pabloibon 8 BASQUE SURNAMES This romantic comedy was released in 2014 by the director Emilio Martinez-Lazaro. The main characters of this family-friendly film are played by Clara Lago, Dani Rovira, Carmen Machi and Karra Elejalde. It is a love story between two people who live in different parts of Spain, one is from the south and the other one from the north. Rafa, who lives in Sevilla, goes to Amaya's village for trying to make her fall in love with him.This film is said to be the best Spanish film ever because it shows the different topics from each part of Spain, making us laugh about our defects. In addition, the actors have managed to learn different accents, which make it extremely funny. On the other hand, it may be annoying for people from the north of Spain because of its jokes are about them. Although it is the funniest film I have ever seen, unless you're Spanish it's hard to understand. When it was released, Spanish cinemas were very crowded, beating the record of the most tickets sold. I would recommend this terrific film to all Spanish speakers, I reckon you must watch this film at least once in your life!

ma-cortes Emilio Martinez Lazaro's romantic comedy with fine actors , adequate cinematography , sensitive score and professional direction . Romantic as well as entertaining comedy "Spanish Affair" (Ocho Apellidos Vascos) is taking the country by storm , getting a bit hit smash . Spanish comedy in which some attractive actors give terrific and sympathetic acting along with a funny screenplay filled with funny and bemusing situations . It deals with Rafael, (Dani Rovira) a Seville citizen who has never left the Spanish region of Andalucia, decides to leave his homeland to follow Amaia (Clara Lago) , a Basque girl unlike other women he has known . He become involved into improbable situations when goes to Vascongadas and meets his love but also her peculiar father (Kara Errejalde) and a middle aged lady from Caceres (Carmen Machi) .This enticing comedy contains emotion , humor , amusement and lots of jokes and laughs . The main premise is the following : our two protagonists get mixed up in all kinds of absurd , hilarious and even romantic incidents when appearing her father they attempting to pose as lovers and preparing their next wedding . The film moves in fits and starts most of which would be desirable, with more traps the viewer resists any kind , and moments of enjoyment and others quite a few embarrassing . This enjoyable Spanish comedy has humor , nice players , entertaining situations and lots of fun . Fun comedy and its success on the Bigscreen owes much to the Smallscreen , including romantic touches here and there and in which humor and entertainment are well guaranteed . The flick relies heavily on the continued relationship among four starring , but it doesn't make boring but entertaining . The picture attempts to spread optimism about the events of life , culture differences and love , including its amusing sides . The roles in this film are all lovable despite being rather pathetic and silly . Witty and agreeable screenplay from Borja Cobeaga and Diego San José , considered to be new kings of Spanish comedy . Dani Rovira steals the show as likable young who goes after his new conquest , he is the heart of the movie , he's great along with his couple , a very beautiful Clara Lago . Special mention to Kara Erejalde as grumpy daddy and sympathetic Carmen Machi , as always . Agreeable support cast gives good acting such as Alberto López as Joaquín , Alfonso Sánchez as Curro and special appearance by Aitor Mazo as embarrassing Padre Inaxio who receives a particular confession from Rafael/Dani Rivera.Colorful and appropriate cinematography by Gonzalo Berridi . Evocative as well as adequate musical score by Fernando Velazquez .Distributed by Universal Pictures Intl. , the film has cumed more than $21 million since its March 14 bow , when it debuted to $3.9 million . But the pic has defied gravity at the box office , soaring 56% in its second weekend to $6.1 million , and rising successively . This Spanish blockbuster "Spanish Affair" or Ocho Apellidos Vascos was well produced by Lazona Films, Kowalski Films , Snow Films and Telecinco Cinema , whose owner, Spain's biggest broadcast network Mediaset and compellingly directed by Emilio Martínez Lázaro . He was born in 1945 in Madrid , location in which he often shoots his films . He is a Spanish prestigious cinema director . Emilio is a director and writer, a good filmmaker expert on comedies as he has proved in : Los Peores Años De Nuestra Vida (1994) , El Juego Más Divertido (1998) and Amo Tu Cama Rica (1992) , drama : Las 13 Rosas (2007) La Voz De Su Amo (2001) , Musical as : Al Otro Lado De La Cama (2002) , Los Dos Lados De La Cama (2005). Being especially known for this ¨8 Apellidos Vascos¨ considered to be the biggest box office in Spanish cinema and he is nowadays shooting ¨8 Apellidos Vascos 2¨ .

