haru-chan It won't let me post this anywhere sans mobile phone number so I'm posting it here...I love the music from this movie. The song that was sung in the brothel was called 'zai zai'. It's an ensemble song and the lead singer from the song is Yan Jixuan. Contributing are I believe Pan Shuai, Liu Aotian, Liu Shengtian and Feng Xu. Copyright belonging to Beijing Jingwen Record Co. The ending credits song is called 'eaten yet' and is sung by Wang Xiadou. Both through CMCB. Both arranged by Wang Yuanzhao.Sorry for posting this here in the review section, but it is a review of the music. For anyone who loved the music as much as I did and is seeking the ost, I hope this helps!

rightwingisevil The Chinese movie industries have been hesitating at the puzzling crossroad of "Quo Vadis?" They really don't know how to choose the right direction of making decent movies, how to write irrational screenplays with logic story lines, how to transform a screenplay into a concrete decent film with believable characters who could connect with the consumers/viewers. There are lot of so-called new generation screenplay writers and directors with certain special connections with filthily rich people who desperately want to add another auspicious title as "movie producer" to their collections. Thus resulted in having such screenplay writers, director and producers of one of the most pathetic and messy Chinese movies in 21st century."Dao jiàn xiào(2010)" is such a movie that you could use it to test how tough your nerves could be, what kind of depth of your patience could reach and endure, what kind of logic reasoning ability you have, what kind of absorbing ability and flexibility to deal with ridiculousness and absurdity and, most of all, how you consider to waste 1hr32mins of your life on planet Earth is nothing but.What a mess, folks. Only the sound track, the choose of the music, would drive you crazy. The poor crafted dialog, the exaggeration and the pretentiousness of all the actors, the obvious self-indulgent but absolutely out of controlled directing....on and on and all summing up with just one conclusion: "Where is the logic and what's going on?" The only question after you rejected the DVD came up on your dizzy brain was: "How dare you call this a Movie!?" The screenplay(if there really had one) writer(s) and the director both have to be banned and banished from the Chinese movie industries permanently.NO STAR should waste on this mess.

CinemaLiberated A hapless butcher (Liu Xiaoye) is in infatuated with a courtesan named Mei (Kitty Zhang Yuqi). Her charms are unworldly. In his way is the infamous fighter Big Beard. The butcher doesn't stand a chance. When he happens upon a stranger with a magical cleaver, he suddenly has the means to win. Before he uses it, he's told the magical blade isn't for killing and the blade's origin is explained. As the title suggests, the rest of the story involves a chef and a swordsman (Ashton Xu).Set in ancient china, this is a highly stylized version of the past. Director Wuershan hails from the commercial ad world and it's obvious. You can tell he makes ads featuring lots of slow motion, fast edits, bellowing fabric and soaring arias. The film is full of gimmicks. This includes, black and white sections with red highlights à la Sin City, animations, video game sequences, Taiwanese 3D news renderings and cartoons. Audio wise there are funky hip hop beats, techno tracks and a horrific Mandarin rap performed by the Bordello staff. Gimmicks or not, he knows how to compose a gorgeous visual. The images are great, the problem is the rapid fire delivery approach of it.The story unfolds like a Russian doll; stories are nestled within each other. It's not a bad concept except only one of the three stories is watchable. The other two stories suffer from too much whiz-bang effects that leaves no room for digestion. They're simply over wrought, over edited and over produced. When the story settles down, it's in the middle part featuring Ando Masanobu as the chef. It is by far the best story of the three and if the movie is judged on this part, it would be a very good one. Unfortunately it's surrounded by the frantic blur of the rest of the film.excerpt from www.cinemaliberated.com

changmoh Movie reviewers invited to screenings usually see it as their job to sit through a movie, no matter how bad it is. However, during the media screening of this film, many reviewers walked out after 10 minutes. More walked out before half-an-hour into the screening.It could be because they do not understand the film as there were no subtitles at the screening, but I get the feeling that those who walked out just couldn't stand watching such trash. Stoically, I stayed on.The plot is purportedly about a mystical blade which looks like an old chopping knife. As it passes through the hands of the titular characters, each with different motivations, it shapes their destinies. The Butcher (Liu Xiaoye) is a fat slob in love with a beautiful courtesan (Kitty Zhang), but is rebuffed each time he approaches her. The Chef (Masanobu Ando) is a loner bent on seeking revenge for the slaughter of his family. The Swordsman (Ashton Xu), the son of a legendary warrior, is consumed by the desire to eclipse his father in both power and fame.Their stories intertwine as each man takes possession of the mystical blade and discovers the power and the danger it brings.I am sure there will be some smart alecs who will see this as a work of a genius but it was sheer torture sitting through this unholy trash, trying to figure out what is happening and why. The scenes are so devoid of logic and interest that the movie would make the puerile eye-candy flick, Sucker Punch, look like a classic art flick of epic proportions. The actors seem to have been selected for their weird circus side-show looks than for how well they can act. There are curious looking midgets in the cast and even one made up to look like Jabba The Hutt.Director Wuershan, who used to shoot adverts, fails miserably at trying his hand on a feature film. He throws in all sorts of crazy, pop culture stuff and even repeating an aria from Puccini's Tosca, in a bid to lend style (or a sense of art) to the scenes. But it turns out to be more of an unintentional comedy - or a tragicomedy. The few sequences that look interesting enough are those dealing with food. Makes me wonder what sort of hallucinatory drug Wuershan was on when he made this film. (limchangmoh.blogspot.com)