peefyn
Movies like this are about the journey itself, and not the destination, so I am fine with the plot itself. A man travels and meets people on his way. The meetings in this movie are all quite neat. The main character meets some people that all challenge the isolation he has been living in, and it seems like those he meet influence him as much as he influences them. It's about all the problems we have, big and small.But there's too little of this. This is not a long movie (less than 90 minutes), but it still felt long due to gaps in the narrative where not much happens. There would have been room for plenty more good moments in this movie, and you feel robbed once it over because they never came, and the great moments that's there just aren't enough.
richard_sleboe
Unassuming little movie about a sad man who has trouble fitting in, no matter where he goes. Leaving a trail of smoking shacks and burning barns, Jomar is headed north on his snow mobile to seek out his son. He doesn't always travel in a straight line, but who said you have to? On the way, he meets his share of strangers, some of them friendly, others not so friendly. But then, Jomar isn't the most easy-going of visitors himself. You might say he is on an educational journey, but the lessons aren't all that clear. Among other things, he finds out about a unique way to get drunk that involves a razor, a patch of sandpaper, and a tampon. He also learns about the ancient art of springtime suicide as practiced by the tribal elders of Troms County. Cheating death more than once in the unforgiving wilderness of Northern Norway, he is finally given back to life. - Nice, eclectic soundtrack with some rare roots tracks.
fistkov
I felt that this film had a problem with the lack of story.Somehow the film starts brilliantly and there is a brilliant scene with a teenager boy who has, at the least to say, a lot of problems.Those were the brilliant parts of the film. I thought after the first 15 minutes, that this is going to be a masterpiece, but then it just dies. The plot vanishes and somehow the ending doesn't give enough to justify the lack of the plot.The main actor does a fantastic job and there is a lot of good in the cinematography, although I sometimes felt that this was an advertisement of Norway. There were so many landscape shots that you could easily get bored with them.The music choice was also a little bit odd. It sounded like a country-tune coming straight from Texas. Do people like country music in Norway? Even with it's problems, it is a nice film to watch as an voice from Norway.
gregking4
NORTH is a wonderfully droll, delightfully surprising, unexpectedly funny and offbeat road movie from Norway of all places. Jomar has been traumatized by recent events from his past and has sunk into a quagmire of apathy and indifference. But one day he gets out of bed determined to change his life. He heads out across country to visit his child, travelling some 900 miles by snowmobile and, when that breaks down, skis. Along the way he is literally burning his past behind him. The people he meets along the way also help him reassess his life and move on. Making his debut feature, Rune Denstad Langlo's direction is suitably low key and he delivers a droll and visually stunning movie that finds humanity in the loneliness of the long distance traveller. There is a winning performance from Anders Baasmo Christiansen, and the largely non-professional supporting cast adds to the film's eccentric nature. Philip Ogaard's rich widescreen cinematography captures the superb wintry, snow-covered landscapes, and Ola Kvernberg's beautiful score adds to the film's immense pleasures. A real winner!
AD
