drystyx
This is a difficult film to review, because it is pretty much all of its ingredients, so the best description of it would either be fifteen pages or fifteen words."The grass is greener" describes the motif pretty well.The usual description leads one to think it is totally about "Pelee", but that isn't the case. Many characters and many plots are in this film.I watched it with some expectations. Max von Sydow is one of the most respected names in acting, and even when he appears in high action apocalyptic films, there is some bit of "thinking" involved.We usually expect Sydow to be involved in works that are "mystical puzzles", such as "The Seventh Seal" and "The Reward".But sometimes, like this film, the film is about "reactions". In fact, two things that I was always conscious of while watching this were the title and the "reactions".Why was it called "Pele the Conqueror"? We come to that at the end.As for the "reactions", that too is a omen of the ending. The characters don't "think things through". They simply react.And that does give a very realistic view of the times and the people. It is a story of the hopes of people on a Scandinavian stone farm in the late 1800s. Don't be fooled into thinking that this is a dull "slice of life" film, though.I am not the most patient viewer, maybe a bit "attention deficit", but this film kept me interested throughout.I could say more, but then I wouldn't know where to stop. Hopefully, this review gives an idea of what to expect. It has good scenery, and is well made. I feel comfortable in saying that nearly everyone will be pleased by it, and most will be more than pleased.
runamokprods
A quite good movie, with a truly great performance by Max Von Sydow. The film itself is overlong, and a bit too crowded with sub-plots that don't get developed enough. On the other hand, the intricate, specific details of the sad, Dickensian world of this Danish farm in the late 19th century feel real, harsh, and often fascinating. The young boy playing Pelle is good, but not as great as the role calls for. But Von Sydow is so subtle, so heartbreaking, so complex that he almost lifts this into 'great film' territory just by himself.
paul2001sw-1
The harshness of life for immigrant agricultural labourers in 19th century Scandinavia is the subject matter of this film by one-time Bergman acolyte Bille August; and in places, it's every bit as depressing as it sounds, though livened by moments of black humour. Pelle, a young boy, is supported by, but increasing supports, his aged, and somewhat self-pitying father; the dynamic of their relationship is nicely conveyed, although the semi-idiot status of all the peasantry limits the subtlety of what can be conveyed. While it's welcome to see a costume drama that engages in no prettifying, personally I preferred August's 'The Best Intentions', based (in fact) on Bergman's early life, whose middle class setting provided a more sophisticated take on the nature of hardship.
gelman@attglobal.net
Pelle the Conqueror won an Oscar for Best Foreign Language film when it was originally released. Although I did not see it then, it is certainly easy to see why it received that answer. It is an unsparing tale of the life of a Swedish immigrant father and son (Max von Sydow and Pelle Hvenegaard) who have come to Denmark following the death of wife and mother and found work as laborers on a farm in a desolate seaside landscape. It is, to avoid giving details, a terrible life. I'm told that this is a very thin slice from a four-volume novel. So despite the film's 2-1/2 hour length, what we're shown is a tiny piece of a much larger canvas. Max von Sydow, a famous actor in his day, is superb as the elderly father of young Pelle but the child's role is also very well acted, and the direction by Bille August who also wrote the screenplay is unobtrusive but sure-handed. Since it is set in the 19th Century, there is nothing dated about this film. It is a masterwork.
AD
