john.foulks I was told about this motion picture from my good friend Rick, and he has always told me to look up this movie from the Web Site and view it, after all of the comments that I have read, I am surely excited about getting this motion picture and seeing it, it is about the group Earth, Wind and Fire, they was one of my favorite singers during the 1970's, right after I came back from Viet-Nam, the motion picture depicts about them coming into the spot light, there many songs and encounters with other groups has made this movie something special to see I was told by Rick, I am looking forward to seeing this motion picture, and I hope many of you are also wondering about this movie.

lonearrngr-1 I haven't seen this film since it came out in the mid 70s, but I do recall it as being a very realistic portrayal of the music business ( right up there with Paul Simons "One Trick Pony " ..another vastly underrated film IMO )Harvey Keitel does an excellent job as a producer caught between the music he believes in , and the commercial "tripe" the record company "suits" want him to work with.Since I spent my entire career in the music business as a composer /arranger /producer, I can really vouch for the verisimilitude this film possesses. If it should ever come out on DVD uncut, I'd buy it!

ColemanDerrick While it has been more than ten years since I have seen That's The Way of The World, I can say that anyone who sees the picture will appreciate it, and its view of the music industry. Harvey Keitel plays a record executive who appreciates the talent of a band played by Earth Wind and Fire. However, the record company is forcing him to promote a white popular act(based primarily on The Carpenters). While Keitel's character stays true to his heart, the overall message of the movie is that popular culture, expressed by music and images, maintains a discriminatory profile of American culture. If you see this movie, realize that it was made before disco became truly popular in the USA.Another point to mention is that the movie deserves a look, but suffered because it was hard to market. Yes, unfortunately in 1975, American society was still segregated. Black music was marketed to blacks only, while popular music was either rock/heavy metal or melody music. Because white audiences were not as familiar with EWF, they did not care that they were in the picture. On the other hand, this was at the climax of the blaxploitation era, and the soundtrack and appearance of EWF were hyped to black audiences. However, when people saw the film and realized that the group only make brief appearances, they turned away.My point is that because of the racial attitudes of American culture in 1975, the movie was not appreciated as it should have been. So when you watch it, please do so with an open mind. One of the more refreshing things about it is that it is a drama with more substance than style, and easy to get into without always being reminded that you're watching something from the 1970s.Charles Stepney, who was involved in the making of the motion picture, was a close associate of Maurice White. He was involved in EWF's music leading into this project.

cfc_can This is an often amusing insider look at the music business. Keitel plays a producer who is saddled with a G-rated group and is expected to make them popular with the public. There are lots of satirical in-jokes about the egos of recording stars, their managers and the people who run the studios. It has a lot of 70s nostalgia value and many of the philosophies spouted by the characters are still en vogue with the music biz today. All in all, a good job by all involved.