andeven I fell in love with Stop the World when I saw it in the West End, starring Anthony Newley and Anna Quayle, back in 1962. It told the story, through songs, speech and mime, of a man's life in a way which has rarely been bettered. Nearly half a century on I still enjoy the songs, on a battered LP, and treasure the memory of Newley's performance.The film in my view does not measure up to the stage production. This is partly because Tony Tanner, while very good, is simply not Anthony Newley and partly because it is a film of a stage performance which, for some reason, never really seems to work. Theatre audiences are, I suppose, geared to accept the physical limitations of the stage while cinema audiences, even if composed of the same people, are similarly programmed to expect the very different techniques of film. StW makes little attempt to use the latter, basically pointing a camera (or a number of cameras) at the stage and leaving it at that. We are therefore left in a situation which is neither one thing nor the other.For all that it is useful to have a record of what was a classic show and the film I do find enjoyable if not itself classic. I accept that others will hold different opinions. Even when the show first appeared I heard of several people who walked out because they could not understand its premise and failed to realise that the lack of 'reality' meant that they had to use their imaginations. They are , of course, fully entitled to their views. Nevertheless I find it difficult to accept the comments of a previous reviewer whom the film apparently induced to throw up.I have sat through many films which have bored me rigid but have never as a result felt the urge to vomit. Perhaps I could suggest that he or she see a doctor without delay to assess the cause of this clear over-reaction.

didi-5 Without its co-creator and original leading man, Anthony Newley, this film is at a disadvantage right from the start. It's a record of a stage musical, largely filmed in the theatre, with black and white inserts taped at a studio. It only really works because it is fresh and unique, and because of three wonderful songs in particular: 'Gonna Build a Mountain', 'Once in a Lifetime', and 'What Kind of Fool Am I'.The problem really is that Tony Tanner, although good, is no Newley, and mimicking vocal mannerisms isn't really enough to hide the fact he's a poor substitute. Having said that, the film doesn't lack charm and anything with Millicent Martin has to get the thumbs-up. Perhaps a product of its time, and now rather dated, but watched in the right frame in mind it still stands up, perhaps better than a stage revival would these days.

joe d My wife and I put on our old VHS copy the other night (having not seen it for many years) and once more became totally absorbed in the production and Tony Tanner's performance. Some have called it outdated but it's pure theater with a theater-type experience as best as could be reproduced on screen. "World's" brilliance is that it's simple story combined with a magnificent score can hold audience captivated, no small achievement considering it is done in mime and soliloquy and performed within the confines of a small circular one-ring circus-type stage with no elaborate settings.Just magnificent, not matter what generation.

Paul Goodhead You simply cannot put a couple of cameras in an orchestra pit and film "Stop the World", yet this is exactly what they have done. Starring Newley's stand-in and later replacement when he took the show to Broadway. Tanner tries hard but Tony Newley he ain't! Millie Martin does a little better as Evie but the whole thing makes you yearn for the brilliance that was Anthony Newley. Paul Goodhead - President of the Anthony Newley Appreciation Society Worldwide. (Officially recognised by the family/estate of Anthony Newley).