Benedito Dias Rodrigues
Psychedelic look of America from the famous Milos Forman..Starting very well and end up in weird way from the sixties era....funny sometimes,creative and very experimental cinema and noncommercial too,not for all tastes,a little boring but never uninteresting...some rare appearances of some future stars like Carly Simon and Tina Turner....in the ending you are learning how to stop with cigarettes and start smoke Marijuana!! Resume: First watch: 2017 / How many: 1 / Source: DVD / Rating: 7
christopher-underwood
Having seen director, Milos Forman's two Czech b/w classics, The Fireman's Ball and The Loves of A Blonde (or a blonde In Love, as I knew it) I saw this, his first US film upon its original release. I remember it being controversial although not a big hit, but I loved it. It barely has a narrative story line, no big stars, Buck Henry being the most well known, but it just made me feel good. It wasn't one of those films preaching at one side or the other (that's kids and parents!) and just seemed to present a little of what was happening towards the end of the sixties and derive some good natured humour from it. Watching it again, I was amazed at how well it still works. There are no embarrassing moments, it looks good, sounds good and probably does you good. I have no idea why the recent Park Circus DVD release box is so subdued but then this is not a jazzy, wacky film, just a relaxed, intelligent picture of a very strange time. Wonderful.
taylor9885
Milos Forman is settling in to America here, learning the ways of rich Puritans. The casting is just about perfect; I don't recall Buck Henry being as expressive--in that deadpan way--in a movie. The scene between Georgia Engel and Lynn Carlin, in which Engel relates stories of her husband's incredible sexual drive is wonderfully funny. The strip poker scene between Henry, Carlin and their guests Audra Lindley and Paul Benedict, that ends with Henry singing an aria, naked, on top of the dining-room table has passed into cinematic legend.Miroslav Ondricek's camera work is really exceptional; it makes a success of one scene that drags on too long--the therapy group with the participants smoking reefer. Ondricek's ability to give life to interiors is amazing: see how he cuts from the ancestral paintings to the would-be dopers, making comments on both. This man, who turns 70 this year, is a master, and if I just give a partial list of his work you will know what I mean: The Fireman's Ball, If..., O Lucky Man!, Hair, Amadeus.
clifton jack
I saw this movie on it's original release and was mightily impressed. I'd previously seen Forman's "The Fireman's Ball" and liked the quirky style that he repeats so well with this one. The tale of the confused parents trying desperately to understand their "wayward" daughter is gently told but is bitingly satirical. I will never forget scenes of the parents attending the seminar on how to smoke a joint and the convention for the parents of fugitive children. So where has this movie gone? I checked out the on line video store here in the UK to find that it was deleted in 92. Great shame, it's a classic.
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