Coventry Very, VERY few movies out there are so damn perfect that they deserve an impeccable 10/10 rating… Pretty much all movies have at least one or two minor flaws, and so does Enzo G. Castellari's "The Big Racket", whether it's the horrendous English dubbing or the rough-around-the-edges editing. But what the heck, whenever a film provides me with this much adrenalin kicks and excitement, I simply must overlook the little shortcomings and reward it with a well-deserved 10! Castellari made a lot of magnificent movies, including the unforgettable western "Keoma" and the legendary war-adventure "The Inglorious Bastards", but this mixture between the so-called Poliziottesco and vigilante thriller ranks high among his best work, and should be experienced by every self-respecting fan of '70s grindhouse/euro- exploitation cinema. In the Italian crime thrillers of the seventies, the coppers are unorthodox and as good as lawless, but rightly so because the thugs they are battling are ultimately vicious and relentless. In "The Big Racket", all merchants of a middle-sized city are forced to pay incredible large sums for protection, and if they don't pay they see their life-work burned to the ground and their loved ones raped and butchered in front of their eyes. Police inspector Nico Palmieri risks his life every day (and you make that very literally) to put a stop to this mafia crime network, but he gets blocked by standard police procedures, corrupt superiors and sleazebag lawyers. When all his regular attempts fail, like infiltrating in the crime racket or setting up an ambush at the train station, Pamieri is dishonorably discharged. Not a bad thing, though, as now he can assemble a vigilante team of which each separate member has a very personal reason for blood vengeance. I'm a tremendous fan of the "Poliziottesco" genre and I truly love how the best films of such directors like Umberto Lenzi, Fernando Di Leo, Stelvio Massi and – of course – Enzo G. Castellari overwhelm the viewer with non-stop action, raw character portraits, brutality and spectacular stunts. "The Big Racket" hardly grants you the opportunity to breathe as you're constantly on the edge of your seat with suspense. The main villains in this film, including even a young female, are particularly hateful since they clearly also take pleasure in raping defenseless women and executing police officers. The victims, on the other hand, also noticeably suffer emotionally and physically (like, for instance, the restaurant owner and the Olympic champion skeet shooter). The phenomenally illustrated contrast between good and evil makes "The Big Racket" one of the most realistic films of its kind and sometimes even genuinely difficult to watch. When the thugs eventually get what they deserve, your first reflection immediately is that they still haven't suffered enough for what they've done; that's how engaging "The Big Racket" is, in fact! Needless to state that, with its graphic and uncompromisingly shown violence, the film is not suitable for people with a weak stomach or sensitive nerve system. Most of the stunts are also incredibly well-handled, like the sequence in which Palmieri's car is tumbling down from a cliff with him still in it! Fabio Testi gives a powerful performance. The best I've seen so far of his, although I have yet "Revolver" waiting on my must-see list and I'm also expecting a lot from that. The supportive cast is splendid as well and, as often the case in Poliziottesco gems as well, the soundtrack contributes a great deal to the grim atmosphere as well. 10 out of 10, without the slightest form of doubt or hesitation!

Leonard Smalls: The Lone Biker of the Apocalypse A brilliant addition to the Italian crime genre and sure to capture the heart of any sleaze lover, "The Big Racket" is definitely one of the best in it's class.Fabio Testi is a knockout as the protagonist, a renegade cop who is out for blood and justice, assembling a team of outcasts to punish the wicked. Plenty of blood and violence adorn this flick, and I recommend a couple of cold Peroni's and a plate to spaghetti for the perfect evening.All in all, probably my second favorite Castellari effort, second only to "The Inglourious Bastards" but I think "The Big Racket" is technically a BETTER film. No complaints at all here.10 out of 10, kids.

bensonmum2 I have now seen quite a few of the Italian crime films made in the 70s. The Big Racket is easily among the better Poliziotteschi I've so far run across. The violent action is non-stop. The film rarely takes a break for the viewer to catch a breath. Fabio Testi stars as Inspector Nico Palmieri, a cop determined to put an end to the protection racket run by a group of local thugs. But the seemingly small time thugs are actually part of a larger group with the goal of spreading their reign of terror to a much larger scale. Nico enlists the aid of a handful of men who have been directly affected by the gang's activities to help him wipe out the entire group of gangsters. But does this small seemingly rag-tag band of misfits stand a chance against a much larger band of killers? The Big Racket is gritty, violent, sadistic, and nothing is held back. Director Enzo Castellari has crafted some amazing action sequences. The shootouts at the train station and the final battle at the warehouse are some of the better scenes of this type I've seen. And the scene featuring Testi rolling down a hill inside a car is so well done and so realistic that I actually worried about Testi's health. The Big Racket also features a couple of rape scenes that can be difficult to watch, yet they add immensely to the overall feel of the film and supply realistic motivation for the vigilante actions to follow. These scenes are brutal and sadistic and show the depravity these thugs are capable of and why they must be eliminated.Fabio Testi gives one of his better performances that I've seen in The Big Racket. Unlike The Heroin Busters, where I never bought into Testi's character, he is completely believable in this film. The rest of the main supporting cast is just as good. My favorite supporting performance comes from Orso Maria Guerrini, the marksman who goes mad for vengeance after watching his wife get raped and burned alive. Much of the cast is made up of stunt people who do an adequate job given their limited experiences in front of the camera.Overall, if you're a Poliziotteschi fan or just a fan of American cop films from the 70s and have never seen an Italian crime film, The Big Racket is a definite must.

Michael A. Martinez While not the bloodiest film per-say, this is easily one of the most violent, as in most death/action vs. running time ratio of any crime movie I've seen in recent memory. On top of that, it's got a good multilayered story of several men disenfranchised by a protection mob, who all team up to take out the trash in one massive vigilante-style raid. Most are very good characters too, especially Orso Maria Guerrini who goes from an average Joe skeetshooter to a silent assassin once the thugs rape and murder his wife. Renzo Palmer's transition is a little less subtle, and his vengeful character gets a little irritating. Vincent Gardenia is good as a very suave pickpocket and wise-guy, while Testi is his usual pretty-boy self who of course looks so handsome that in some shots he looks more like an Anime cartoon character than an actual human.Despite the bad profanity-censored English dubbing (which substitutes 'basket' for 'bastard', 'dung' for the S-word etc.), this is otherwise a solid film. Before John Woo, this was as stylish and as violent as action movies got. There's at least 3 major shootouts, two of which are real standouts, and all of which have their fair share of amazing shots. For instance when Fabio Testi kills the thug who kills his partner – a slow motion shot of the thug flailing around in the foreground and Testi in the background shooting at him – you can see each exit wound corresponding to Testi's gunfire. Another amazing shot is film from inside Testi's car as it rolls down a hillside (complete with Testi inside trying to shield his eyes from the flying window-glass). Castellari demonstrates a solid eye for detail and is an expert at transitions – plenty of slow motion too. Big Racket also features some surprisingly good dialog in the case of most of the thug's threats, and then again near the end when the evil crime boss rants and raves about how to run a protection mob (and then turns out to be a total coward when guns are pointed at him).An excellent comic book crime/action movie – let's hope that promised uncut DVD comes out soon in the US.