The Boneyard

The Boneyard

1991 "Dare to Enter, Try to Leave..."
The Boneyard
The Boneyard

The Boneyard

5.6 | 1h38m | R | en | Fantasy

Children turned into zombies wreak havoc in a coroner's building with just a burned-out psychic, an experienced cop and two coroners to stop the madness.

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5.6 | 1h38m | R | en | Fantasy , Horror , Comedy | More Info
Released: June. 12,1991 | Released Producted By: Prism Entertainment , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Children turned into zombies wreak havoc in a coroner's building with just a burned-out psychic, an experienced cop and two coroners to stop the madness.

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Cast

Ed Nelson , Norman Fell , Phyllis Diller

Director

Irl Dixon

Producted By

Prism Entertainment ,

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Reviews

Michael_Elliott The Boneyard (1991) * 1/2 (out of 4)A couple cops and a psychic investigate the murder of three children. Their investigation leads them to the coroner's office where they quickly learn that the children are in fact zombies and soon everyone is trapped inside the building with them.THE BONEYARD is your typcial low-budget horror film from the 90s that really doesn't have much originality to it and in fact it really doesn't have too much good about it. You've got a couple former stars thrown into the cast, some decent special effects but there's no question that a lot of the running time doesn't have too much going on.I say that because the first forty-two minutes of the movie has the two detectives and the psychic doing nothing but talking. At first I was wondering if I was watching another movie because for a horror movie there's certainly nothing going on for the longest time. Once the zombie children show up things do pick up a bit and one can't help but wonder why they waited so long. Everyone knows that "something" needs to happen every ten-minutes so making us wait over forty was just a major mistake.The zombie children actually look very good and for the most part the special effects were better than I expected and that's especially true for a couple "large" creatures that show up towards the end. The performances are pretty much what you would expect as they range from decent to poor. Norman Fell and Phyllis Diller are on hand and Ed Nelson was also good in the lead.THE BONEYARD should have and could have been much better but it gets off to such a slow and bad start that the film never fully recovers.
Thomas Clement (Mr. OpEd) I was almost an hour in and gave up. This is without a doubt one of the dullest, unnecessarily loquacious, poorly edited, and cripplingly paced movies I've seen in any genre, let alone horror/comedy. If it got better, I didn't care.There is only one good scene in the first half, and that is when Alley encounters the dead child. That's it.The score by John Lee Whitener is pretty good, despite the already clichéd delay-fall-away sounds. Either he vowed to never work on another film after this or changed his name.So, in sum, not remotely funny, not remotely scary...reach for the remote.
NewSilver21-1 A great B-horror flick if I may add first of all. This movie stands on it's own ground as slick, original, and creepy. The acting could be a little better, and there could have been more violence but overall this movie is a sure classic.The writter/director of the movie (James Cummins) is not bad at his work. But if you purchase this movie on DVD and listen to the Audio Commentary or the Exclusive Interview you will hear James Cummins say "And um....." about a hundred times.I haven't seen any copies out there for rental but if you do see it, rent it. A great midnight movie for everyone. 7/10 stars.
HumanoidOfFlesh The cover of this one looked very promising,so I decided to give it a try.What a let down!After reading some reviews here I expected truly scary gore-fest."The Boneyard" isn't creepy as hell,it's just boring and silly.Admittedly the make up of three dead children is excellent,but a giant mutant poodle is really pathetic.Not a great deal of gore either.I would recommend this only to the most diehard horror fans.