JohnHowardReid Copyright 20 April 1945 by 20th Century-Fox Film Corp. New York opening at the Rialto: 11 May 1945. U.S. release: 18 May 1945. U.K. release: November 1945. Australian release: 30 August 1945. 5,613 feet. 62 minutes. NOTES: Laurel & Hardy's final American film. It may not be one of their best, but at least it fades out on the right note with Ollie exclaiming as their skeletone bodies walk towards the camera, "Well, here's another nice mess you've got me into!" COMMENT: The trouble with The Bullfighters is the story situation itself. No longer are Laurel Hardy just the amiable knuckleheads of yore, injuring no-one but themselves (and those who deserved it-the pompous, the self-opinionated, the greedy) but here they are a positive menace to society at large, directly involved in the more than slightly unpleasant situation of sending an innocent man to prison for five years. Laurel protested bitterly against this utter negation of the familiar Laurel and Hardy characterizations, and you can positively sense his disillusionment at trying to buck the system in what was to be their last American film. Stan has a dual role and Oliver has amassed a delightful rotundity of girth, but one often has the feeling that the boys are just going through the motions. Nor does the support cast come up to the standard of their other Fox features. The girls are most certainly attractive, but they have a relatively minor role, the proceedings being dominated by Ralph Sanford and Richard Lane, capable enough actors within the limits of their usual type-casting, but not the sort of personalities we are likely to enjoy throughout an entire film. Production values also rate somewhat less than in the other Fox pictures. Norbert Brodine's photography is flat and the climactic bull-fight has been stitched together with generous clips from Blood and Sand. Still, for all the film's shortcomings, Laurel and Hardy are still a delight and their routines are fairly amusing.

Petri Pelkonen It's time for another Laurel and Hardy adventure.This time Stan and Ollie find themselves in New Mexico, where the boys from Peoria, Illinois go as private detectives.Their job is to find Larceny Nell.There is also a certain Richard K. Muldoon, who the boys sent in prison a few years back.He was later found not guilty, but he seeks for revenge on those two saps.He wants to skin them alive, first the little one, then the big one.There's another fine mess Stan's gotten Ollie into.There also happens to be a huge resemblance between Stan and a famous matador from Barcelona.He doesn't get there on time because of some passport problems, so Stanley has to pretend to be him.And the poor little guy is allergic to bulls.The Bullfighters (1945) is directed by Malcolm St. Clair, but also Stan Laurel wrote and directed portions of this feature.This is Laurel's and Hardy's last movie to be made in America for 20th Century Fox and their second last movie in general.Stan Laurel (1890-1965) and Oliver Hardy (1892-1957) show us that they are the greatest comedy team ever lived.It's their childlikeness that makes them so likable.A good comedian never lets his inner child die, and they knew that.There's also a great supporting cast in this movie.Margo Woode portrays Senorita Tangerine.Richard Lane is 'Hot Shot' Coleman, the man who makes Stan a bullfighter.Diosa Costello (b.1917) plays Conchita, who sings Bim Bam Bum and shows her fantastic dance moves in the film.Carol Andrews plays Hattie Blake, also known as Larceny Nell.Ralph Sanford is Richard K. Muldoon.Hank Worden plays the part of Mr. McCoy.This movie contains many funny gags that will make the L&H fans laugh.When Stanley is kissed by a beautiful woman, and he faints, is one of those moments that I loved.And I liked the water fight at the fountain.The egg gag is pretty hilarious, where Larceny Nell and the boys start messing each other with eggs.Or Oliver disguising him with a mask when Muldoon comes in, and when he's in the telephone booth and falls on the poor guy.And when Stanley pretends to be Don Sebastian and he takes a big bow and hits his head on the table.You can't help but laugh at the little man's mishaps.And when the boys find themselves in a sticky situation hanging over the hay bales after the bull gets wild.In the end we see the boys with their bones rattling all over the place, after Muldoon has skinned them alive.To me this is a better movie than what has been said of it.I and my family really enjoyed this comedy by Laurel and Hardy.L&H have never left me with a disappointment.These boys brought us their comedy, which we still find amusing.There's a little less laughter and a little less joy when Stan and Ollie aren't there with their new movies.

zsenorsock While this is nowhere near the quality of any of their Hal Roach films, "The Bullfighters" is one of the best if not the best of the films Laurel and Hardy did for Fox. For one thing, they are not playing second fiddle to an boring love story. For another, they seem much more energized than in their previous efforts. Oliver in particular seems to be doing his best. Stan, stripped of his white face makeup by Fox degree, always looks a bit tired as his dark age lines show, but he also puts in a better performance than in the other Fox vehicles.One of the films biggest problems may be the villain. Ralph Sanford plays Richard Muldoon, a man who was sent to jail for 20 years based mostly on Stan and Ollie's testimony. He promised to "skin them alive" when he got out. Well the real culprit in that case confesses, so Muldoon is released after 5 years. He's aching for revenge. However, if he's so anxious for revenge, one wonders why he just didn't go back to Peoria and track Stan and Ollie down, rather than move to Mexico and just "happen" to run into them. More importantly, though Sanford is bulky, he's not tough or dangerous looking and does not present that much of an obvious threat. The part screams for someone like Walter Long ("The Live Ghost", "Going Bye Bye", "Any Old Port", "Pardon Us") or Tiny Sanford ("Busy Bodies") both of which would have been much more intimidating.Edward Gargan does okay in a tit for tat scene with Stan and Ollie at a fountain (though one longs for James Finlayson) and the lovely Carol Andrews does fairly well in reprising the egg scene Lupe Velez did so well in "Hollywood Party".All in all, I found this film better than expected after seeing the dreadful "Atoll K", "Great Guns" and "A Haunting We Will Go". If you have to see Laurel and Hardy in a Fox film, this is the one to see.

BJJ-2 Laurel & Hardy's last American film is also probably the best(or more accurately,least worst)of their post-Hal Roach movies.One positive aspect,unlike their previous Fox/MGM wartime efforts,is that there are scenes in the film which are reasonably in character,as likeable innocents,and not complete idiots. A reworking of the egg-breaking sequence from HOLLYWOOD PARTY(1934)works quite well,as does a water-throwing routine.Arguably the best moments in the film are with cult character actor Hank Worden,who while registering at the hotel says he can't write("He's forging my name!",Stan protests!). Where the film falters is with supposed villain Ralph Sanford.Walter Long,Rychard Cramer,Charlie Hall and James Finlayson were both menacing and funny in the Roach films,but in this film,Sanford is neither despite his bulky frame.Former Radio announcer Richard Lane is good though,but the film falters in it's second half with a hackneyed 'double' story;namely Stan being a lookalike for the great bullfighter Don Sebastian.And for the first time since their earliest silent days,Fox's make-up department do away with their comic hairstyles.Still,the film brightens up with an amusing 'freak' ending,which Stan liked to employ occasionally with the Hal Roach studios.Not a good film,but certainly a tolerable one compared to A-HAUNTING WE WILL GO(1942) and THE DANCING MASTERS(1943).