Night After Night

1979 ""

Night After Night

5.4 | 1h37m | en | Drama

A filmmaker engages in a routine series of sexual encounters to pass the time while editing her latest film. When one man refuses to play by her rules, she finds herself inexplicably drawn to him.

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5.4 | 1h37m | en | Drama | More Info

Released: September. 26,1979 | Released Producted By: French Productions , Axel Films Country: France Budget: 0 Revenue: 0 Official Website:

Synopsis

A filmmaker engages in a routine series of sexual encounters to pass the time while editing her latest film. When one man refuses to play by her rules, she finds herself inexplicably drawn to him.

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The movie is currently not available onine

Cast

Dominique Laffin , Marie-Hélène Breillat , Joe Dallesandro

Director

Catherine Breillat

Producted By

French Productions , Axel Films

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Trailers & Images

Cast

Dominique Laffin

as Solange

Waiter! Seeking Asylum Night After Night

Marie-Hélène Breillat

as Emmanuelle

Night After Night Le Portrait de Dorian Gray Last Tango in Paris

Joe Dallesandro

as Jim

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Reviews

fanbaz-549-872209 There is a guide for those reviewing on this site which rightly asks reviewers to state if their review contains spoilers. Meaning please don't spoil the plot. But this film has no plot. It has minus a plot. It is a series of nothing more than static scenes filmed in gloomy rooms where the leading lady has sex with a number of men. She is sometimes undressed for the event. But all the men bar one attempt the sexual act while still fully dressed. I spent what felt like weeks watching this tedious movie wondering how? I asked my wife. She said it was not possible. I saw this film last night in Turin, where I live. I speak French and Italian. I lived in France long enough to know that French cinema is bloated with self-important phony intellectuals. The French have made great films: Riffi. M. Hulot's Holiday, Rules of the Game. But they have made plenty of turkeys. I preach that the cinema is a place to suspend belief. It helps to know that we are in a kind of dream world. But there are limits. Italians tend to arrive late to the cinema. They seldom walk out. Last night they walked out in droves. I waited to the end to see if there was to be anything that made the film worth making. I should have walked.

Karl Self I saw this movie in original, unsubtitled French, and since I am a bit lackluster in this department I must admit that I might have well missed some of the finer points of the movie's dialogue. That said, it struck me as a typical Brilliant movie ... lots of top - heavy dialogue to the tune that a woman's feelings are ever so mysterious, which serve as an excuse for the (as always, stunningly beautiful) lead actress to get her kit off and prance around half - naked a lot. Calling it pretentious soft porn is probably a bit unfair, but not far off the point -- it seems to me that Cathérine Breillat's ambition far outweighs her ability as a movie maker.