MartinHafer Sam Farragut (Andy Griffith) is a rich jerk who fully realizes how powerful this makes him. Instead of just allowing the advertising agency to handle his company, he controls them--insisting the three execs working for him MUST go on a long, long motorbike ride across Baja...or no contract. Once on the trip, Sam turns out to be a real piece of work...an amoral guy who drinks, brawls and womanizes-- acting nothing like the Andy Griffith we've all grown to love. He's a lot like Satan on a cycle!Among the three execs are Warren (William Shatner), Paul (Robert Reed) and Terry (Marjoe Gortner). All three are extremely flawed men and only Terry seems excited about making this trip. Paul is hiding a secret but Warren's is the darkest of all...he knows he's being terminated from his job and is showing hints that he might use this trip as a way to kill himself! What does come of all this? This is certainly one of the strangest made for TV movies of its era. That's saying a lot since "The ABC Movie of the Week" often featured weird plots--such as women impregnated by aliens, monsters living in the chimney and reincarnated witches! But this strange is because the folks play so against type...especially Griffith! But is this strangeness any good? Well, yes. Despite the plot being extremely difficult to believe and the actors playing so against type, the basic issues going on in the film are compelling-- especially when Griffith's character does some very horrible things. The only BIG bad thing about all this is the ending with Shatner in the surf--not THAT is amazingly stupid! All in all, well worth seeing just because of its novelty.By the way, if you are curious who Marjoe Gortner is, read him IMDb biography. This guy was VERY prolific on TV in the 70s but his life before this is really, really interesting. He's not particularly good in this film, however. Also, I think it is very likely NOT unintentional that the four men all sport shirts that look almost exactly like "Star Trek" shirts--red, blue and yellow! You really notice their Trekkiness in the cantina scene...complete with the black collars! Apart from missing the Enterprise emblem, they are almost dead ringers!

Woodyanders Three advertising industry agents -- worn-out washed-up has been Warren Summerfield (a surprisingly subdued William Shatner), passive yes man Paul McIlvain (a nicely wimpy portrayal by Robert Reed), and swaggering hipster hustler Terry Maxon (the always awesome Marjoe Gortner) try to win over the favor of wealthy and powerful mogul Sam Farragut (robustly essayed with lip-smacking wicked relish by Andy Griffith) during a perilous motorcycle trip through Baja. However, said excursion into the dessert doesn't go as smoothly as planned. Director Robert Michael Lewis and writer Jack Turley treat this heavy-handed morality tale about the abuse of power, compromising one's values, and personal integrity (or the lack thereof) with gut-busting seriousness, thereby resulting in a total campfest of exceptional unintentional hilarity. Shatner's typically hideous hairpiece and show-stopping "There is no me" monologue, the hysterically dated "cool" slang-ridden dialogue ("Now, we're getting' it on, baby!"), a sidesplitting surplus of soap opera-ish subplots (Warren's lost his job, Terry's girlfriend is pregnant, and so on), and the corny voiceovers all further enhance the overall goofy charm of this unsung kooky gem. Of course, Griffith playing a rare full-blown villain part gives this honey an additional uproarious kick, as good ol' Andy is clearly having the time of his life portraying one really mean, evil, and arrogant bully of a rich jerk. Angie Dickinson as the tart-tongued Nancy and Lorraine Gary as Warren's concerned spouse Lila do their best with their thankless roles. Fred Myrow's groovy score makes great use of a burning fuzztone guitar. The cinematography by John Marley Stephens offers plenty of breathtaking shots of the beautiful wide open scenery. An absolute hoot!

