Avinash Patalay I was pining high hopes on Rohit Shetty after I watched his highly deserved, less-acclaimed "Zameen". Sunday seemed more suited for two- episodes suspense thriller on telly. The plot is paper-thin and execution is bad. And if this is a direct copy of the Telugu movie "Anukokunda Oka Roju", then shame on you Rohit!!!The comedy track between Irfan Khan and Arshad Warsi does evoke a few laughs. The senti OTT, lend me a shoulder story of Arshad Warsi is unwarranted.Performance wise, all were good. Ajay Devgan, Ayesha Takia, Ifran Khan, Arshad Warsi etc. But in all honesty doesn't deserve such a huge ensemble.Ajay Devgan and Mukesh Tiwar's gay poking are not in good light.Songs are good. The suspense was bad (read childish!).

ro-rao2007 Watch out for Rohit Shetty. His movies are too good all the time. They are always so entertaining. He always cats Ajay Devgan, who is a very good actor and has shown that he can do whatever role he is given, no matter how difficult it is. He also makes it look believable, like it is just natural for him. However, he was not the one who impressed me the most. The main star of the show was Arshad Warsi. He is a natural- born comedian. His facial expressions and dialogues are so good. His chemistry with Irfan Khan is amazing. All of their scenes together are so hilarious, especially the scene where they follow the goons into the garage to save Ayesha and Irfan closes the door. Ayesha played her role very well too. She is another actress to look out for. She is far better than actresses like Aishwarya Rai, who is always overacting or not even acting. There is something wrong with bollywood. They give awards to the worst actors and actresses. In my opinion, films like Halla Bol, Sunday, Zameen, and Johnny Gaddar that were all box office failures are the best. Another thing that is good about Rohit Shetty's films is that in his films, there is always great chemistry between all of the actors, but the best chemistry is between only 2 of them. In Zameen it was between Ajay Devgan and Abhishek Bachchan. In Golmaal it was between Tusshar Kapoor and Sharman Joshi. And in this movie, it was between Arshad Warsi and Irrfan Khan. Also, all three of his movie are awesome and very entertaining with outstanding performances.

Biswajit Tripathy Sunday is the movie about a missing Sunday.Sehar (Ayesha Takia) is a dubbing artist for cartoon movies. Everything is going normal until one day when she misses a Sunday from her life. She doesn't remember anything about what has happened on that Sunday.She started feeling the missing day, when she feels her life in danger when she gets attacked by some strangers. She starts feeling when strangers starts hounding her for various things happened on that particular Sunday. SP Rajveer (Ajay Devgan) tries to help her out to solve the mystery of the missing Sunday.What happens on the Sunday is a mystery until the last reel of the movie. It's one of those who dunnit mystery but presented well by the director. Worth watching.

Punkaj Jaju Billed as a suspense-comic thriller, this one's a ho-hum in more ways than one. Rohit Golmaal Shetty just couldn't decide what he wanted out of his otherwise-talented cast, he messes up the recipe and throws the whole kitchen sink at you. The problem: the sink stinks.Devgan has to act a cool cop: so he licks ice cream all day. Warsi and Irrfan Khan drive around Delhi in a red car, which you are never likely to see in Delhi. Ayesha, who starts well, looks puffed up and lost in the bizarre plot, which is set in Delhi but you'd excused to think that the action was taking place in a one-car town with a population of 40.The suspense and the thriller elements are duds; some comic scenes however lighten up the proceeds. Shetty cant handle the romance between an ageing Devgan and a fresh but puffy Ayesha; the songs are dull and their filming moron. Makes you wait for the bits when Warsi appears, because he has the funniest lines, and Irrfan who feeds off his cues. These two make a good comic team who try hard to carry off the film to some extent.Shetty tries to put in too many items in the movie: from chases in a crowded Chandni Chowk to a gang of thugs led by a cartoon-voiced fellow to a Vrajesh Hirjee, a Karate expert speaking in a Malayalee accent without rhyme or reason. What actually happens to Ayesha is so prosaic, its not worth the effort of making a whole film about! The cinematography by Aseem Bajaj is good, especially his filming of famous landmarks in Delhi. The digital fusion of various scenes has been seamlessly carried out. Music is noisy, the background score is shrieky.Ajay Devgan looks listless trying to be cool, Ayesha Takia opens confidently in a well-crafted sequence of dubbing for an animation flick but loses vapour immediately thereafter. It is left to the highly talented due of Arshad Warsi and Irrfan Khan to provide some relief in the banal proceedings.There has been no movie last week, there is none next. Yet this movie played to empty seats on a Saturday.