Roadside Prophets

Roadside Prophets

1992 "They weren't born to be wild. It just turned out that way."
Roadside Prophets
Roadside Prophets

Roadside Prophets

6.4 | 1h36m | R | en | Adventure

On a quest to fulfill a friend's last wish, Joe takes to the desert road on his 1957 Harley-Davidson. Joined by wannabe biker Sam, Joe journeys from Los Angeles to Nevada, meeting all sorts of characters along the way.

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6.4 | 1h36m | R | en | Adventure , Drama , Action | More Info
Released: March. 27,1992 | Released Producted By: New Line Cinema , Swinson-Starkey Productions Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

On a quest to fulfill a friend's last wish, Joe takes to the desert road on his 1957 Harley-Davidson. Joined by wannabe biker Sam, Joe journeys from Los Angeles to Nevada, meeting all sorts of characters along the way.

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Cast

John Doe , Adam Horovitz , Jennifer Balgobin

Director

J. Rae Fox

Producted By

New Line Cinema , Swinson-Starkey Productions

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Reviews

douglastynyparc I'm a biker and was looking for something bike related to watch and came across this rather pleasant quirky little movie. It won't win any awards for the acting but the actors did a very passable job and the desert scenery was wonderful bringing memories of my trip there many years ago on some of those very roads. Considered a cult film written and directed by Abbe Wool, featuring musicians John Doe of the L.A. punk band X, and Adam Horovitz of the Beastie Boys, with cameo appearances by, amongst others, Timothy Leary, Arlo Guthrie, David Carradine, an uncharacteristic performance by John Cusack as Caspar, a self-styled "Symbionese" rebel, and a very early film performance by Don Cheadle. Give it a go if you're a biker and maybe if you're not :)
Son_of_Mansfield It's another one of those collections of weirdos movies which seem to be the modus operandi of independent filmmakers. The best cameo belongs to John Cusack who plays Casper, the friendly pirate. He believes that there should be "free food for everyone." Yeah man, like, yeah. John Doe, everyman in name and features, takes an annoying dead guy's ashes to the homespun casino where everybody knew his name and they were glad he spent his money. It takes him the better part of the film to find it. He asks many, including Timothy Leary, who couldn't help him either, and finally dumps his remains in the desert. If, like me, you were perusing the oeuvre of Jennifer Balgobin, you may be interested to know that after an amusingly spastic exotic dance, she reveals her right nipple. Nice, but not worth having to listen to Abbe Wool's hippie logic or Adam Horowitz's every word. Best enjoyed by those who lived, and liked, the 60's or those who think that Easy Rider is a classic.
rwint Doe meets a man at work who comes off as very annoying and empty headed. The type of person most people would want to run from. Yet Doe befriends him immediately. Then, when this new friend dies suddenly, he decides to honor him by burying his ashes in a mythical city called El Dorado, Nevada. Thus begins a very feeble attempt at a road movie. It was made by those who never did it themselves, but still think it would be a cool idea. It's the same people who like the idea of 'rebelling' yet have no idea what to rebel against. It has all the bad road movie cliches with none of the substance. It's too contained with none of the ruggedness. The quirky story threads and 'hype' philosophy are simply attempts to cover up it's own hollowness. There is some introspection involving looking at the 60's through 80's eyes. It shows how Generation X loves the allure of the 60's and wants to emulate it, yet has no real understanding of what it was about. It also shows how the aging boomer still longs for the open road even though he has now become apart of that dreaded responsible class that still needs to hold down a job. Yet all this is only done in minute spurts with the rest of it drowned out by a trendy existentialism that just doesn't work. John Doe, the lead actor, aptly fits his name. He is very boring and transparent. The 'celebrity' appearances are nothing more than tired walk ons by fading 60's icons. Horowitz is the only one that manages to give a interesting performance. His youthful energy seems sincere and lively. It's all very flatly shot and cheap looking. It looks like it should have gone straight to video. It also has some real stilted moments and bad acting too. This thing has the audacity to bill itself as THE EASY RIDER of the 90's even though it doesn't come close. It is pure imitation. Watching the real thing would be better or even watching some of the lesser known road pictures of that era.
Infofreak Road movies aren't easy to pull off. 'Roadside Prophets' tries and isn't entirely successful, but still has enough cool scenes and good intentions to make it worth watching. Musicians turned actors, Doe (X) and Horovitz (Beastie Boys) play bikers who form an uneasy partnership. One of the problems with the movie is right there - Doe is a natural actor, Horovitz isn't, and doesn't convince. Anyway, the two set out travelling across America, in a deliberate homage to 'Easy Rider', and the movie in a subtle way is a eulogy for the 60s and a comment on the changes America has seen since then. Many interesting faces pop up in cameos - John Cusack, Timothy Leary, David Carradine, Don Cheadle and Alex Cox regular Biff Yeager to name several - which is half the fun. Especially Cusack's character. It was a pity there wasn't more of him here. 'Roadside Prophets' is uneven, but still enjoyable. If you like this I suggest you have a look at the road movies of Canadian director Bruce McDonald, especially his superb 'Highway 61', a more original and successful movie than this.