Comeuppance Reviews Hong Kong cop Wai-Pong "John" Wong (Lee) has been having nightmares about his right hand. He's worried it will cramp up and be of no use should he get into a firefight and he won't be able to protect his partners Kam (Kwok), Clumsy Lun (Wong), or Malaysian cop working with them, Ong (Lo). Not to mention his wife Maggie (Mak), who he's been having troubles with lately. But Wong is going to have to put his psychological/physical issues on hold, because Hong Kong is about to be turned upside down by drug-dealing, blackmailing, ruthless gangsters that kill witnesses at the drop of a hat and want to do as much illegal activity as possible before 1997 (when HK becomes independent of British rule). This sets the stage for one of the most blood-drenched battles Hong Kong has ever seen. The heat isn't just big...it's HUGE! It's pretty easy math to do: Stylish police drama + Hong Kong + The 80's + GORE scenes = complete and total winner! We believe this movie's under-the-radar status, coupled with its being credited to not less than THREE directors, one of which is Johnnie To, another being an uncredited Tsui Hark, plus its groundbreaking uses of extreme violence, puts The Big Heat firmly in the category of cult movie. Which is saying a lot because that's one of the most misused terms out there today. Most movies deemed "cult" are not. We're pretty sure The Big Heat is. The title is not to be confused with the also-excellent (but couldn't be more different) film noir from 1953. Quick sidebar: if you look closely in one of the scenes, you can see a poster for Young Warriors (1983) in the background.The Big Heat delivers all the bone-crunching violence you could ever possibly want, and we applaud them for going so far over the top. But the real truth is that this would be a good, solid, interesting movie even without the excessive blood and mayhem. It's stylishly and energetically directed, and would easily hold the viewers' interest sans all the brutality on show. So you can imagine the thrill-ride this movie is WITH all the violence. All the fights and stunts are spectacularly well-staged, and the viewer is never less than totally entertained. Plus there's plenty of slow-motion dramatics so popular at the time to increase the operatic feel of it all.If The Big Heat was an 80's boombox, it would have all the levels cranked to the top. We give this movie a very strong recommendation so make sure you see it!

Cam Corder Bad Stuff. Really bad Stuff. I have read others reviews and stayed curious about the film, but, after i've seen it...This movie is one of the worst movies that i have ever saw. Its not the gore or the violence, but the bad acting and the scenes that look like they are fast forward. John woo and Ringo Lam are the best, but this is mediocre cinema. Bad Stuff. I have laughed so much that this should be a comedy. A bad one... A really bad one... Awful Film. Hong Kong makes a lot of films, but most have zero quality. Guns, Cops, Blood, funny deaths. Bad action with no brains. People should see more well made movies and not waste time with this. Horrible.

dbborroughs Johnnie To and Tsui Hark direct with Andrew Kam one of the more violent brooding police films I've seen from Hong Kong. I know that some HK action films can get nasty and brutal, but this one seems to be near the top of the list. The story has a police detective putting his life and retirement on hold when he gets word that a former partner who was in hiding because of a bust that went bad, has been killed. The murder is tied to a wealthy business man who has ties to other dark and not so dark places. Assembling a team of like minded cops he sets off to find justice for his fallen friend. The film begins with a drill going through a man's hand (its a dream sequence referring to our hero's nerve trouble with his right hand) and then it goes from there as bodies are broken and battered and shot both graphically and frequently. Its a blood soaked thrill ride thats gritty and ugly. Its the sort of dark thriller that seems to have fallen out of favor with directors who don't like the idea of "action Noir" unless its brightly lit.I'm guessing this is the result of the ability to do better effects means you don't have to hide stuff in the shadows. This is a good very violent noir film by way of China and is worth a look for anyone who likes dark action.

Bogey Man This film, The Big Heat (Hong Kong, 1988) is outstanding, and it shows exactly what differs these movies from others. This is directed by Johnnie To and Andrew Kam and the story involves a little bunch of police officers (including Waise Lee, the smooth actor from Better Tomorrow and Bullet in the Head) who are on the trail of a criminal league which is also responsible for one of the cops' partner's death. What follows is non-stop action and never before seen cinematic mayhem.I'm mostly attracted by the apocalyptic tone the film has. In many Hong Kong films from that period, the main theme is that what will happen to Hong Kong in 1997..? It is a subject matter that scares and really concerns people in these films. But the infernal visions of The Big Heat can also be seen universally and as a statement of the whole globe's future and attitudes which destroy it. The apocalyptic element is maintained by the action and gory mayhem, which never actually stops during the film. There are no chances to have a break and be in peace. The whole system is collapsing and everybody has to fight for life all the time or the "stronger will get you."The action scenes and gun battles are incredible (sorry for using these adjectives so much). When I first saw this, I watched it on VHS tape, dubbed in English and fullscreen, but still that tape was uncut. When I first saw it, the film didn't have any particular effect on me, although one extremely brutal car scene stayed in my mind, but the film as a whole didn't "blow me away" back then. Then I purchased the DVD which is subtitled in English and letterboxed and after that second viewing, I was kicked in the head. This is the case usually with HK movies: they have to be seen many times, before you really can see through them and appreciate them. The Big Heat showed its real face for me during that second time and now I've ranked the film among the most outrageous, fast paced and also savagely violent action films ever. And I think that people with open minds will come to that conclusion too. If we talk about the violence in HK films, the violent Woo movies are not too hard to take because they are so beautiful and full of more or less mysterious elements (white birds/doves, crushing statues, and so on..) but the violence in Big Heat is very different. It comes pretty close to violence in Ringo Lam's masterful Full Contact which is also pretty savage and not "beautifully" violent and symbolic as John Woo's films. I really love Woo's artistic work too, but the attitudes in his films are very different than Big Heat's.A local collector has told me that he has tried to show Big Heat to some of his colleagues at work, and no one has managed to sit through it! That really tells something about what are chances for mainstream audiences to understand these kinds of films which DON'T intend to entertain stupid masses.In its own masterful genre, The Big Heat is a 10 out of 10 points experience and it can be recommended only for fanatics of the challenging Far East cinema.