The Bobo

The Bobo

1967 "The Bobo is that cunning matador who flees from the bulls so that he may chase the chicks!"
The Bobo
The Bobo

The Bobo

5.5 | 1h45m | en | Comedy

Unsuccessful singing bullfighter Juan arrives in Barcelona to try his luck in a big town. He finally persuades a devious local impresario to book him, but only on the condition that Juan first manages to spend an evening with Olimpia, a "shrewd merciless beauty" who seems effortlessly to collect apartments and Maserati sports cars while leaving a trail of broken hearts behind her. Juan approaches the challenge by pretending to her he is an emissary for a rich count. Written by Jeremy Perkins

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5.5 | 1h45m | en | Comedy | More Info
Released: September. 28,1967 | Released Producted By: Warner Bros. Pictures , Gina Production Country: United Kingdom Budget: 0 Revenue: 0 Official Website:
Synopsis

Unsuccessful singing bullfighter Juan arrives in Barcelona to try his luck in a big town. He finally persuades a devious local impresario to book him, but only on the condition that Juan first manages to spend an evening with Olimpia, a "shrewd merciless beauty" who seems effortlessly to collect apartments and Maserati sports cars while leaving a trail of broken hearts behind her. Juan approaches the challenge by pretending to her he is an emissary for a rich count. Written by Jeremy Perkins

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Cast

Peter Sellers , Britt Ekland , Rossano Brazzi

Director

Gerry Turpin

Producted By

Warner Bros. Pictures , Gina Production

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Reviews

moonspinner55 In order to get a booking in Spain as a 'singing matador', Peter Sellers must first spend one hour alone with ravishing Britt Ekland, the local tease who has developed a bad reputation-in-reverse due to the fact she spurns all the men who desire her. Screenwriter David R. Schwartz adapted his own play, which began as the novel "Olimpia" by Burt Cole, but seems to have left out the heart of the story. Sellers and Ekland (real-life marrieds at the time) are both good, though neither has much of a character to play. The low-keyed film is so restrained, it may confound viewers hoping for a European farce. There are minor compensations: some of Peter's shtick, including a pantomime bit on the street, is funny, also the affected way Sellers pronounces 'Barcelona'. The sight-gag in the final act is successfully rendered, and Francis Lai contributes a beautiful bossa nova score. Still, the picture never really takes off, remains a rather glum and meandering vehicle for its star. ** from ****
rcraig62 As a lifelong Peter Sellers fan, I've seen this movie a few times even though I know the letdown is coming at the end. I'm always lured back by Sellers' performance here, proving once again he was one of the greatest actors in all the world. He plays Juan Bautista, a traveling singing matador who attempts to seduce the local flirt/bitch of Barcelona in exchange for a gig at the local theater. It is one of his most charming, touching, beautifully subtle performances ever, as the film takes you along their unusual courtship until he finally melts her heart and wins her over. At the point, the story takes an unexpected turn that is so shocking and so patently unfunny and so vile, I can't imagine what anyone connected with the film was possibly thinking when they made it. I am no sucker for happy Hollywood endings, but the end to this movie is so out-of-step with what we've just seen in the last ninety minutes that it just spoiled the whole thing for me. I still rate it as the worst movie ending of all time. As far the rest of it, Sellers and then-wife Britt Ekland (who never looked better) have some lovely scenes; their first date at a nightclub that features flamenco dancing really stands out. With a different finale, this could have been a rare gem in the Peter Sellers catalogue. As it is, it's just OK. 2 1/2 ** out of 4
grstmc THE BOBO will undoubtedly disappoint those expecting Peter Sellers to be doing Clouseau-style slapstick, and those that expect the satirical humor he was also famous for.Instead, this is a character comedy and Juan Bautista (not Batista)is one of Sellers' more interesting characters, albeit from among his lesser efforts. But even lesser Sellers is better than the overall product from today's so-called comedy geniuses.BOBO was well-made, with a great opening sequence aerial shot of Barcelona, Spain (although I believe the picture was made in Italy). The plot involves Sellers as Bautista, an ex-matador who wants to break into show business in Barcelona, but can't seem to get a theater booking. He finally is promised one if - and only if - he can conquer a rather cold-hearted gold digger named Olimpia Segura (played by Britt Ekland, Mrs. Sellers at the time).There are some good comedy bits and sequences throughout the film. Bautista's attempts to audition for the theater owner are amusing (and unless I'm mistaken, Sellers does his own singing). He does some matador maneuvers while pretending a sportscar is a bull. The scenes at the hideaway-retreat are very good. Later, he gets dunked in a tub of blue dye and becomes "The Blue Singing Matador".Sellers (Bautista) and Ekland (Olimpia) work well together in the only time they were paired romantically on screen. Added to which, the picture does not end the way that most people think it will. On my own Sellers scale of five stars, THE BOBO ranks three stars.
negevoli-44 I think this is one of Peter Sellers' best movies, along with "Dr. Strangelove...", "Only Two Can Play," "Two-Way Stretch," "A Shot in the Dark," "After the Fox," and of course the original Pink Panther...Sellers is charmingly funny and Britt Eklund is deliciously stunning, and perfect for her role as a femme fatale who toys with men only to succumb to Sellers' rather pathetic efforts at courtship.There are a number of creative and funny scenes but the "Hermitage" restaurant scene during Sellers' and Eklund's first "date" is especially maginative and hilarious...not to be missed.Not a shoot-'em-up, but a rather lovely film with a great cast and great production values.