klincoln1 What a great film I saw it twice at cinemas 1 time It was a support film for one of the Sweeney movies in the days you got 2 films for you money. It is a classic 70s cop film,hard drinking,hard working & tough guy cop,it was about the time of S.Keachs drug burst if you remember it,he is now appearing on channel 5 s prison escape drama. I don't think that Carol White was in many films after this. If you was in London in the seventies you would recognise the greyness and the fact there was no drinking after the pubs close at 14.30 until 17.30,this film should be regarded with the same respect that the Long Good Friday is now being regarded as a seminal 80s film. I have tried to buy it on DVD but it does not appear to be released.

lee nicholson (dolemite72) STACY KEACH (always under-rated) plays burnt out (alcoholic) ex-Scotland yard inspector, JIM NABOTH a likable, but weak single father of two young boys. The bottle seems to be his only genuine 'care'. Coming out of 'd-tox', he is hero-worshipped by petty ex-con, TEDDY (a natural and warm performance, by none other than TV comic FREDDIE STARR) who tries to keep his ex-arresting officer off the booze, and on the straight and narrow. It seems that, Naboth's ex wife has remarried to a wealthy bank boss, and her (and her daughters)subsequent kidnapping, forces her new husband (EDWARD FOX) turns to Naboth for help. The kidnappers (played with sinister conviction by the late great David HEMMINGS and STEPHEN BOYD) know nothing of this woman's former husband, and pass Naboth of as a washed up alcoholic ex-cop...............Big mistake!MICHAEL APTED's cracking seventies thriller is simplistic in it's unfolding of events (unlike the 'complicated-ness' of THE LONG GOOD Friday) and THE SQUEEZE is all the better for this. It has some great character studies, beneath it's violent melodrama. Most of all, it goes to painful lengths to strip the male ego, off all it's 'macho-posturing', this is, at first, highly evident in KEACH's bare-boned performance (the desperate-ness he conveys, is powerful stuff) but later on in the movie, the kidnappers force Naboth's ex-wife to perform a strip routine, whilst 'The Stylistics' warble 'YOU MAKE ME FEEL BRAND NEW'in the background. This sequence, is meant for the kidnappers titillation, because it's extremely unerotic and painful to watch as a movie viewer. Credit to CAROL WHITE for a great performance during this scene. Apted, proves (especially with that sequence) that it is, indeed a man's world...and all the worse for it.Given that this film is rarely heard of (despite, i think being better than GET CARTER and THE LONG GOOD Friday...sorry guys, i think it is!) is the biggest crime of all. I would ask everyone reading this, to hunt down a copy of this fine film (Where's the DVD release?) and if anyone would like a copy, please get in touch with me.10 out 10, for it's performances (all great, no standouts) it's crisp direction, seedy locations, and above all else, it's cracking soundtrack by David HENTSCHEL.Highly recommended

imdb-3448 Stacey Keach does a good job as a washed-up, ex-scotland, yard detective. He's an alcoholic bum who has few graces. The film is devoid of glamour, from the grimey wallpaper to the low-life characters - it's like it is. But the film appears to suffer from some really bad editing. The story line flies from deep to shallow, and ends abruptly with a ridiculous finale which made me feel disappointed that I stayed up so late to watch it! Still, I think it was worth the vigil. The performances, by Keach, Freddy Starr, Edward Fox and the villains made it watchable.

Mikew3001 The British 1976 crime drama, an early work of director Michael Apted ("Gorky Park", "Blink", "The World Is Not Enough") Stacey Keach plays an alcohol-addicted London ex-cop who becomes involved into a kidnapping drama and tries to free the daughter of a friend from a brutal gangster mob.Stacey Keach's performance is brilliant, and Michael Apted is not only focussing on the thrilling crime plot but also on the portrait of a self-destroying loser nature and alcoholic. The rest of the cast is also outstanding, featuring Edward Fox as despaired father of the kidnapped daughter and David Hemmings as brutal gangster boss. There are some scenes of typical seventies' sex, hard violence and breath-taking action like a money transporter robbery at the end. David Hentschel's electronic progressive rock score in the style of Goblin, Pink Floyd and Alan Parsons Project supports the dark atmosphere and hard action of this thrilling and sometimes disturbing crime drama. A great, little forgotten movie.