Riff-Raff

Riff-Raff

1991 ""
Riff-Raff
Riff-Raff

Riff-Raff

7 | 1h35m | en | Drama

Stevie, fresh from prison in Scotland, finds a job on a London construction site. The working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with their "signing on" for unemployment benefits. Some coworkers help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, who's struggling to be a professional singer.

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7 | 1h35m | en | Drama , Comedy | More Info
Released: February. 12,1993 | Released Producted By: Parallax Pictures , Film4 Productions Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Stevie, fresh from prison in Scotland, finds a job on a London construction site. The working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with their "signing on" for unemployment benefits. Some coworkers help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, who's struggling to be a professional singer.

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Cast

Robert Carlyle , Emer McCourt , Ricky Tomlinson

Director

Martin Johnson

Producted By

Parallax Pictures , Film4 Productions

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Reviews

sparkss-11610 Well what can I say? this film is appalling, the acting is putrid(particularly the Irish character who appears to forget her characters role mid way through the film) apart from Robert Carlyle as the Scottish character is quite good among other smaller big name roles who then made a name for themselves either prior or afterwards otherwise this movie is terrible with major plot-points not being revealed, unnecessary scenes, bad gags and bad script-writing as if they just improvised. Besides to that it was wrote in memory of some one if this was made in tribute of me, I must have really been hated or a terrible script- writer if this was the fruit of my labour! All in all I think my review is suitable for a film of this caliber Q.E.D
mvassa71 This unpretentious British indie film is a rough diamond in the rough. It chronicles the lives of a handful of blue collar workers trying to survive in early 90's London. It's almost documentary in style and narrative, which lends a feeling of authenticity, which is helped also by fine performances all around. Shows the humor, frustration and dashed dreams in an unforgiving society, and it has heart. It is at times funny, heart wrenching, and touching. The accents are thick, so you may appreciate the subtitles that are on some versions. I found them distracting, so I put some tape over the bottom of the screen. I had to strain a few times to understand, but I don't think the subtitles were necessary. Well worth a watch.
Rocky-UK Riff Raff is one of Loach's more humorous depictions of working class life. That said it's still not comedy, it a melodrama with political overtones.What it's really about is the collapse of the working classes due to the Thatcherite policies introduced in the 1980's. The collapse of the power of the trade unions and the incorporation of capitalisation and 'big business'.These workers are struggling to live below the breadline, working in unsafe conditions and squatting wherever they can.It's a tragedy of circumstance really but there are moments of romance and humour provided mostly by Ricky Tomlinson. Taking a bath in a show house. Hilarious.
Peter Hayes It is rare that a drama is anything about your life or any part of it. I apologise is your job is searching for serial killers or on your way to becoming a world sporting champion after overcoming cancer, but what we have here is a little bit of (UK) working class reality. Trust me I was there and so was the late writer Bill Jess.(Jess died shortly before this film came out.)I worked on a building sites at weekends as a 15 year old and although I have no pictures or film to remind - at least I have this and the buildings that I helped construct.I have met all of the people under the loop here (not always on building sites though) and, to be quite frank, it is all a bit frightening. However I lived in a predominantly white district so I had no experience of on-the-job multiculturalism, and that is the only part I cannot really comment upon or relate to.Robert Carlyle is a genius at portraying the British working-class. Maybe he is the real thing, in part, but he seems able to transform himself physically as well as mentally. I have never seen him overact in anything and he has had plenty of opportunities. He even takes on impossible parts like Hitler!Here he is a Glasgow jailbird, squatting in London and hoping to make a few quid on the black economy. He hooks up with a girl that claims to be a singer and poet, but is actually only in to hard drugs. He deals with the situation the best he can using the only language he can.London is the 1980's was one of the cheapest places in the world to live. You wanted a flat? - get a crowbar - here's your flat! Well for a short while before the heavy mob show up. That is how the rock group The Police first got to live in our capital city!(Today building sites are full of foreign workers - some legal, some not - that don't squat but live in the back of vans parked on or near the site.)Strangely, Ricky Tomlinson became a actor after being banned from building sites due to his political activities. In 1973 he sent to jail (see his IMDb bio) in an episode that shows British justice at its worst: Charging someone with a serious offence and then trying to get a guilty plea in return for a lesser charge. Ricky - being a man not a mouse - didn't fall for it. Others did, making it look extra bad for him.He later went to be a popular man on TV and British film and will earn over a million dollars from his autobiography "Ricky"!What makes this film even more frightening is the dramatic conclusion. Something similar (although not quite as serious) happened where I worked - although not while I was there. In a coincidence that would make a TV script writer blush I was with the boss of the said firm in a van and we passed the subject in the street. "He got very lucky," said Mr Boss-man waving from the van, "he landed on his head and that is what saved him." It was pure Ken Loach moment, so I hope he is reading this.