fdextro ABC hyped the premiere of this pop culture mind bender as "the television event of the decade". They may have been right. Written by Hack, I mean Jack Turley, it's a heavy-handed quilt of morality clichés as we follow three advertising execs (Shatner, Reed and Gortner) willing to do anything to land a big account. They make Darrin Stephens and Larry Tate look like models of integrity. This time, they agree to go on a motorcycle road trip to Mexico with a crazy rich (or is that Ritz?) cracker played by Griffith in an image-shattering performance. He forces them to wear matching leather jackets emblazoned with a "Baja Wildcats" logo, while underneath sporting what look exactly like extra-large long-sleeved Star Trek t-shirts. With a set-up like this, how can you go wrong? Well, for one thing, trying to jam in a bunch of soap opera backstory before the big ride.Shatner, wearing one of his funniest toupees (with sideburns to match), is having a serious midlife crisis. His job is in jeopardy, he's cheating on his wife, and, worst of all, the boss tells him to get some new suits with wider lapels (this is the 70s, after all). He takes out a life insurance policy and contemplates suicide for much of the movie. In a reversal of Griffith's performance, Shatner actually underplays his role but does it so turgidly; he still comes off as a pompous ham.Then we have Reed, still decked out in a full-Brady afro. He's married to Dickinson and things aren't going so well for them either. (In fact, she's the one having an affair with Shatner.) It's impossible to watch today and not read gay subtexts into Reed's dialogue, especially when he tells Dickinson, "The man you married lived in an apartment with only one closet." Delicious.Meanwhile, Gortner plays a proto-yuppie prick, willing to sell-out and sacrifice anything and anyone for the sake of his career. He can't even give his girlfriend a committed answer when she tells him she's pregnant. Willing to abort it if he says so, Gortner can't be bothered right now with making a decision. He's got a road trip to run. The women gather together to say goodbye and the Wildcats begin their fateful odyssey. That's too bad for us watching because we now have to squirm through what seems like an hour (it isn't, though) of random motorcycle mania. Worse than the similar biker bores in THE ACID EATERS, try not to fall asleep because you'll miss some of the most incredible made-for-TV moments ever devised.The first takes place in a cantina. Griffith has been tossing back tequila boilermakers and makes a drooling play for some poor hippie girl dancing her little hips off. The expected fight breaks out and our trio now have to face the fact that Griffith may be a total psycho. Gortner gets drunk and tries not to care. However, Reed and Shatner have a real heart-to-heart talk about responsibility and whether all this is worth some advertising job. The scene ends with another classic Reed-subtext line as he asks a heavily buzzed Shatner, "I'm going' back to the hotel. You wanna tag along?" Shatner declines the invite with a warm and knowing smile.The other key scene involves Griffith's confrontation with a hippie couple swimming nude on a beach. He and Gortner ride in and the bad vibes start almost immediately. Griffith shows an interest in the girl and offers the boyfriend a hundred dollars for her, flaunting the whole hippie free love ethic. The boyfriend tells him to get lost, but Griffith loses it in a completely different way. He grabs a hatchet and starts taunting, "C'mon hippie, let's go! C'mon freak!" Instead of bodies, Griffith butchers the hippies' van, pretty much dooming them to slow death because of the distance they would have to walk to reach help. Of course, Gortner plays the quivering toady.Back in Mexico, Shatner finally shakes off his suicidal bent with the realization that he's a better man than Griffith. Referring to the head Wildcat, Shatner says, "He's like acid. He makes people do anything." Reed remains ambivalent and Gortner continues as a self-denying scumbag.I won't reveal the ending, but I'm sure most of you have a good idea who won't survive. As I said, it's a morality play, but holds little weight as such. The value of this movie relies purely on 60s/70s pop culture appreciation. It's a predictably scripted, flatly directed late-period biker film, led by three attempts at a stereotype breakout. It's also a fun failure and well worth seeking out.

jwpappas My roommates & I nearly shorted out our TV from the numerous spit-takes we did while watching this hilarious piece of 1970s self important pseudo-zen dreck. I'd read about this campfest for ages and scanned my local late night TV listings for YEARS in search of this elusive turd. Several years ago our local ABC affiliate was known for showing cool flicks for its late night weekend flick (ie "Frogs", "Night of the Lepus", etc). Then one day it happened: at 1:40am on a Saturday night (over 5 years ago) there it was! We had over 15 folks over and the flick did NOT disappoint!See! Andy Griffith as the silliest & most unthreatening bad guy since Jaye Davidson in "Stargate"!See! William Shatner sport a variety of things atop his head that only faintly resemble human hair (or anything organic for that matter).Hear! jaw droppingly inane 1970s psychobabble that makes "Chicken Soup For The Soul" sound like BF SkinnerFeel! Content that any decade was better than the 70s.For those still reading...the plot surrounds a bunch of middle class mid level a--holes who decide to suck up to their s---head boss (Griffith) by joining him on a cross dessert race that spans California & Mexico. They all wear leather jackets, looking more Christopher Street than anything else. Along the way they stop at a Cantina, get drunk, smoke joints (the sight Robert "Mike Brady" Reed smoke a joint is an image you won't soon forget), start a fight, attempt rape, and just act like a bunch of suburban middle class jack offs. Although I have an excellent copy that I taped off TV I WISH this one would be released on video so the whole world could enjoy its half baked goofiness.