Roland E. Zwick Just how fluid is our definition of "family"?Conor (Edward MacLiam) is an Irish carpenter who, at the age of 34, is unexpectedly felled by a stroke. Though he will never again be the man he was, Conor recovers sufficiently to allow him to return home to his wife, Vanetia (Maxine Peak), and two children. However, he is accompanied by Ted Fielding (a generally miscast Will Forte), an American brain specialist who moves in with the family so he can monitor and study Conor's condition on a 24/7 basis. While Ted, a single man without a wife or children of his own, is supposed to remain a neutral, emotionally detached observer of the situation, he finds himself more and more filling the void left by Conor, slipping into the role of father to the children and husband to the wife. Will Conor erupt in a jealous rage at this blatant disruption of his family unit, or will he have the grace to accept the fact that Ted can provide for his loved ones in a way that he himself no longer can?Written by Ailbhe Keogan and Steph Green and directed by Green, "Run & Jump" is an unassuming, slice-of-life drama that is less about a man's struggle to overcome the harsh hand that's been dealt him and more about the effect that hand is having on those around him. How, the movie asks, does one re-establish a familial norm when the dynamics have effectively shifted and everyone's role in that family has been essentially redefined? This relationship-shuffling manifests itself in some surprising ways. Conor's stroke, for instance, has clearly affected the part of his brain that censors what he says, a condition that proves most taxing to his gay teenage son who must suffer his dad's withering homophobic comments, keen in the knowledge that they reflect his own father's true, unfiltered feelings towards him. And there are many such examples. Despite a certain sketchiness in some of the storytelling, "Run & Jump" is, for the most part, a poignant case study in family dynamics, one that both avoids melodrama and refuses to cast judgments on its characters as it explores the complexities of human relationships.

Dan-121 Run & Jump is a beautiful, slickly produced movie, with great performances from the cast. The plot involves an American neuro-psychologist, Dr. Ted Fielding, who stays with the Casey family in Ireland to observe the father of the family, Conor, who has suffered a stroke that has changed his personality.Ted is a reserved and slightly awkward professor who is dedicated to his work, leaving no time for family. Ted initially keeps himself detached from members of the family but gradually becomes emotionally involved. This is especially so with Vanetia, Conor's wife, who despite having to deal with the difficult circumstances that have been thrust upon her family, maintains a cheery and optimistic outlook ("schnitzeling" it, as she says) on things. However, Vanetia's increasing frustration with Conor's inability to reconnect with his family and his occasionally child-like behaviour, nudges her to form a bond with Ted, the only other adult in the household. The initially guarded Ted begins to open up and the complicated emotions that ensue create a dilemma for himself and Vanetia.Maxine Peake is genial and radiant as Vanetia. Will Forte gives another understated and sensitive performance, similar to his breakout performance in Nebraska. Edward MacLiam is effective as the mentally damaged Conor. Child actors Brendan Morris and Ciara Gallagher also give solid performances as Lenny and Noni, respectively.Apart from the central premise, the movie is peppered with light amusing moments (laugh yoga, the toilet scene, sympathy Susan, Ted's "birthday gift" from a friend etc.) that feel genuine and add a comedic touch. It also makes use of montage sequences that effectively build upon the underlying emotions. I found the ending slightly melancholy but strangely hopeful. This is probably due in part to Ted's emotional awakening. The final scenes showing Ted's expressions are so genuinely affecting that it leaves you pensive. The film raises difficult questions and does not try to pretend that there are easy answers, which feels authentic. As the saying goes, life is complicated. How you deal with and what you can take away from it are ultimately what that matters the most. 10 out of 10.

rundee The other reviews already described it: It's an artsy, independent, European movie. If you liked sunshine cleaning, Juno and/or little miss sunshine, you'll probably like this one too, although it has no comic scenes in it. And you won't see the hard stuff of brain-seizures, so it's a family-friendly movie. But what really, really bugged me was the catholic, conservative, misogynistic ending. Off course there was no room to even think about staying altogether, off course there had to be a decision made and also off course it had to be made without the handicapped, but for him. And off course the woman is happy to relinquish, because that's the way they are.I find this very sad, because all of the (state) money for the movie is wasted, if you're not able to make a movie that challenges the audience to dream or think in a new way or question their way of thinking. A solution would have been an open end, but that was also not done here. With this ending it's more of a cheesy lifetime-movie...

Christof_McShine An Irish family welcome home Conor, the husband and father who has recently suffered a life changing stroke. In tow is an American psychologist who is studying Conor's progress as he tries to settle back into the family life. It's not long before the American becomes the father figure himself and also begins to veer towards a deeper relationship with Vanetia, the wife.For a film that clocks in at just over 1 hour 40 minutes this still felt rather long winded in places. Some of the dramatic scenes work well and the performances are perfectly OK, Edward MacLiam as Conor in particular impressing whereas Maxine Peake as his free-spirited wife struggles badly with the Irish accent which doesn't help.It seems however there is too much thrown into the pot and in the end it becomes unnecessarily convoluted - we have the blossoming relationship between the wife and the psychologist, the struggles of the husband and wife, the son facing up to homosexuality, the suspicious father-in-law, the sister who's taken a shine to the American and so on. All this leaves it rather disjointed and had it just centred on the 3 way adult relationship dynamic it would've made for a much stronger film.Not all bad but something of a mixed bag.