One of Our Dinosaurs Is Missing

One of Our Dinosaurs Is Missing

1975 ""
One of Our Dinosaurs Is Missing
One of Our Dinosaurs Is Missing

One of Our Dinosaurs Is Missing

5.9 | 1h34m | G | en | Adventure

Escaping from China with a microfilm of the formula for the mysterious "Lotus X", Lord Southmere, a Queen's Messenger, is chased by a group of Chinese spies.

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5.9 | 1h34m | G | en | Adventure , Drama , Action | More Info
Released: July. 09,1975 | Released Producted By: Walt Disney Productions , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Escaping from China with a microfilm of the formula for the mysterious "Lotus X", Lord Southmere, a Queen's Messenger, is chased by a group of Chinese spies.

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Cast

Derek Nimmo , Hugh Burden , Bernard Bresslaw

Director

Michael Stringer

Producted By

Walt Disney Productions ,

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Reviews

johnstonjames In my opinion this is Disney's best live-action comedy. It's also one of Disney's best live-action special effect fantasies produced during the classic age of the Burbank studio. Sure it was filmed a EMI London, but it was conceived by Disney veterans Bill Walsh and Robert Stevenson and was distributed and produced by the studio in Burbank. It really is an American product that was filmed in England.I've always loved Helen Hayes involvement with Disney and felt the collaboration led to some of Disney's best live action products, 'Candleshoe' and 'Dinosaurs' are two of the studios finest live-action films, and 'Herbie Rides Again' is a very funny follow-up to the 1967 hit 'Lovebug'. Helen Hayes is a real asset to the Disney legacy and was a real 'Disney' star along with the likes of Fred MacMurray, Dean Jones, Don Knotts, Haley Mills and Jodie Foster, and of course the incredibly accomplished Peter Ustinov. All three of Hayes's film were big money makers for Disney and it's surprising they are not better remembered by Disney buffs. I had to go to England to purchase a foreign region copy of this film.The studio seems afraid to give this a serious DVD release in the States probably because they fear the broad comedy in this will be perceived as racist. I am not Chinese, but I am of mixed ethnicity and have suffered from racial discrimination myself,and I wouldn't worry about it. Ustinov is simply parodying the Asian stereotypes that were typical in spy thrillers and films from the 1930's. It's basically a send-up of the Charlie Chan stereotypes from that period(although this film is obviously set in the 1920's).I mean how racist can a movie actually be when the Chinese make comments about how "all English look alike" or "we Chinese were making tea when you English were swinging from the trees by your dirty tails." Hilarious.The special effects and 1920's production design are first rate and hold up remarkably well with CGI effects of today. The effects are very colorful and cartoonish looking, and the opening scenes in China have a real fantasy, fairy tale quality to them.Anyone saying this film is worthless or dull has something personal against it. This is an easy film to like and laugh at. And it's definitely worth a look simply for it's lavish production design alone, which, knowing Disney studios films of the past, was probably filmed on a modest budget with lots of cost cutting. A definite must see for anyone interested in the old classic Disney films.
TheLittleSongbird Not a perfect film by all means, but it is enjoyable even with its discrepancies. Some of it is very silly, but is still fun. The film is a tad dated and suffers from uneven pacing, but the performances and the sense of fun it has makes up for it. To liven things up, there are a couple of kung fu fights, a silly car chase and a skeleton of a dinosaur that serves the basis of the main. The performances are fun but very over the top, Peter Ustinov's character is so off-the-wall but Ustinov seems to be enjoying himself. Joan Hickson and Helen Hayes are great as two members of a group of nannies that even Mary Poppins fans would love to join perhaps. Derek Nimmo is decent too as the aristocrat who hides a top secret formula in the dinosaur skeleton. A nice soundtrack and good direction help also. Overall, I enjoyed it, I wasn't expecting perfection, I didn't get it, but I liked it. 7/10 Bethany Cox
Spikeopath Lord Southmere has a ring of Chinese spies chasing him because he has in his possession a secret microfilm, the contents of this microfilm reveals the formula for mysterious Lotus X. After being chased into the Natural History Museum, Southmere hides the film in the bones of a Brontosaurus skeleton. After Southmere's capture, it's up to his old nanny and her hardy band of friends to find the film and keep it from the clutches of the evil Hnup Wan..........and so is the plot for Disney's charmingly silly live action venture. It's not masquerading as anything other than a fun family film, it's got bags of energy, and it boasts a quite delightful premise. Obviously taking its lead from Ealing's brilliant The Ladykillers, One Of Our Dinosaur's Is Missing's strength is that a couple of English old dears are taking on {and defying} a gang of Chinese nasties. Some mirthful gags {both visual and oral} light up the film, including a great sequence as the ladies steal the skeleton and whisk thru London with it on the back of a coal fuelled truck!It's good old harmless fun that doesn't deserve the charge of stereotyping the Chinese, it's 1975 and the cast are having fun, and honestly, so should the family. 7/10
to_kill_better This is possibly the best film ever. The story of a group of British nannies and a captured spy and their conflicts with the Chinese secret service over the recipe for the mysterious "lotus x" produces a miraculously silly slapstick festival of idiocy that is probably the most watchable film ever to come from Britain. Forget the grossly overrrated "The Full Monty" - One Of Our Dinosaurs is Missing is the funniest film ever to escape our sceptered isle. Of course the British actors playing Chinese characters are unconvincing, but this isn't about realism or diplomacy; it's about non-stop tomfoolery, which it supplies in bucketloads. This is what British films should be about! Not dark, brooding council estates; tower-blocks filled with the destitute; or the collapse of industry; instead, the power of self-belief and good honest values overcoming adversity. An absolute film classic, sadly overlooked at the Oscars, this deserves a cinema re-release at some point. Failing that, buy the video - you won't regret it!