Newski_the_Hippie Every movie has it's good and it's bads, and this is no exception. The scifi aspect of it was pleasantly low key. The director seems to have a knack for cinematography, which by and large was superior. The world it set up was interesting, and there is nothing wrong with the Sci Fi elements.Except for, to remind us that it is the future, flying cars are digitally added time and time again. Why? Enough of the flying cars. Show a few of them, and that's fine. Not every time somebody is on the street, one just happens to whirl by. It's agitating. Not all of the time did it bother me, but sometimes, when I am trying to pay attention to the characters on screen that that hunk of metal comes across the screen.The "Personal" story of the film takes over past the scifi aspects, which generally is something I respect in a film. Not this time. The story revolves around a thoroughly unpleasant man's sexual tension and attraction to a mysterious young woman (who is equally unpleasant). Sure, the mystery involved was more important then the fact that these were characters I couldn't care about. I probably wasn't supposed to like them, thus the attraction to the mystery.And isn't everyone tired of the cliché "Man sees Mysterious girl who changes his life" thing anyway? I mean, seriously. Too many indy film clichés in this. Including the fact that if the characters aren't swearing at each other, they are trying to say something somewhat intellectual. People don't talk like that in real life.Mysteries remain unsolved by the end, probably because this was planned as the first part in a trilogy. Which is fine. However, nothing conclusive ended this film. There was no catharsis, and all we got was a card that said "Red Cockroaches" to let us know the film was over.With all my criticisms of the movie, I am looking forward to viewing the next two films. Perhaps the Director might have improved on his craft, because that's all it really needs. It had a lot going for it, but unfortunately became just another prententious indy film.

Hakan Elverdi I would like to mention two things about this movie: 1) Although it had a very very low budget (almost none, it is said!), the director managed to create a unique atmosphere and a nice tension that keeps you in it until the end. Congratulations on this issue.2) You feel like cheated at the end of the movie. The themes that fly around the whole movie (future life, acid rains, DNA studies, even cockroaches!) and also the thrills that keep you interested (dream-like sequences, psychological aspects built at the beginning, etc.) all fall loose! All you are left with is an incest story told in a stylish way. I wonder why did the director choose the "future theme" for its movie, since none of its features fit into the movie or enrich it. Everything could have been set in today or even the past.Good effort and talent, but lots of problems with the story and cinematography.

curryj1 This movie was complete, utter trash. I can't believe people would pay money for this. Why bother setting it in the future? Why bother with the mutants, or the acid rain, considering it is about INCEST. That is so pointless. The movie was disgusting and glorified incest between a couple of sickos. What about that ketchup scene? That was disgusting. The whole shock value thing is tiresome. YAWN!also, terrible acting and the "special effects" just got in the way of the storyline, which was not very thought out either. The end of the film was very weak, in the sense that they thought it would be easiest just to get rid of characters quickly, than have them stick around for a confrontation.I would have to give this movie a -100 out of 10.

Adam Red Cockroaches is a freakish, bizarre, avant-garde-ish science fiction/thriller about forbidden love and mutants. Yeah, it's odd, but it's incredibly captivating. The acting is exquisite, the directing divine, and the cinematography is absolutely splendid. The most interesting thing about it? It was shot on a budget of $0 as a labor of love from award winning Cuban filmmaker Miguel Coyula.