ranks among the lamentably few truly great and strong television movies that I've seen. While most of them admittedly are as severely lacking as they say, the truly special and meaningful ones do stand out, and this is one of those. It's harrowing, disturbing and bleak indeed, but also to me such a heart-wrenchingly emotional and gripping story that I always greatly enjoyed it. It's a powerful drama of one severely mentally-damaged woman's terrifying spiral into a psychopathic madness, and it's littered with tense and edgy moments and scenes that very effectively put you in *her* shoes and take you out of your comfort zone, and it really is one of the most realistic portrayals of such horrific mental illness that's ever been put into any movie as far as I'm concerned. I'm not gonna go too much in depth about it, because it is what it is, a very engrossing drama thriller that follows the sad case of Laurie Wade, a deeply disturbed and mentally unstable woman who, after marrying the man of her dreams, tries to live the happy home life and make everything be so perfect...until the cracks begin to show and bit-by-bit her mind slowly falls apart as her deep-seated troubles are dismissed by doctors and brushed aside by her well-meaning but idiotic and wilfully-blind parents until eventually even her poor husband has no choice but to remove himself from her life, and it all narrows down and comes to a head in a horrendous scene of murder with her shooting at a classroom full of innocent children. It has such a forceful and very well realised psychological aspect to it, and there's some simple, but seriously creepy imagery and moments that make it feel more like a horror movie at points. And this movie did get under my skin the first time I saw it and stuck with me afterwards. I think it fantastically captures the horrific trauma of being a victim and virtual prisoner of your own mind, and you see a lot of the story from her warped perspective and what she's experiencing, seeing paranoid illusions and enemies everywhere, wearing her down and driving her insane. And the way that it's done, you really can understand how someone would lose their goddamn mind if they were under such draining mental assaults every single day, every time they tried to do something normal or talk to another person. Valerie Bertinelli gives a raw knockout performance that I personally couldn't ever see her matching again in her career.. Not based on what I've seen! While the acting is good all-round, it's doubtlessly her that carries and elevates the film to greatness with her emotional intensity. I find her especially impressive during a scene where she's making malicious phone calls to her husband's sister, and she's so amazing as she acts it with just her eyes, like she looks cold and malevolent but there's also such pain in her eyes at the same time, like there's a part of her mind that's well aware that what she's doing is awful, but she's powerless to stop herself. Even at her most inhuman and twisted, I never stopped feeling pity for the character. It is a mystery what actually caused her to snap, but reading between the lines a little, the film does seem to strongly suggest that Laurie may have been the victim of rape at the age of "7", possibly at a park, and her parents, as they were clearly shown to do, may have acted like nothing ever happened and the unconfronted buried trauma of it eventually resurfaced and that's what caused the mental breakdown, or at least that's what I put together.. Plus, how there's several times when she draws an image on mirrors of a crying little girl, and how she scrawls out again and again in one scene words like "Suffer", "Hurt", and "Please." The actual shooting is done in such a surreal and strange way, with her going into a sort of trance and appearing as a child version of herself in her mind with an evil expression on her face, appearing to avenge herself against the children who taunted her.. And although her act was indeed terrible and unforgivable, her story was nevertheless a tragic one, with the woman choosing to end her own life in the end which I think may have been for the best with her frayed mind being what it was. Only in death could she be free of the inner demons that robbed her of her sanity and reduced her to little more than a monster... It's clever, fast-paced, nerve-paralysing at times - an effectively chilling movie-in-the-mind. Good night folks, and remember to guard the better angels inside...
mjcgig I don't remember a lot from this movie, it was fairly routine acting and not exceptional, but even I know that the true story (if it even was based on a true story) did not inspire a song. This movie, while good, was NOT based on the song I Don't Like Mondays. The song I Don't Like Mondays was based on Brenda Ann Spencer's 1979 killing of two (a principal and a janitor) at an elementary school in San Diego. In real life, Brenda Ann Spencer was 16 at the time of the killing, unlike the character Valerie portrayed who was old enough to be married. There are several other differences, which a person can view anywhere else on the web first before posting incorrect information.
aqx99 This movie is an amazing true account of the rampage that Laurie Dann (her last name is different in the movie) went on during the last hours of her life. Her madness was never explained, and the reason for her actions will never be known. Surprisingly, only one child died that day, while hundreds could have if her plans had all worked out. This is an incredibly well acted movie. One of Valerie Bertinelli's best movies.