One on One

One on One

1977 "You're not big enough. You're not sharp enough. You'll never make it."
One on One
One on One

One on One

6.5 | 1h38m | PG | en | Drama

Henry Steele is a basketball phenom at his small town high school, but when he matriculates to a big city university on a scholarship, soon realizes that he has few skills outside the sport. Expected by his coach to contribute significantly to the team, Henry is overwhelmed by the demands on his time, the "big business" aspect of college sports, and the fact that he never fully learned to read. Things look bleak for Henry when Janet Hays, a pretty graduate student, is assigned as Henry's tutor. Her intellect and strength lift Henry out of his doldrums just in time to battle the coach, who attempts to rescind Henry's scholarship.

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6.5 | 1h38m | PG | en | Drama | More Info
Released: June. 28,1977 | Released Producted By: Warner Bros. Pictures , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Henry Steele is a basketball phenom at his small town high school, but when he matriculates to a big city university on a scholarship, soon realizes that he has few skills outside the sport. Expected by his coach to contribute significantly to the team, Henry is overwhelmed by the demands on his time, the "big business" aspect of college sports, and the fact that he never fully learned to read. Things look bleak for Henry when Janet Hays, a pretty graduate student, is assigned as Henry's tutor. Her intellect and strength lift Henry out of his doldrums just in time to battle the coach, who attempts to rescind Henry's scholarship.

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Cast

Robby Benson , Annette O'Toole , G. D. Spradlin

Director

Sherman Loudermilk

Producted By

Warner Bros. Pictures ,

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Reviews

John T. Ryan BEING SORT OF yet another entry into the underdog vs. the rest of the known world genre, we review and respectively submit for your approval, our recollections and perspective on this Robby Benson vehicle. . And proud it should be as this ONE ON ONE joins in lock step with such entries as the recent THE BLIND SIDE, ROCKY (and his friends: II, III, IV, V, BALBOA & now CREED) and HOOSIERS. ALTHOUGH WE HAVE dared to classify this perhaps forgotten little family picture from 1977, it does have some inherent elements that fly in the face of any attempt at pigeon holing it. In addition to the obligatory struggle that indeed is at the center of any drama like this, ONE ON ONE dares to break away on its own, pursuing a definite different route in its path to a successful conclusion.MORE SPECIFICALLY, THE film introduces an additional obstacle to the chagrin of protagonist, Henry Steele (Robby Benson). The iron fisted and authoritarian rule by Head Basketball Coach Moreland Smith (G.D. Spradlin).* The Coach takes as a personal affront the young Steele's open display of being a free spirit. The Coach pulls the rug out from beneath him; voiding his athletic scholarship.IT IS AT this juncture that the young student athlete's future becomes most dependent on his student tutor, Janet Hayes (Annette O'Toole). Whereas the slightly older co-ed had been less than sympathetic to his plight, her attitude quickly shifts as her prepping him for his various courses continues after her stipend is also spiked by the coach. In spite of earlier hostilities, the two become L-O-V-E-R-S!THE STORY REACHES a climax, a crescendo and a conclusion (all three)when young Steele, who managed to not only remain on the Varsity hoops squad, but also manages to win the big game. Rather than offering any apology with his congratulations, the coach offers to reinstate his tuition free ride. To this, young Steele replies by referencing the coach. Quoting a previous tirade of Coach Smith's of: "Up your ass with a red hot poker.THE TWO YOUNG lovers are the shown going off somewhere, embracing and enthusiastically swapping spits. (Shocked, Schultz?)THE ENDNOTE * Veteran character actor was well cast in the role of Coach Moreland Smith, which was very similar to his characterization of head Coach B.A. Strothers in NORTH DALLAS FORTY (1979). As a matter of fact, Mr. Spradlin most usually played unsympathetic, snake in the grass types. Remember him as Senator Geary in THE GODFATHER: PART II? The only "good guys" in his resume that we recall are those appearances as a LAPD Police Captain on the DRAGNET TV Series in the late 1960's o mid '70's!
caa821 G. D. Spradlin is a splendid actor. Between his role as the coach here, and in the same role in the great football flick, "North Dallas Forty" - he has undoubtedly won, hands-down, the prize for the best portrayal of the quintessential "total horse's-ass coach." As others have pointed-out, it is illogical that he would recruit Henry (Robby Benson) as heavily as he did, then not know who he was when he reports on campus. Also, he knew Henry was a small-school, small-in-stature, fast-break player, whose talents were speed, ball handling and shooting - and yet, he is non-plussed when this doesn't seem to fit with his slower, ball control, "big-team" offensive philosophy. The gratuities furnished Henry (automobile, do-nothing job, alum booster buying his game tickets for exorbitant amount) are beyond the scope even the most "liberal" programs would furnish - at least in terms of their obviousness, with little intent to provide some sense of legitimacy to them. And the coach's decision regarding Henry's scholarship, and his measures to try to drive him off the team, are over-the-top, even for the heavy-handed character portrayed (and even bearing in mind that big-time college athletic programs are not as altruistic as the schools like to portray). But these contrivances are also what make the movie more interesting, and sometimes characterizations which are exaggerated help as much as they hinder the plot - and they do so here. I remember seeing Burt Reynolds with Johnny Carson on a show, discussing a movie in which Benson had appeared with him. He laughed about winning bets from others when Benson was able to do 100 sit-ups in about a minute. With some of the performances in sports movies, where the principals can be made to look like they can perform only by using trick photography or stunt doubles - it is a pleasure to watch Benson, who obviously is physically capable, and knows how to handle, pass and shoot a basketball. Annette O'Toole is engaging in the female lead, and together they make an attractive, appealing young couple.
andygone-abdl This was the first Robbie Benson I ever saw. Once I did see it, I have always been alert for other things which involved his talents.This movie was especially meaningful to me because I took a much younger friend to view it with me. After seeing the movie I bought the fabulous movie soundtrack album by Seals and Crofts, and those songs were played over and over by this young friend and I until every word and note could be sung-along with the artists. I think this experience was an inspirational time for both myself and my young friend, who could identify in many ways with Benson's character.Decades later I find that few fans of Seals and Crofts even know they recorded such a soundtrack, much less having any familiarity with the movie One On One. However, I have always since sought-out other features and appearances by Robbie Benson, and have become a life-long fan of this talented, if somewhat obscure, actor. I will continue to seek-out his productions and performances wherever Robbie Benson may show himself next. We are blessed by the gift of such a competent and gifted artist.
imbluzclooby What can I remember about "One on One". I was like 10 years old. I think I saw it as a double-feature with another sports movie called "Take Down". That is when double-features existed and they usually had movies with similar themes. Anyhow, One on One is a pretty cool movie for anybody, let alone those who love basketball. I remember Robby Benson going to college and he is literally dwarfed by some of the other players. The center was 7'4", his new friend was like 6'6" and little Robby is only 5'11". But he still can dazzle us with his ball handling and great outside shots. He falls in love with a nice Freshman and the relationship is very sweet and tame. I think they may have kissed twice, one being just a simple short kiss. This is your typical underdog story told in a sport's theme while giving the audience the allure of young adults learning about life and love. The closing song and montage is also nice and reminiscent of the 70's.