copper1963
Somewhat of an oddity, really. Wake-up from your afternoon siesta and enjoy this movie. And not to be missed. Made in Mexico with guts, gusto and gringos. While South-of-the-Border, Hollywood worships at the altar of the magical and(sometimes) hokey movie musical. And wins. The picture may cause some viewers to fall into a world of confusion. Whirlpool effect: three bachelors fall in-and-out of love with four beautiful girls. The odd lady out in this game of musical chairs: Yvonne Decarlo. Why? Jeolousy. The other women feel threatened by the sexy creature("Maria") down by the river. Decarlo's character does provide an unusual story wrinkle: she informs her ailing suitor, who loves and wishes to marry her, that she will not marry him. Her noble gesture is a selfless act. But not practical. The film's photography of the Mexican countryside reveals streams of priceless visuals. A modern hospital pops up to great effect. Ricardo Montalban has top billing and delivers an amiable and confident performance. But the other two male leads more than hold their own against the studio's choice. One fellow has a strange prop, a tray of trinkets, which he hauls from the village to the city. In addition, he has an uncanny feel for the opposite sex. Cyd Charise falls under his influence. She sings and dances up a storm in a rainfall. Miss Decarlo's song, "You Belong to My Heart," was cut from the finished print and can only be seen at TCM's web site. A good movie to catch late at night. Trust me. Health!
wellsortof
This was an interesting movie. The good: plenty of good looking people in the cast. Hard to argue against Pier Angeli, Cyd Charisse, Yvonne De Carlo, Ricardo Montalban, Jose Greco etc. The photography is beautiful, with full and lively colors. The two major dance sequences are quite good (although, as for the Charisse dance, bizarrely placed). And for what I believe is an American production, doesn't push the insensitive envelope too much.The not-so-good: I'll go back to the Charisse dance. I sure didn't see that one coming. It literally seemed like the producers said, "Hey, Cyd Charisse is in the picture, let's make sure she dances, even if there's no reason why she really should." The pace of the film died off considerably over the second half (a couple of dramatic scenes just took too long). And it's really weird, as always, to watch fight sequences from back in the day. I believe one man literally jumped up and was caught by another guy on his "attack". Something that could only be pulled off in a spoof.Personally, though, I'm not going to pass up a movie with Cyd Charisse in it, 'cause she's dreamy, and a hell of a dancer. I vote 6.
andovales
About 50 years ago, I saw a movie, made in Mexico, that was a satire on an american girl's idea of life in Mexico; The movie "Sombrero" was based on stories written by an american woman and whether intentional or not is very similar to that satire; However, It is a very enjoyable movie with a great cast; I had read the stories,but went to the movie because of the flamenco dancer,Jose Greco and because a very good friend and very brave matador named Hector Saucedo, did the bullfight scenes and I could never get enough of seeing his artistry; I saw the movie in 1953 in DesMoines,Iowa,accompanied by several hispanic friends whom I know enjoyed the movie as much as I did,but couldn't help making fun of the plot.Tragically, Hector was killed in a plane crash shortly after completion of the film. I rcommend the film for the opportunity to see a young Yvonne DeCarlo,Syd Charise,Ricardo Montalban, Jose Greco and Alfonso Bedoya (Of "I don't have to show you no stinking badges"fame.)I saw it on tv recently and awaited the bullfight scene after half a century,but was disapointed,because they only showed a few seconds of the sequence; Can anyone tell me where I can obtain a tape that shows his whole bullfigjht sequence?
ronnmullen
This film is based on short stories by Josefina Niggli, whom I met when she was teaching at the Univeristy of North Carolina in Chapel Hill -- the plot outlined by the previous contributor is quite thorough, but does not mention the fine performance of Yvonne DeCarlo as Maria, of the River Road, and most especially does not mention the magnificent dance number performed by Cyd Charisse on a mountaintop in the rain -- unforgetable!!!
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