frankfob
Roddy McDowell (who was also a co-producer, so he has no one to blame but himself) stars in this blah quickie from Monogram about a college student who goes to sea with his father, the captain of a shark-hunting boat, and the troubles that ensue. McDowell is, frankly, not very good in the role; his character comes across as naive, dense and rather stupid. The supporting cast is, for the most part, weak, the script is convoluted and trite, and the only remotely "exciting" thing that happens in the picture is some poorly integrated stock footage of a real shark boat hauling several large sharks--and one VERY large shark-- aboard as part of their catch. There are some phony dramatics involving villain Douglas Fowley, as a shady crew member mixed up with smugglers, and some painfully unfunny comic relief from rotund Nacho Galindo as a cook named "Maestro" who giggles and laughs uncontrollably throughout the picture.Director Budd Boetticher--billed here as Oscar Boetticher--has done much better (much, MUCH better) work. This film isn't really worth wasting your time on; it's talky, boring and the "fight" scene that occurs near the end of the film is very poorly done. Overall, a real snoozer. Skip it.
dougdoepke
This little cheapo used to turn up regularly on late night LA TV, much to McDowell's chagrin, I expect. After all, from glossy MGM to miserly Monogram represents quite a tumble. Actually, the movie's not so bad, except for some of the acting that appears at times by the numbers. I just wish someone had put a cork in Galindo's (Maestro) mouth since he appears to confuse shrill giggling with acting. Young Ted (McDowell) strives manfully to redeem himself after causing a fishing boat mishap injuring his dad and a deck hand. You know he's in trouble when he hires veteran bad guy Fowley (Bracado) to boss a new crew of cutthroats. At the same time, Laurette Luez, of the notorious Prehistoric Women (1950), drifts around the edges as eye candy.What the production does best is approximate a seedy Mexican waterfront. It must have been done in LA since I can't imagine Monogram actually popping for location filming. The shipboard and shark scenes are occasionally interesting, causing me to wonder whether old movie freak Steven Spielberg saw A-picture possibilities in this little Monogram programmer. After all, stranger things have happened.
wes-connors
Taking a break from college, snobby Roddy McDowall (as Ted White) goes down to Mexico and reconnects with his shark-hunting father, wizened Roland Winters (as Jeff). After not seeing each other for a dozen years, the two have a major culture clash. When his father is injured, young McDowall takes control of the "Sunrays". This angers the crew, who decide to jump ship. Out to prove his mettle, McDowall assembles another crew, but they take advantage of their inexperienced young boss...After his successful child star years, McDowall found himself a Monogram Pictures player for a couple of these low budget films, before moving on to television appearances. Interestingly, you can spot white-capped Dickie Moore (as Jonesy) in the bar and on the second crew. McDowall and Moore were on the same career trajectory. Note, there is no "Killer Shark" in the story; instead, footage of some men fishing for small sharks is inserted. The cast and crew do their best with the time and money.**** Killer Shark (3/19/50) Budd Boetticher ~ Roddy McDowall, Roland Winters, Dickie Moore, Douglas Fowley
lorenellroy
There is little about Killer Shark that is any way recommendable .It was made on a shoestring budget and it shows .The theme is a variation on the classic Captains Courageous .A young College student spends the Summer working on his fathers rusting old shark fishing boat and is responsible for a serious accident which sees two men-including his father-severely injured.This places at risk his fathers ability to repay the loan on his vessel and so he resolves to put a crew together and go out in search of shark himself.Unfortunately he hooks up with a crew of robbers who plan to make away with the cargo themselves.Poorly acted ,flat and ugly in its lighting and with a crude anti intellectual message this is a tedious experience that makes then same directors brilliant Randolph Scott Westerns from the same era all the more remarkable by contrast.Give it a miss.
AD