ckyprianou Utter Tosh. A highly predictable dirge of a film taking stereotypical characters (lazy but cheerful Andalusians, defensive nationalistic Basques) and then placing them in situations to which you know exactly how it is going to finish. The comedy is supposed to be slapstick and an ironic look at the two distinct areas of Spain but it quickly becomes tedious and in places offensive. It's repetitive (proud Basque father, intimidated daughter, happy go lucky Sevillian) and would be fine as a five minute sketch. Despite this being one of the highest grossing films in Spanish Cinema, many Spanish friends of mine have also commented how "simple" and childish the comedy is. A case of the "Emperor's New Clothes" as there is nothing really here. Truly truly horrible.

prinivi The fact that we can play with the most extreme topics homelands identities (Andalusian and Basque) no one should be shocked or put the outcry indicates much of our maturity as a nation (no matter who). Well, I correct: the fact that we can play and derision and mockery of the topics on the Basques and Basque nationalism, no one should be shocked or put the outcry, indicates much the degree of standardization of certain issues before open sores were always willing to bleed. And I make this correction because the Andalusians have always been a source of banter and nothing ever happened. For this reason, the approach of "Ocho apellidos vascos" is brave, is timely and is opportunistic. Surely this is one of the main reasons that the Spanish have been flocking in a mass almost unprecedented theaters to see this product sponsored by Tele 5. Along with the successful release date That (between Oscar and summer blockbusters) and the brutal and exemplary marketing campaign, which I applaud and celebrate. That's all I can conclude from this nonsense, much to my regret. I always say and I repeat that from "the dark pleasure of watching bad movies and enjoy them," and always insist that "we must not forget that the main purpose of film is to entertain." I say and I stand. The problem is that "Ocho apellidos vascos" is not bad enough, nor sufficiently geek, not crazy enough to be a "Bad Movie" (as Sharknado or Xanadu or Condemor). And unfortunately it is not entertaining enough to forgive their mediocrity (always from my point of view). That is precisely the word that best defines "Mediocrity". It is painfully mediocre. It is simple, not easy. It is impersonal and worst: it is done reluctantly. The movie works because the interest, not original (remove an element of your environment and place in a completely alien and hostile is one of the basic arguments in comedy since the cinema is cinema), but which explained at first. but all the other elements just fit, or do not at all. The entire film is a sheer drop from a promising start to a shameful end, through all the "comic" situations manual and all the hackneyed topics sitcom. But yes, I know, "all the stories are already told." You're absolutely right, but they are still have some ways, not original, but convincing. And back to the main issue of much patriotic film (and many foreign): the script. Most managers confuse the argument with the script. The argument is the approach, the script, the development. There is an interesting approach, albeit clumsily presented, and at the inability (or unwillingness) of its director to develop a convincing (or crazily convincing) way takes refuge in a tangle of beginner, which does not know how to get out, although all intuit (and fear) from the beginning how he will do it: using force without lubricant. What saves this product is the total collapse monologue speaker Dani Rovira, with his inspired monologues and brash, and Karra Elejalde giving life the only believable character in the whole story.But it hurts me to think that this is what the public is waiting to fill the Spanish cinema halls. It hurts to think that film too, as almost all spheres of power, is in the hands of the mediocre. And it hurts me to think that they are the by-products like this that are going to save the Spanish film of water that it's been submerged by itself. Stealing a quote: "It's not the same make films that make movies"inspired by piensaencines