SnoopyStyle Grumpy old man Abner Meecham (Hal Holbrook) walks away from his retirement living. He returns to his Tennesse farm after 3 months to find Lonzo Choat (Ray McKinnon) occupying it. His son Paul (Walton Goggins) had rented it with an option to sell. Abner is unwilling to leave and starts living in the adjacent slave cabin. Lonzo is a drunk. He beats his daughter Pamela (Mia Wasikowska) and wife Ludie (Carrie Preston) after Pamela comes home with a boy. Thurl Chessor (Barry Corbin) is a neighbor. These are great performances of compelling characters. Holbrook shows a terrifically pained bitter person. Everybody delivers in this. There is quiet tension throughout.

vegfemnat The film is brilliant and a must see as other reviewers have already mentioned. The acting is masterclass and together with the brilliantly written dialogue paints the characters and their interactions in the fewest strokes possible. No wasted dialogues that bring nothing new to the story. I will not waste time mentioning how good Hal Holbrook is in the movie since every other reviewer has already done that.Instead I have to mention Ray McKinnon's performance as the troubled self-destructive alcoholic who s struggling to straighten himself out for the sake of his family. His portrayal both scares for being the dormant maniac that is at the edge of being unleashed at every stage and at the same time saddens for him being unable to reform himself due to a lot of external factors - him being unable to find a steady income , an old dude trying to snatch his family's home from him, his daughter dating a guy's son whom he detests for supposedly having stolen his grandfather's watch. The low lit sequences of him sitting in front of the television knee deep in self loathing and the weight of past regrets hanging over him is both scary and sad at the same time. At one point he tells his wife "People just can't understand that a guy can change". Ray McKinnon's Lonzo Choat is unforgettable.The only issue I had with the movie was with its messy third act. I mean I can understand the story treading a little offbeat path in its final stage to bring about a certain sense of realism and a non- cliché end. But it was too off putting for me. It was abrupt and doesn't give a sense of closure. I had already invested so much time in the Choat family and was at least hoping to see where things go for them. But the movie just completely disregards their plight at the end showing us nothing of them whatsoever. My heart was yearning to know what happens to them afterwards.But still a definite masterpiece with some brilliant shots and outstanding character studies. I'll definitely watch this a second time.

kmylwnas Nice movie, the old man is a likable character, still is a 'not very nice' person. It seems he was not really nice to his family either. The name of the guy he is trying to throw away from his home is Choat, kind of reminds me of the word "Tchort" that means Devil in Slavic languages: "Tchort is a Slavonic word (Russian Чёрт, Czech and Slovak Čert, Ukrainian and Belarusian Чорт) meaning Devil" Source:wikipedia Made me wonder if its allegoric and the man was trying to overcome and win his demons instead. Imagine the home being empty and not finding the courage to go inside, that overflowning home of memories of his wife... Finally he overcame his guilts and found peace. Just another point of view, food for thought ;)

RickStarr11 I've been looking forward to "That Evening Sun" for a while now, and not just because it was shot in the county and surrounding towns where I live here in Tennessee. My anticipation was largely because of Hal Holbrook, an iconic performer I have seen in his one-man "Mark Twain Tonight!" stage show, and who appears in occasional guest shots on TV where things must move very fast, and less often in film, where things are allowed to proceed at a more measured pace.I was not disappointed, the character study of Abner Meechum, the refugee from an old folks' home and renegade on his own property is rich, complex, and satisfying throughout. Admittedly it may not be a big stretch for Holbrook to play a cranky 80-year-old, but that doesn't lessen the impact of the performance at all.Surrounding him is a cast of surprisingly strong players: the antagonist Lonzo Choat (Ray McKinnon) is an especially worthy and believable opponent, and supporting cast Pamela and Ludie Choat (Mia Wasikowska and Carrie Preston) likewise hit just the right notes, tugging this farm county family drama at precisely the right pace. I especially enjoyed Barry Corkin, perfect in the Wilfred Brimley-esquire good neighbor role, and a special mention for the cameo by Dixie Carter, Hal Holbrook's wife in the movie as well as in real life.Where I saw the film, at a packed 1pm matinée, the audience laughed at several of the moments, self-reflective as they were of Tennessee rural life. I don't know that they would garner that kind of introspective appreciation in other parts of the country, but here, people know their country folk and can laugh with, rather than at them."That Evening Sun" is a simple yarn: Abner tires of life in a retirement home and returns to the farm he and his deceased wife occupied for most of their lives, only to find it occupied by a neer-do-well, but one with a property lease Abner's "guardian son" has approved. The story is more than the tug-of-war between owner and lessor, it is between hard-working- older and layabout younger, and between lives at noon and the sundown that inevitably follows. Taken from William Gay's short stories of Southern life, "I Hate To See That Evening Sun Go Down," it's the unraveling of a proud man in the twilight, as his own sun is setting, and his fight with the oncoming night.Hal Holbrook is a treasure. So is this film. It's Indie with a capital "I", an armful of festival awards, and, one hopes, a long run ahead.