kls-2 Very good article in today's (Oct. 3, 2008) LA Times re the massacre.The "news peg" is the memorial March held in the capital on Oct 2, 2008.They mention that Marcelo Ebrard ordered flags flown at half-mast, a major recognition of the event.It covers the continuing problem of impunity.It does not, however, mention events in Guadalajara.The article skims through various attempts to investigate and fix culpability over the years.It also mentions calls from Amensty International and other human rights organizations for investigations and justice.

acorral-1 This film is about one of the darkest pages of Mexican history. After almost 6 months of political tension between a huge student movement and different political institutions, Mexican government decides to use the military forces against them just 10 days before the Olympic Games. The result was a man slaughter against dozens of students. Director Jorge Fons presents the sequence of that day, October the 2nd. At the beginning we can see the calendar noting precisely that day, during the morning. A preface for a catastrophe. Then the members of the family are showed: the father (Héctor Bonilla) who works for the government and knows that something could be wrong in the confusing political environment; the grandfather (excellent performance by Jorge Fegán), former military member, retired and against any kind of subversive acts and of course against the student movement. The two oldest sons (Bichir brothers, Demian and Bruno) actively involved in all the aspects of the student riots. The mother (excellent performed by one of the most important Mexican contemporary filming actress, María Rojo) who is in the middle of every particular conflict; she is the mediator between every character in her family and try to keep the harmony in the house. Then the youngest kids (brother and sister) who barely understand what is happening, but are circumstantially witnesses of all events. In a very interesting sequence, all members are sharing breakfast in a traditional Mexican way. The environment is full of details: Beatles music on the radio, Che Guevara's picture on the wall, conversations about the massive concentration planned for the afternoon, discussions about the potential dangerous results of the student's riots, ideology about the circumstances around the movement, etc. Everything is in place to better understand the upcoming events. Fons then prepare the scene with apparently meaningless sequences: A blackout, a missing call from the husband, death telephones, some armed persons at the roof of the building when grand father and grand son are playing with small soldiers, the youngest sister going to a friend's house to do her homework. During the first hour all the action took place in the little apartment with apparently no signs of action. In fact nothing happens outside the apartment, but the director creates an atmosphere of tension and doubt before the important event of the day. The apartment is located in the middle of the tragedy. Outside, some other buildings creates an open square (named "Plaza de las tres culturas") and precisely there, the massive concentration of students is scheduled to start at 5 PM. The grandfather comments with his daughter about the military presence and the snipers at the roof of each building. Why? She asks. The answer is very simple: because they are prepared for something big. Then the massive meeting begins. In the apartment the little boy is doing his homework, the mother is sewing and the grand father is fixing an old watch, but we can clearly hear the speech, there is a lot of people outside. Everything is in calm, a disturbing calm. Then, the inevitable. Red lights on the sky and a lot of gun shots. The mother lean out of the window and start screaming: They are killing them!!! They are killing them!!! The second part of the movie begins, the sons arrived with four other students, one of them is wounded (Eduardo Palomo) and is bleeding badly. Outside the gun shots can be heard briefly but consistently, as well as the screams and the shouts. The grand father decides to pick up his grand daughter and we can see a sequence with military people hitting students and a lot of blood in the corridor. The students, safe at home start to talk about what happened down stairs, disturbing stories. Apparently the soldiers opened fire with no real reason, killing a lot of people, not only students but small children, civilians even senior citizens. The father finally arrives after midnight and tells the family about military trucks transporting dead bodies and naked people arrested and severely wounded. Then turned on the TV to see the news and the official version is that the military squads were being supported the police forces in order to calm down some urban fighting between students. Incredible, but media is controlled by the government, someone commented. Everyone goes to sleep and seems like the end of the movie is near, but some knockings at the door interrupt the peace and quiet at the apartment. Some voices claiming to open the door. Armed people, a lot of bad words. A tragic ending if you can figure out and the last scene is disturbing, the little boy is the only survivor and start walking outside the apartment seeing all the members of his family murdered. When he is in the square the last shot presented some military members cleaning up the mess. 10 days, just ten days after that episode, the Mexican President leaded the events for the Olympic Games opening. The film is very good, with strong acting performances and a solid screenplay (written by Guadalupe Ortega and Xavier Robles). The picture received 9 Ariel awards (oscar equivalent for Mexican pictures) including the golden Ariel for best picture, best directing for Fons, acting awards for María Rojo, Héctor Bonilla and Jorge Fegán and two awards for Ortega and Robles for screenplay and original story. Fons besides received a special jury award during the 1990 San Sebastian film festival where the film was nominated for the golden seashell. One more detail: Che Guevara picture on the oldest brothers room's wall is the classic photograph took by Korda and by that time (1968) was used as an icon for the student movement. Because of that picture, military people had an excuse to start looking for "subversive propaganda" and finally discover the hidden students and killed the whole family. A must see movie and obligated for Mexican citizens.

m_miranda_m i recently saw this movie again, and it just made me feel sick, because even though that actually happened 34 years ago, and we as a society think that so much has changed, you soon realize that it hasn't, because that could actually happen again in this day and age, and it actually has, of course we don't hear anything about it, as we didn't hear much about it back then, there's a scene in the movie, when the family after thinking the worst is over, sit around the tv to watch the news, and they are shocked to hear the news anchor reports about just a minor disturbance, with some injured and some dead, 34 years latter we still don't know the whole story, but what we do know is that it wasn't a minor disturbance, hundreds of students, most in their late teens or early twenty's where slaughtered like pigs in the middle of the street by the mexican army, that's the reason all student movement's are doomed to fail, because politicians who are supposed to be the ones looking after us don't think twice about murdering the innocent as long as they get to stay in power, a lot of people don't understand, and say "well they asked for it" or "what where they protesting", they where protesting a corrupt government that didn't think twice about doing what it did, there's some very violent scenes in the movie, but i don't think it was enough, i wish this movie was so raw and in your face that it would have been able to wake up everyone who is still living in the dream world.

rezo_por_vos Jorge Fons is one of the best movie directors in Mexico. His filmography is full of excellent stories, like "Caridad" y "El Callejón de los Milagros". But, in this case, the story touches every mexican person. This film was made underground, at a moment when democratic aperture in Mexico was only a dream. Everyone involved in it took a high risk, and won. Tha actors and producers made an excellent work. "Rojo Amanecer" is one of the reasons why we are proud of our weak film industry.