TheLittleSongbird When there is a cast like Esther Williams, Ricardo Montalban, Cyd Charisse and Mary Astor, the film in question promises much. Because all four of these people are very talented at what they do and have been rarely less than watchable in their films.'Fiesta' is a long way from a bad film, it's colourful and it does have several good things about it. It is however a very uneven and heavily problematic film that considering the calibre of talent should have been much better than it was.Starting with 'Fiesta's' strengths, it's very handsomely mounted and is shot in glorious Technicolor. The music is full of liveliness and makes one want to tap their toes and get up and dance, a kind of energy that the rest of the film doesn't match. Love the use of Copland's 'El Salon Mexico'.The dance choreography is even better, the fiery dance routines with Montalban and Charisse are electrifying and 'Fiesta' is worth seeing for them alone. Montalban is as suave, dashing and charismatic as ever, while Charisse is charming and dances a dream. Astor is touching, though she deserved a bigger role and better material.On the other hand, as radiant as Williams looks and her brief swimming scene is nice (though nowhere near one of her best routines) she does look ill at ease and any drama never rings true, her character being somehow related to Montalban severely strains credibility. John Carroll is rather bland, and there are somewhat hammy turns from Akim Tamiroff and Fortunio Bonanova.Scripting-wise, 'Fiesta' is pretty pedestrian and contrived, not much wit here, while the story does lack momentum, is as thin as ice and credibility-straining nonsense. As for the bull scenes, for such a brutal "sport" they are pretty tame. Richard Thorpe's direction is undistinguished at best and the most energetic 'Fiesta' gets is in the scenes with Montalban and Charisse and the music.In summary, colourful but uneven. Good for a one-time watch, but not good enough for repeat viewings. 5/10 Bethany Cox

bkoganbing Twins who grow up to be Esther Williams and Ricardo Montalban are born to Mexico's top matador Fortunio Bonanova and wife Mary Astor. Of course it's the father's dream that Montalban succeed him in the ring, but Ricardo is interested in music and is a pianist and composer. But Esther's something of a tomboy and she likes showing off in the bull ring every now and then. That is the basis for the plot of Fiesta which introduced Ricardo Montalban to the American cinema.Though Esther takes only a small dip in the water and barely gets wet, Fiesta is a decent enough film for her even though her specialty is not really promoted. What's really promoted is Cyd Charisse who plays Montalban's girlfriend and who does some fine dancing. Also promoted is a piano concerto by Aaron Copland, Montalban's masterpiece which convinces music maestro Hugo Haas that Montalban belongs behind a piano not in front of a bull. When he's in the latter position his head's just not in the game and that can be fatal for a matador.Since Fiesta is classified as a musical I was disappointed that John Carroll who plays a scientist and is courting Williams was not given a song in the film. Doubly disappointed because in another Latin role in Rio Rita Carroll did get to sing in that opposite Kathryn Grayson. He had a good baritone and should have sang more often in films. Possibly a number for him was cut.Though it's hardly in the front rank of Esther Williams films, Fiesta is a good programmer for MGM and for her as well.

preppy-3 Movie designed to introduce Ricardo Montalban to American audiences. It's a drama--NOT a musical. There are a few musical numbers but that's it. This takes place in Mexico and has Montalban and Esther Williams playing twins. No--I'm not kidding! If you can swallow that you might like this. Their father is a great bullfighter and expects his son to be the same. However his son Mario (Mantalban) wants be a musician. His sister Maria (Williams) is better at bullfighting then him. You can probably guess the rest. EXTREME PLOT SPOILER IN THIS PARAGRAPH!!! Pretty forgettable as a drama. The situations are just silly, the dialogue pedestrian and you just KNOW how this is going to end. Also Williams isn't much of a dramatic actress. This film could have ended after an hour but this drags it out and gets REAL stupid during the second act. Williams has to bullfight in place of her brother--but nobody notices the difference! Seriously--everybody thought Williams was her brother???? Even for a 1940s movie that's pushing it.Still it's not completely terrible. It's done with the usual MGM gloss and is shot in bright Technicolor. Montalban, Williams and Cyd Charisse are so young and beautiful and so full of life that it rubs off on the audience. The dance sequences with Montalban and Charisse are just incredible--I never knew he could dance! Williams even has a (brief) swimming scene. There's also some good acting from Akim Taminoff as Chato and Mary Astor as Williams and Montalbans mother. So it's silly but enjoyable as a no brainer. The dancing scenes alone make this worth seeing. I give it a 6.

funkyfry Nobody has too much fun at this fiesa -- supposedly MGM's ads proclaimed "See-Esther in Fiesta" apparently confusing a party with a nap-- which is a closer description of this improbably Mexican diversion. Esther battles bulls to redeem her brother's name (Montalban) after he flees the ring the pursue a career as a composer. The music he wrote is actually Copland's "El Salon de Mexico" -- a piece whose hokey, bloated exoticism meshes perfectly with this movie. Nice color photography, and the producers, as usual, found an opportunity for Williams to get wet.