edwagreen Barbara Stanwyck pulls out all the emotional stops and is effective as a widow who strives to work the land and make a success for both her and her son. Trouble is that the boy grows up and desires fast wealth. He gives up his architectural work to go into bond trading and wealth. The problem with the film is the end of it. The flick ends abruptly. You really don't know if he returns to architecture or returns to the land.Life on the prairie is very rugged. It takes its toll and people just up and die.In her scenes as a younger woman, Stanwyck acts like a dignified Stella Dallas.The phenomenal Bette Davis is seen in a supporting role as the son's love interest. She was not her devilish-self to be, rather, she would prefer that he return to a more simple life.George Brent has a brief role as a sculptor who succeeded in Europe and returns to the prairie for a visit. Trouble is that his girlfriend is Davis when Stanwyck's son has designs on her as well. This is not resolved at the end of the film.The problems of urban living are depicted with the latter being depicted as a place of vice and crime. Robert Warwick has a brief but memorable role as Stanwyck's gambler father. He tells her about his philosophy of life right before he is killed. I remember Warwick quite well as the magnate named Irving in 1947's "Gentleman's Agreement." He was against the idea of articles about anti-semitism. "Don't stir things up, let us handle it" was his motto.

Ursula 2.7T Well-off, motherless Selina is raised by her father, who teaches her to find beauty and joy in all aspects of life. When the father dies, a friend of the family arranges for Selina to move from the city to "High Prarie", a rural town where Selina is to live with a farm family and teach in the local schoolhouse.Selina arrives all wondrous at her new surroundings, even commenting on how beautiful the cabbage field is. The boobs in the farm family all laugh at her, except 12 year old Roelf who agrees that the cabbages are beautiful and even makes a drawing of the field for Selina. Roelf is a kindred spirit, and sees beauty all around him, and wants to be an artist. While a teenager, he runs away and goes to Europe where he eventually becomes a well-known sculptor.Back home, Selina marries local farm-boy Purvis de Jong and has a son with him, Dirk, nicknamed "So Big" (Selina says to little Dirk, "How big is my big boy?" and little Dirk spreads his arms wide and answers "Soooooo big!") Selina is widowed while Dirk is still young, and Selina keeps her little family together by maintaining the farm, even growing a special variety of asparagus dubbed the de Jong asparagus.Flash forward to Dirk's adulthood. He is bored with his entry-level architect job, ashamed to admit he's *THAT* de Jong of the de Jong asparagus fame, and he hangs out with a married woman (the details of their relationship are not delved into). Selina wants her son to appreciate the beauty in life, much the way her own father encouraged her when she was a child. Dirk, however, has only dollar signs in his eyes, and he quits his architect position to become a bonds-trader in the stock market.Dirk meets a young (and extremely lovely) Bette Davis, who is making some advertising drawings for his firm. Dirk falls in love with her, but she doesn't return that love. She tells him she can only love a man who works with his hands and appreciates art, someone whose beauty shines from the inside (unlike Dirk who clearly doesn't have any of these qualities). Bette goes to Paris, meets Roelf and returns to High Prairie with Roelf who very much wants to see Selina again. The reunion between Roelf and Selina is sweet and may make you reach for a hankie. While the four of them -- Selina, Roelf, Dirk, Dallas (the Bette Davis character) -- are visiting in Selina's home, Dallas watches Selina and Roelf at the window. Dallas remarks to Dirk how beautiful his mother is (although at this point in the movie Stanwyck is made up to be an older woman with near-white hair). Dallas sees the beauty radiating from within Selina and wants to paint her. It's a beautiful but also sad ending ... sad because of the contrast between Selina, Roelf and Dallas who are able to see and appreciate beauty all around them, versus Dirk who cannot see it even when he's surrounded by it. It made me sad for Selina that her son could not see the things she and Roelf and Dallas could.

texasmickeythemouse My sisters, mother and I were discussing this movie and thought we had seen this movie with Jane Wyman as the leading star. I am trying to find this movie to purchase, but the websites say this movie is with Bette Davis, Barbara Stanwyck. I would appreciate if someone would set me straight. I remember this being a heartfelt movie and one that took a lot of tissues. It's been many years since I've seen it, and would love to see it again. This being my first time to comment about any movie... in the future hope to be better informed about this and other movies ... I am a very big movie watcher and collector and browser, mostly CLASSICS. Always searching.

David (Handlinghandel) This movie is simple and true to the tale it tells.The casting is fine and honorable. Barbara Stanwyck is very touching as the young schoolteacher in a rural area.The way she arrives at the name for the person who is the tile character is sweet and genuine. When we flash forward, and she is made up to look genuinely older, he is a real pill, and our hearts break. But what better salvation for a young man on the make could there be than the young, blonde Bette Davis, forceful and sympathetic as an artist who turns him around so his mother can again be proud of him.