skuhl-67904
Truly an awful movie in every sense of the word. The story had no meaning beyond some high school type vapid comments. And the best one word description would be pretentious. In fact they even quoted Hamlet's Polonius but, in the incorrect context. But I can forgive all of that. I have a fondness for weird, experimental films. But, the one thing I can't forgive is boredom. The characters move at the speed of a glacier. They walk to one room then back for no reason. "Just get bloody on with it" I hollered at the screen. Boring boring boring. And don't figure you can throw in one line from my beloved Hamlet and figure that makes you 'artistic'!Skip this slow placed clunker and go watch eraserhead .
Woodyanders
Wealthy, but jaded and disillusioned jazz musician Robert Troy (a solid and subdued performance by Zalman King) purchases pure and guileless sleeping beauty Jennifer (sweetly played with charming wide-eyed naiveté by Tisa Farrow) from a carnival sideshow. However, Robert's attempts to shape Jennifer into the ideal girl of his dreams don't work out quite as planned.Writer/director James B. Harris relates the unusual and absorbing story at a deliberate pace, offers a compelling and provocative cinematic meditation on the fine line between fantasy and reality as well as the impossibility of preserving innocence for perpetuity, comes up with several inspired moments of beguiling whimsy (for example, a dance set piece involving two women dressed up in nun's habits), and does an expert job of crafting a strangely haunting dreamlike atmosphere. The fine acting from the able cast keeps this picture on track: Carol White excels as Troy's sly and scheming distaff companion Scarlett, Richard Pryor contributes a touching turn as Troy's drug-addled struggling artist best friend Jeff, Logan Ramsey has a colorful bit as a seedy carnival doctor, and Brandy Herrod burns up the screen as a foxy nude cheerleader. Mario Tosi's sumptuous cinematography and Richard Hazard's gracefully elegiac score further enhance this movie's singular melancholy mood. Recommended viewing for aficionados of original and esoteric way out of the mainstream fare.
tharsis-1
It happened that i have seen this film just tonight at the "Etrange Festival" in Paris, an annual festival of strange, odd and weird films. It is its thirteen edition and Some call it Loving (or Sleeping Beauty as it is called in France) fits perfectly in the usual tone of the festival. Its weirdness stems from its incoherent and incomprehensible plot, fantastic tone and incredible casting: Zalman King as the lover, acting worse than even the producer Robert Evans when actor, Richard Pryor an alcoholic/drug addict/mad man, the sister of Mia Farrow (Tisa Farrow). The film is supposed to be a distorted story of sleeping beauty. And it is true: it is not a good film but its quality resides in its ability to dare nearly every thing with absolute seriousness: A pair of (tap) dancing nuns for example, and also a nearly gratuitous strip tease scene The film is filled with wooden dialog which resonates strangely in the often rich in-house set with a mawkish romantic music in the background. A film to be seen and appreciated with a second degree state of mind .
bchabel
It has been more than a quarter century since I saw this movie. it is not a good movie. It is, however, one of the more bizarre films you will ever see. It has stayed in my memory all these years while other clunkers are gone. Richard Pryor's turn as a wino-philosopher and Zalman King as a jazz musician-prince defy description. And its has a nuns dancing scene with Carol White. Because of the cast and treatment, this truly may be a one of a kind experience.
AD
