ags123 A slow moving thriller with no thrills, suspense or logic to it. Anthony Perkins turns in an unconvincing performance as a brain surgeon and criminal mastermind. Charles Bronson, playing an amnesia victim, spends the whole time looking lost and confused; Maybe he thought he was part of the audience. Jill Ireland looks good but shows no real talent for acting. The lack of a tense background score (Instead, a movement from Dvorak's "New World Symphony" plays on a record player) makes the proceedings seem even more dry and lifeless. The tedium goes on far too long, with scant reward for those viewers who make it to the end. Cannot recommend this film.

BaronBl00d Average thriller of a psychological nature about Anthony Perkins as a brain specialist finding amnesiac Charles Bronson and convincing him that his wife is his wife and is having an affair - all the while having a real affair. This is Perkin's way of dealing with the messy affair. There is quite a bit of plodding here as well as some leaps of logic in the script that are not easily believed. Perkins and Bronson are able to create convincing enough characters to make it work relatively well. Perkins plays the malevolent, to a large degree impotent(of taking command of the situation)doctor with his customary workmanlike manner. Bronson does get to act and though looks a little too lost at times fares well enough too. Lovely Jill Ireland plays the good doctor's sexy wife but does little for her role or the film other than looking quite appealing. The end is really not effective as it leaves no real resolution to any of the plot strands revealed. The director does have some obvious talent and the film moves briskly mercifully.

lost-in-limbo A man is brought to a hospital with a severe case of amnesia and neurosurgeon Laurence Jeffries takes it upon himself to help out the patient. He dismisses it as intoxication, and pretends to take him to the station. However he brings him back to his home, but the motivation for this is unclear, and everything he's doing to supposedly treat him is done in secrecy. The identity of the stranger is becoming clearer, but so are the doctor's true intentions as he begins to manipulate the situation. Confined, low-key low-budget French/Italian psychological drama with commendable performances by Charles Bronson and Anthony Perkins. The whole-set-up is like a stage show, were it lies heavily upon the expressively versatile performances and ambitiously novel material. The layer-bound premise is totally illogical, but strangely absorbing with its unforeseeable offbeat nature of offering up numerous surprises, and interestingly unlikely developments. However there are some questionable, teething problems involving the scheming, and its possible outcome. There's just too many cracks, to make it bullet proof that you just wonder if there was much thought put in behind it. Still there are elements that are smartly conceived, and this can be contributed to the manipulative tension (where the repressed anger, and violence is played out through a human tool) and mind-messing that director Nicolas Gessner (the man behind the superb 'The Little Girl Who Lives Down the Lane (1976)') ably works in. As well the believably committed turns of the two leads. Bronson and Perkins worked off each other magnificently. Perkins' cold, planned performance with Bronson's disorientated, assailable figure is sincerely pre-figured. There's no doubt this is one of Bronson's best acting turns. Jill Ireland is adequate in her small role. Gessner's sure-footed direction subtly paints a glum, intrusive puzzle with unique filming techniques that slowly strings you along to a powerfully bitter climax, which finally concludes on an inspired final shot of possible sickening regret. Sometimes it loses out by ponderously stretching it out too much with some raggedy editing, and another weak spot was the playful, but unremarkable misplaced music score by Georges Garvarentz. It just didn't add any sort of punch, or feel. Pierre Lhomme's slick cinematography is steadily framed.

whpratt1 Enjoyed this film starring Charles Bronson,(The Stranger),"The Indian Runner",'91 who plays a man who has lost his memory and is treated at a hospital and taken home by Anothony Perkins,(Laurence Jeffries),"Edge of Sanity",'89. Laurence is a psychiatrist and decides to use this Stranger as an experiment and at the same time play games with his brain that seems to be empty of all personnel remembrance. Jill Ireland,(Francis Jeffries),"The Mechanic",'72 is a very attractive wife to Laurence Jeffries, but is neglected in the bedroom love making and has drifted a part from her husband. This is a rather interesting drama and suspense film, but rather slow paced.