phd_travel This is a thought provoking and surprisingly watchable movie about LBJ and his success with Civil Rights and his failure with foreign policy in Vietnam. There are a lot of characters but it's clearly presented. It is no mean feat with the different advisers giving contrary advice on escalating or cutting back on the war efforts then changing positions. Effectively shows LBJ as a man caught between a rock and a hard place and making the wrong choices in a war he didn't start or end but tragically escalated. There are some faults. The diction of some of the actors is not clear. Alec Baldwin as McNamara swallows his words. Michael Gambon struggles with a Texas accent too. But he still does a good job at capturing the gruff essence of LBJ.Good movie to watch now the country is embroiled in another terrible conflict. So many lessons to learn. Why is history repeating itself so soon?

robertmike57 When I saw this movie yesterday, I was struck by the language and how it echoed the arguments made now about the Iraq War. In fact, I thought certain phrases were inserted into this movie to criticize the Iraq war as they are the EXACT same things said today about the futility of the the US presence in Iraq, given how "liberals" Donald Sutherland and Alec Baldwin were involved in this project.Then I noticed this movie came out in 2002, BEFORE George Bush decided to invade Iraq.Path to War covers the period of time in US history from Lyndon Johnson was inaugurated in January, 1965 to March, 1968, when he announced he was not seeking a 2nd term for President. We get to view how LBJ was a champion for voting rights and committed to improving the lot of poor Americans with the Great Society. But the movie focuses on how the United States came to get drawn in and bogged down in the Viet Nam war, to the downfall of Johnson. It illustrates how Clark Clark Clifford went from being opposed to the war to being it's most vocal supporter, and how Robert McNamara went from promoting the war to being forced out as Secretary of Defense for coming to opposing the war. How Johnson was tentative about pursuing the war, micromanaging combat operations and the demoralizing effect the Tet Offensive had on this country. The movie has expertly woven in numerous television broadcasts, cartoons and other historic artifacts of the era to drive the point how the Johnson administration acted in carrying out the Viet Nam war and their effects.This is the movie to watch if you want to understand how the Viet Nam war came to be a large conflict with it's divisive effects on this country. It's a movie that should be required viewing for any future President ever contemplating a "small" foreign war in the future.

Giuseppe Lippi A TV movie about President Lyndon B. Johnson? A historical drama about his "suffering" during the Vietnam war escalation? Intriguing idea, like its attempt of resurrecting from the dust of last century the climate which generated Johnson's Great Society political project... A vision that failed, even if the movie closes celebrating its persistence before the end titles. More than everything else, this is a stage drama unlikely to stand the real, terrifying drama going on outside the "halls of power" -- namely, in the bombarded and famished country of Vietnam. In the face of such a massacre (of both Americans and Vietnamese), when we are told that some 58,000 marines and TWO MILLION Asiatics died in the last four years of the war only, there is no drawing room drama that can give justice to the "mess". This was no simple "mess", it was a genocide -- something one would have thought belonging to a bloodier, more cruel past, like a new extermination of Jews. Here, the "Jews" were the Communists from South-East Asia: Vietcong, women, oldsters & children alike. America lost much more than a bloody war in Vietnam; the film partially tries to show that (like in the impressive suicide scene of a man who burns alive under the very eyes of Robert McNamara at the Pentagon), but generally speaking "Path to War" remains more interested in the affairs going on between the male trio of its protagonists: LBJ, "Bob" McNamara (whose wife had ulcer, we learn) and Clark Clifford, the man who succeeded McNamara as Secretary of Defence (a marvelously saturnine Donald Sutherland). I realize this is a historical film tailored to suit American audiences: it's just as right that they ask questions about their past and the more controversial figures of their political life; but I can assure you that, when screened outside the U.S., the film looks more like the capable drawing room caper which I mentioned before, no matter if THIS drawing room is Oval and located at the White House. All this taken into account, it's a standing tribute to its director, John Frankenheimer, and to its leading players that the film "per se" succeeds in capturing our attention and sustaining it through 165 minutes of dialogue and interior sequences, like no ordinary TV movie would be even remotely capable of doing these days. It is, in just one word, a mature conception of a historical movie, sustained by brilliant performances ands a good screenplay... The real shame is that too many of us (especially the non-Americans?) best remember LBJ through the devastating portrait Jules Feiffer made of those years in its cartoons. Forty years later, Frankenheimer gives us a different thing to muse about: we accept it from his "maestro" hands -- with just a little reserve in the back of our minds.

Sander Pilon This movie is about America getting dragged into the Vietnam war. It's not about the soldiers, but more about the political background that led to the war.The movie itself presents an interesting view of the events, but I fear that the movie is more suited for a history class at school. It just doesn't entertain enough for that rainy sunday afternoon. It's basically a lot of politicians talking.It's hard to rate this movie - the political background of a war is really fascinating material, in that aspect the movie delivers. But a movie should also be entertainment, and unfortunately this particular movie failed to entertain me.