m-vinteuil
In following Dylan Moran's star from the charming misanthrope bookstore owner in the surrealist sitcom Black Books, I could see his comic potential begging to be utilised in theater or larger cinematic avenues. This first big screen outing in a starring role (he had a cameo as Rufus the thief in Notting Hill) had oodles of promise, but like the strained Steve Coogan vehicle, The Parole Officer, has too many creases which should have been ironed out in preproduction.The plot is so convoluted that I shan't bother repeating the finer details (the script has every character do that for us), and the laughs are sourced from show business in-jokes. Michael Caine is a pompous has-been running a production of Richard III - updated to Nazi occupation (one of the few genuine laughs, a satirical jab at Ian McKellen), in which everyone is forever doing the Hitler salute every time they take the stage. Convincing Dylan that acting should be a conceptual act unto itself, the two plot to steal money from some fairly harmless gangsters by way of their acting prowess. Confusion ensues (both on screen and in the audience), there's a romantic sub-plot between Dylan and the daughter of one of the gangsters blah blah blah and Dylan gets to dress in odd clothes and do funny accents. Michael Caine delivers some choice lines, and Dylan's comic timing is on the money, so why isn't it any good? It does have a certain charm that you would expect from Film 4, but it also has a precocious little girl acting as compass in a muddled and irrelevant plot - a no-no in screen writing 101. Exposition overshadows everything else. You just want to see Moran and Caine acting as comic foil to each other the way the were at the beginning, but when they're together toward the end, the the pairing has lost its charisma.The Actors is an amusing, albeit underwhelming effort. Should it come on telly during a rainy Tuesday afternoon, then have at you. Otherwise you would be better off watching your old Black Books videos, or renting Withnail & I.
artisticalley
First off- What are some of you thinking? This is the best movie I've seen in ages! Secondly- I don't think of it as a British movie as it is set in Dublin and has mainly Irish actors- Moran, Gambon, Aisling O Sullivan(Rita), Deirdre O'Kane etc.Thirdly- I thought that Moran was excellent. He was hilariously funny through out. Micheal Caine seemed only to be there to get Moran context. Each character he took on he perfected. Abigail Iversen I thought was better than any other child actor I have seen. She was believable as the smart kid and also as a kid and an adult(yes I know that sounds strange but hey...). Even she managed to upstage Caine. Iversen and Moran worked very well together and were very funny in the preparation scene.Barreler(Gambon) was very funny in his ineptitude.
lukiebaggs
Look as being Anglo-Irish I assure you this reviewer is anything but Bias. But I assure you this is very much an Irish Film - and not English as the last comment seems to have suggested. This film was written by Neil Jorden and Conor McPherson and directed by Conor McPherson too - both Irish. The Cast is almost entirely Irish - it was shot in Ireland with an Irish crew. Even Michael Gambon was born in Ireland - I remember him joking about it in an interview about this film.Michael Cane was evidently brought in to boost Box office takings abroad.Loved the film, I just wanted to correct a totally uninformed comment!Now on with the review - I loved Dylan Moran, have always been a fan of his, himself and Michael Cane formed a surprisingly good double act. It was great to see Morans range as an actor as he plays several different made up characters during the film. I would recommend this film to anyone with an interest in comedy - as it represents a fresh, quirky and inventive turn in Irish feature length chuckle films. I laughed a lot. what more could you ask for?
biggses
To surmise, this film involves two actors (Caine and Moran) trying to con a gangster. The plot is flimsy at best as several plot holes occur throughout. However this normally shouldn't matter as the comedy should carry a film like this. There are some genuinely funny bits (mostly provided by Dylan Moran). However, other times, there are long melodramatic scenes that fail to add anything to the movie. Caine's character seemed overdone to me. Especially at the start, he continually quotes Shakespeare and acts like a pompous actor. One could say he was playing the part properly but the character seemed to me flat and unfunny. Overall I would say see only if a fan of the actors involved. Otherwise wait for video or tv.
AD
